Nabokovs Spring in Fialta
Spring in Fialta’s opening line, “Spring in Fialta is cloudy and dull,” (Nabokov 413) is quite an atypical beginning for Nabokov. This line, coming from a man who is overly concerned with trifles, brings up many questions. Is Nabokov intentionally leaving out the trifles of Fialta here at the beginning? If so, why? Perhaps the answer to this question is that Nabokov intends for the line in question to be a double entendre referring to both the town and the story itself. On the narrative level, Nabokov leaves little to the reader’s imagination. The story is dull and commonplace. Moreover, I found Douglas Fowler’s criticism of the story to be off the mark and reaching. Fowler is looking too deeply into a cut and dry romantic parody, which bears a striking resemblance to Pushkin’s Eugene Onegin.
Nina’s imminent death is mentioned all over this story. These statements are so direct that it cannot be called foreshadowing. Foreshadowing is much more subtle, like seeing a dead bird or something. Foreshadowing is definitely not like what is in Spring in Fialta, which is more like, “Yup, she’s gonna die.” For example, the lunch with Nina where, “for the last time in her life, was busy eating the shellfish of which she was so fond,” (Nabokov 427). There are many more statements, some not quite as direct as these, but direct nonetheless such as when Victor is imagining her:
Had I to submit before judges or our earthly existence a specimen of her average pose, I would have perhaps placed her leaning upon a counter at Cook’s, left calf crossing right shin, left toe tapping floor, sharp elbows and coin-spilling bag on the counter, while the employee, pencil in hand, pondered with her over the plan of an eternal sleeping car. (Nabokov 417)
Also, very early on, Victor says he “cannot imagine any heavenly firm of brokers that might consent to arrange me a meeting with her beyond the grave,” (Nabokov 415).
Statements such as these makes the reader so used to Nina’s death that at the climax of the story when she finally dies, the reader feels no sadness towards this event. There is no tugging at the heartstrings.
The emotional appeal can be felt on every sentence of the essay. Form this we can see the suffering faced by the writer. Even the first sentence of the article grabs the reader’s attention. It says,” The blood was like Jell-O. That is what blood gets like, after you die, before they tidy up” (Roberts). The words, blood, suicide, death are themselves filled with emotion which grabs reader’s attention to read the essay. Life is precious. We don’t have a second chance to live. We just live our life once and nobody sacrifices one’s life uselessly. Roberts effectively makes appeals to pathos throughout her essay. Her essay is full of emotionally charged words and phrases like death, suicide, motorcycle accident, abandonment and so on which create a sympathetic image. “Second-guessing is the devil’s game, for there are no answers and infinite questions. But it is an inevitable, inescapable refrain, like a bad song you can’t get out of your mind” (Roberts). This statement clearly supports her appeal to pathos because by the death of a loved one, we have all kinds of difficult emotions and it may feel like the pain and sadness will never go away. Her goal is to make reader feel sympathy for her by writing her personal experience of
In the fictional short story “The Landlady” by Roald Dahl, the author uses foreshadowing to create suspense. For instance, on page 63 it states, “Suddenly, in a downstairs window that was brilliantly illuminated by a street lamp not six yards away, Billy caught sign of a printed notice propped up against the glass in one of the upper panes. It said “Bed and Breakfast.” This proves that Billy found a place to stay and if he should go and stay in that house. It also proves that we don’t know who is in the house or if there is anybody there. Another Example of foreshadowing from the text is on page 65-66, it states, “He found the guest book lying open on the piano, so he took out his pen and wrote down his name and address. There were only two
Another example of fate and foreshadowing is when Juliet is asserting her free will to marry Romeo. She is saying that she will die unmarried if he is unavailable. Her words foreshadow her death at the end of the play.
Within "The Story of An Hour", Chopin talks about death and illustrates the significance of it. This story implies that death may actually be a blessing under certain circumstances. The narration begins with Louise gets informed that her husband had passed away in an accident. She's no ordinary women, but someone with heart disease. It leads the reader into thinking that she would be in great pain, suffering from the loss of her other half. Surprisingly, Louise's reaction was the exact opposite with her feeling a sense of comfort, but why? In exchange of her husband, she had gained freedom. The feeling of joy was being suppressed holding it down with her own will. Now that Louise is independent,...
You can always count on a murderer for a fancy prose style. So says Humbert Humbert at the start of Lolita in his account to the "Ladies and gentlemen of the jury" (9). He refers to himself as a murderer (he is, after all, "guilty of killing Quilty"), not as a rapist, the far more serious offense Lolita levels at him. That I, and everyone else who reads the book, call Dolores Haze by the name "Lolita" demonstrates the efficacy of Humbert's fancy prose style - under the spell of his aesthetic mastery, we, the jury, must bend to his subjective vision through memory, and thus we see the twelve-year-old nymphet as Lolita, as she is in Humbert's arms. It is difficult to castigate Humbert when we see the world through his European eyes.
For instance, foreshadowing takes place when, after shooting the doe, Andy runs away and “Charlie Spoon and Mac and her father crying Andy, Andy (but that wasn't her name, she would no longer be called that);” (338) this truthfully state that she no longer wanted to be called Andy, she wanted to be called Andrea. Finally, Andy realized she is at the stage of growing up so she depicts between the woods where she can be a male or the ocean where she can be a female. She chose to stay true to herself and become Andrea because “Andy” lost her innocence when she shot the doe. Another example of foreshadowing is when Charlie was having distrust that Andy should come with them because she is a girl. The allegation Charlie made can be an example of foreshadowing because of how Andy will never go hunting ever again because she hated killing doe and it hurt her to see the doe suffering. This resulted to Andy never wanting to kill doe ever again. She changes her nickname to Andrea, her real name, because that’s who she is. Andy must face the reality of death before she can grow up. Additionally, foreshadowing contributes the themes overall effect by explaining how Andy’s loss of innocence happened and how she realized she must grow
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
Foreshadowing is used in many of Charles Dickens' novels. It can bring about a sense of wonder and imagination of what might occur later in the novel. The conceopt of foreshadowing means to present a warning sign, or hint beforehand. Dickens is able to use this concept in three examples. The threatening footsteps in the Manette home, Gaspard's illustration of "blood," and Mr. Lorry's dream of brinnging a man back to life, are all examples of warning or foreshadowing. that Dickens' uses in his novel A Tale of Two Cities.
In conclusion, if you read this story carefully you will pick up the small hints and know the outcome of the story. This also shows that foreshadowing can be direct statements or simple statements of fact.
In Romeo and Juliet a significantly horrendous ending takes place, but with Shakespeare's use of foreshadowing he is able to keep the reader from being overly traumatized. For example, when Juliet and Romeo are discussing plans Juliet says, "O God, I have an ill-divining soul! / Methinks I see thee, now thou art so low, / As one dead in the bottom of the tomb"(lll,v,14-56). Juliet has mixed feelings about the arrangement devised by the Friar so that the two of them can be together. Juliet thinks disaster will come of previous tactics developed to allow Romeo and her to be together. In addition, when Romeo is speaking of his love for Juliet he says, "And but thou love me, let them find me here. / My life were better ended by there hate / Then death prorogued, wanting of thy love"(ll,ii,75-77). Romeo's immense love for Juliet will eventually lead to the fall of himself. Death lingers throughout the play between Romeo and his love, Juliet. In conclusion, when Juliet is thinking about Romeo she says, "Give me Romeo; and when he shall die / Take him and cut him out in little stars, / And he will make the face of heaven so fine / That all the world will be in love with night," (lll,ii,21-25). This suggests that in the play Romeo will end up dying and Juliet will be there to see it. Juliet prophesizes over many topics in the play and in the end they become true. Foreshadowing is used in this play to help the audience trounce the dreadful outcome.
Another example of foreshadowing is the clues to the death of the Marquis St. Evremonde. The people that want a revolution hate the Marquis. “That I believe our name to be more detested then any name in France” from Charles Darnay to the Marquis (113). The Marquis hears this and reply’s “’A compliment’, said the Marquis, ‘to the grandeur of the family’”(showing that he is completely oblivious to what is going on in France)(113). This is foreshadowing that the people will probably punish the Marquis. The final event is when the Marquis’s coach ran over a child and he replied “’It is extraordinary to me, said he ‘ that you people cannot take care of yourselves and you children’”(102). Then Defarge throws his coin back into the carriage, showing his anger. This event angers the people, and is a key part in the foreshadowing of the Marquis’s death.
Unfortunately, her hope for long years and many beautiful spring days was abruptly ended in an ironic twist. Unbeknownst to herself and her company, Mr. Mallard had survived, and within an hour the promises of a bright future for Mrs. Mallard had both began and came to an end. Her grievous death was misconstrued as joy to the others: "they said she had died of heart disease-of joy that kills" (Chopin 471). This statement embodies the distorted misconception that a woman lives only for her man. The audience, in fact, sees just the opposite. To Louise her life was elongated at the news of her husband's death, not cut short. Throughout the story, one hopes Louise will gain her freedom. Ironically, she is granted freedom, but only in death.
In this story by Kate Chopin, the heart trouble is both a symbolic and physical malady that stands for her ambivalence towards her unhappiness and marriage conjoined inability to be free. The first thing we qauire in the book is that Louise is suffering from a heart problem;additionally we learn that her heart problem is also the reason why the announcement of the death of Brently seems so threatening now. It is also clear that an individual with a heart problem would certainly not deal with such terrible news. In any instance where Louise tries to go through the idea of her renewed independence, her heart races as the blood in her veins pumps to the extremes. As the story ends, Louise dies. The diagnosis of her heart disease looks appropriate to her disease but it seems even more appropriate since she experienced shock once she saw Brently. Surely, such shock is enough to drive her to her deathbed. It is however ironic that the doctor concludes that the main reason as to the death of Louiseis overwhelming joy. It is ironic because it is not joy that had led to her death but rather loss of joy, which had killed her. Louise had certainly died because of a broken heart that was caused by the idea of suddenly losing her much loved independence (Chopin, The Story of an Hour)
Vladimir Nabokov suffered a neurological disorder called Synthesia. In this disorder, some senses appear the form of other senses. For his specific case, it allowed him to see letters in color. The literary form of this disorder is writing when one sense describes another. Nabokov’s synthesia allowed for him to compose its’ literary form in a superior manner. Additionally, in its literary implication, synthesia generates juxtapositions of the senses. With and in juxtaposition, he uses the comparison of senses to describe one sense through another sense. Nabokov uses his Synthesia to enhance juxtapositions in order to capture essence of life through words. In his short story First Love, he illustrates importance of using the senses in descriptions
Igor Stravinsky’s ballet/orchestral work, The Rite of Spring was quite different than what people were used to. The story of it deals with the prehistoric times of Russia when they were pagans. Each year they had to sacrifice a woman who is a virgin to make the gods happy so that the rest of the society could survive and grow. The girl that is chosen is made to dance until she dies. On the first night this was performed, a riot broke out because the audience couldn’t believe what they were hearing or seeing. The dancers could barely even hear the music because the audience was going crazy, but Nijinsky kept them going (http://study.com/academy/lesson/the-rite-of-spring-story-analysis-composer-music.html) The Rite of Spring was definitely an influential musical piece for the 20th