The Romantic Period served as a breeding ground for some of America's most extraordinary authors. Herman Melville, Walt Whitman, Henry Wadsworth Longfellow, and Ralph Waldo Emerson are just some of the names that graced this Golden Era of American literature. Great as they were, these men still lacked a significant amount of originality. Relating their themes and structures results in little to no variation. One author, though born into the era of Romanticism dared to expand the possibilities nineteenth - century literature had to offer. Through works such as "Young Goodman Brown," "The Minister's Black Veil," and "The Birthmark," Nathaniel Hawthorne incorporated Romanticism into his own style. Including ordinary men, such as Mr. Hooper, Goodman Brown, and Aylmer helped to classify Hawthorne as a semi-Romantic author. Other Romantic characteristics were found in his stories as well. Symbolism, man's connection to nature, and the supernatural are all also present in most of his tales. But, most importantly, Hawthorne was remembered for breaking the rules and adding his own touch. He told allegories and parables concerned about his concept of the "unpardonable sin," always including the character's trials from obsession to alienation to finally a loss of soul. Careful review of his work probes the fact that fitting into a dictating society is not only boring but dangerously ordinary. In Nathaniel Hawthorne's stories, like many Romantic stories, the characters are ordinary people with superstitious beliefs. In "Young Goodman Brown," Goodman Brown is an everyday Salem citizen. He faces many of the problems tackled by other New England Puritans. He has a lapse in faith and is ... ... middle of paper ... ...he rules is the best thing to do. After all, no one remembers ordinary people. Works Cited Bruckner, Sally. "The Scarlet Letter." Masterplots. Vol 10. Ed. Frank N. Magill. Pasadena: Salem Press, 1966. 5849-51. Hawthorne, Nathaniel. "The Birthmark." Hawthorne's Short Stories. Ed. Newton Arvin. New York: Alfred A. Knoph, 1959. 177-93. ---. "The Minister's Black Veil." Adventures in American Literature. Chicago: Harcourt Brace Jovanovich, Publishers, 1989. 256-63. ---. "Young Goodman Brown." The Complete Novels and Selected Tales of Nathaniel Hawthorne. Ed. Norman Holmes Pearson. New York: Random House, Inc., 1937. 1033-42. Winters, Yvor. "Maule's Curse, or Hawthorne and the Problem of Allegory." Hawthorne. Ed. A.N. Kaul. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1966. 11-24.
“Nathaniel Hawthorne.” The Norton Anthology: American Literature, edited by Baym et al. New York: W.W. Norton and Co., 1995.
Nathaniel Hawthorne’s, Young Goodman Brown is a story of sex, sin, and the Devil, all the entertaining things in life. Hawthorne uses many literary devices to impress strength in his work. Hawthorne uses these techniques to bring out the religious themes within the story.
Benvolio- Benvolio is a member of the Montague family and he is also Romeo’s best friend. He tries to help Romeo get over his love with Rosaline by taking him to the Capulet party to see other hot women.
In William Shakespeare's play, Macbeth, imagery is found throughout as it is demonstrated in clothing, blood/murder, and finally lightness and darkness. It reveals different things about characters in play such as suspicion of Banquo and Macduff of Macbeth on how he became the King of Scotland, to Macbeth’s fear of losing the crown which revealed his evil side to commit murder to try and protect what he has wanted all of his life. Macbeth’s choices put his life in jeopardy. In life, there are little things people look over that may just open their eyes and see the world from a new
In "Young Goodman Brown," Nathaniel Hawthorne, through the use of deceptive imagery, creates a sense of uncertainty that illuminates the theme of man's inability to operate within a framework of moral absolutism. Within every man there is an innate difference between good and evil and Hawthorne's deliberate use of ambiguity mirrors this complexity of human nature. Hawthorne's Young Goodman Brown, is misled by believing in the perfectibility of humanity and in the existence of moral absolutes. According to Nancy Bunge, Hawthorne naturally centers his story upon a Puritan protagonist to convey the "self-righteous" that he regards as the "antithesis of wisdom"(4). Consequently, Young Goodman Brown is unable to accept the indefinable vision of betrayal and evil that he encounters in the forest. The uncertainty of this vision, enhanced by Hawthorne's deliberate, yet effective, use of ambiguity, is also seen in the character of Faith, the shadows and darkness of the forest, and the undetectable boundaries that separate nightmarish dreams from reality.
The Great Gatsby is a parody of itself. While Fitzgerald tries hard not to make Gatsby and especially Daisy laughable personalities, this is where he ultimately fails. There's not enough ironic distance to his characters. As Gatsby, at least in the eyes of many critics, should represent the idea of the American Dream, the presentation of his character puts the whole concept in question again, without being intended as criticism. This is mainly the fault of another weak character in the novel, Nick Carraway.
Nathaniel Hawthorne, one of America's most renowned authors, demonstrates his extraordinary talents in two of his most famed novels, The Scarlet Letter and The House of the Seven Gables. To compare these two books seems bizarre, as their plots are distinctly different. Though the books are quite seemingly different, the central themes and Hawthorne's style are closely related (Carey, p. 62). American novelist Nathaniel Hawthorne is most famous for his books THE SCARLET LETTER and THE HOUSE OF THE SEVEN GABLES, which are closely related in theme, the use of symbolism, characterization, and style.
Nathaniel Hawthorne’s, “The Birthmark” was on the darker side of the Romantic Movement, but it was still a love story. There was a love of science and obsessing over beauty and perfection. Aylmer love Georgiana and she loved him. She was willing to die for him, and he was willing to experiment on her, even if meant losing her. Hawthorne put himself into his work, expressing fears, and emotions that was hard to put into words. His surroundings impacted the outcome of his
The Stolen Generation has left devastating impacts upon the Aboriginal culture and heritage, Australian history and the presence of equality experienced today. The ‘Stolen Generation’ refers to the children of Aboriginal descent being forcefully abducted by government officials of Australia and placed within institutions and catholic orphanages, being forced to assimilate into ‘white society’. These dehumanising acts placed these stolen children to experience desecration of culture, loss of identity and the extinction of their race. The destructive consequences that followed were effects of corruption including attempted suicide, depression and drug and alcohol abuse. The indigenous peoples affected by this have endured solitude for many years, this has only been expressed to the public recently and a proper apology has been issued, for the years of ignorance to the implementation of destruction of culture. The Stolen Generation has dramatically shaped Australian history and culture.
Shakespeare cunningly gives the audience an early indication of Benvolio’s personality through his name. Benvolio translated literally means “good-will” or “well wisher” a role he consistently fills, although sometimes unsuccessfully throughout the play, striving to keep himself and others around him out of any conflict. In the very first scene of the play, Benvolio quickly establishes himself as the peacemaker as he tries to stop the fight between the Montague and Capulet servants by saying, “Part fools! Put up your swords, you know not what you do.”(I.i.64-65) Wanting peace he warns them to stop arguing before things evolve into a grave situation. In that statement, Shakespeare references the Gospel of Luke “Father forgive them for they know not what they do” (Luke 23:34), using his skillful use of the written language to allude that Benvolio was taking on a Christ like peacemaker role in the play. Benvolio’s moral convictions do not change over the course of the play. His stance on peace is evident in all three scenes. In Act III, as Mercutio and Tybalt begin to fight, Benvolio once again attempts to be the voice of reason, “We talk here in the public haunt of mean: eithe...
Since the time of federation the Aboriginal people have been fighting for their rights through protests, strikes and the notorious ‘day of mourning’. However, over the last century the Australian federal government has generated policies which manage and restrained that of the Aboriginal people’s rights, citizenships and general protection. The Australian government policy that has had the most significant impact on indigenous Australians is the assimilation policy. The reasons behind this include the influences that the stolen generation has had on the indigenous Australians, their relegated rights and their entitlement to vote and the impact that the policy has had on the indigenous people of Australia.
Hawthorne, Nathaniel. "Young Goodman Brown." 1835. The Heath Anthology of American Literature. Ed. Paul Lauter et al. 2nd ed. Vol. 1. Lexington: Heath, 1944. 2129-38.
Soon after they farewell each other, Romeo set out forth to the town, and to his surprise, finds his friends, Mercutio and Benvolio, fighting with some guys from the Capulet family, including Tybalt, lady Capulet’s cousin.
"Nathaniel Hawthorne." American Studies @ The University of Virginia. N.p., n.d. Web. 30 Nov. 2013. http://xroads.virginia.edu/~ma01/lisle/dial/hawthorne.html
Shakespeare utilizes imagery in the scenes of Macbeth’s grief for killing king Duncan, lady Macbeth cleaning the spot on her hand, and the voices Macbeth hears after he has finished his dark deed. Lady Macbeth