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Arcumentative about hawaii history
Arcumentative about hawaii history
Hawaiian history CHRAPTER 14
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Ode to Hawaii Discussed and found in this paper, you will find, how I have appreciated you from the time I started staying with you. I have come to an understanding of you, Hawaii. I understand your self pride, physical traits, culture, and history. These keep my memories alive, that have brought back to life what it felt like to experience your underlying qualities first hand. You mysteriously carry messages and feelings around that make you stand out from everywhere else. “Oh Hawaii, how grateful I am to you”. The palm trees hold a signal of victory. The sizable leaves that stay green throughout the year that lie against wholesome fruits that bloom everlasting. It’s leaves swishing back and forth, adding volume to my ears. Hawaii, you reveal
While sitting on the beach looking into the ocean, rubbing the sand and enjoying the beautiful weather at Cabana’s beach; in beautiful Hawaii on the west side of the island of Oahu is a blessing. Listening to “Hawaii 78” by Israel Kamakawiwo’ole at midday at three-thirty pm sparks a sense of uneasiness to a Native Hawaiian, Who are my ancestors? Who is Israel Kamakawiwo’ole? What is the land used for? Has Hawaii really changed, what is the difference between today and one hundred years ago? The importance of the logo “Ua Mau Ke Ea O Ka Aina I Ka Pono O Hawaii” http://www.netstate.com/states/mottoes/hi_motto.htm
As every other culture, Hawaii has its own myths and stories. Holo Mai Pele tells the creation myth of Hawaii and this myth holds the same stature for Hawaiians as Genesis for Western (Christian) cultures and Ramayana for Hinduism. Holo Mai Pele is an epic saga of the Hawaiian god of volcano Pele, and her sister Hi'iaka. The major themes present in the story are sibling rivalry, love, conflict and creation. Simultaneously, it tells a story of an individual's journey to her self-awareness and reclaiming her status as a deity. The purpose of Holo Mai Pele is to keep the Hawaiian myth alive in order to pass it down to future generations. The poetic aspects of the play make it easier to remember and interesting to perform.
The Hawaiian culture is known throughout the western world for their extravagant luaus, beautiful islands, and a language that comes nowhere near being pronounceable to anyone but a Hawaiian. Whenever someone wants to “get away” their first thought is to sit on the beach in Hawai’i with a Mai tai in their hand and watch the sun go down. Haunani-Kay Trask is a native Hawaiian educated on the mainland because it was believed to provide a better education. She questioned the stories of her heritage she heard as a child when she began learning of her ancestors in books at school. Confused by which story was correct, she returned to Hawai’i and discovered that the books of the mainland schools had been all wrong and her heritage was correctly told through the language and teachings of her own people. With her use of pathos and connotative language, Trask does a fine job of defending her argument that the western world destroyed her vibrant Hawaiian culture.
When my family and I could feel the warm fine sand, the gentle cool breeze, witness the crystal clear aquamarine ocean and swaying palm trees, and smell the sweet fragrant scent of plumerias, we must have gone to heaven. The enchanting beauty of this Hawaiian island, Maui, gives us a sense of warmth, peace, and serenity. In search of paradise, we explore the infamous Road to Hana, snorkel with underwater marine life, and journey back in time to experience the true customs, traditional cuisine and the original song, music and dance of Hawaii at a luau.
When I stepped out of the hot, airless plane into the bright, dazzling sunlight beaming down across the burning concreate, I felt excited and nervous. Holding my beach bag in my hand and slipping my Ray Ban sunglasses on with my other, I flip-flopped down the airspace. Overhead I heard the screams of gulls and the chatter of the small fluffy birds. I suddenly realized I had arrived to Hawaii. This trip was such an unforgettable vacation for me because I got to witness the beauty of nature that Hawaii has to offer.
Brown, DeSoto. "Beautiful, Romantic Hawaii: How the Fantasy Image Came to Be." The Journal of Decorative and Propaganda Arts. 20 (1994): 252-271.
In the 1960s-1970s, the Hawaiian Renaissance and growth of the Hawaiian Sovereignty Movement began. During this time there were small, yet important events that sparked a completely new understanding for the Kanaka Maoli. In the past, being a Hawaiian was not something to be proud of; many did not even have much knowledge of what being a Hawaiian really was. As Hawai‘i became more colonialized and heavily influenced by various cultures, the quality of being a Hawaiian slowly but terrifyingly disintegrated. It seems that right after statehood, there was a sense that a new era would come.
Jovik, Sonia P. and James O. Jovik. (1997). “History.” Atlas of Hawaii. Honolulu: University of Hawaii Press, p.408.
Hawaii is arrival. To arrive in Hawaii is to follow all of history, one group at a time. To the Kanaka Maoli, the people who first traveled in ancient times across the ocean in canoes and small boats from Polynesia, Hawaii was the promised land. It was the end of their pilgrimage, the land of powerful spirits and gods in need of worship. The Kanaka Maoli developed a complex society around this new land and these new spirits; a free society built around peace, love, and worship of one’s homeland. This way of life flourished for thousands of years, until the arrival of Christian missionaries in the 18th and 19th centuries declared their freedom evil, their nakedness vile, and their gods false. Christianity flooded the shores of the islands, pulling with it white entrepreneurs, who set up massive farms and plantations to take advantage of Hawaii’s unique agriculture, and Japanese workers for those plantations, with whom Christianity gained its strongest base in the islands. Then came the political opportunists, who in less than one century pulled the Hawaiian monarchy up to its highest levels of Western pomp and circumstance, only to tear it down again with the overthrow of Queen Liliu’okalani in 1893 with help from the United States Government (who later annexed the island chain). Next came the arrival of the expatriates; the tourists; the haoles (whites) who saw Hawaii as nothing more than a tropical novelty or an escape from their stress-filled lives back on the mainland. Statehood came quickly in 1959, as did immigrants from the Phillipines and Korea. I came in 1995, with my haole military family, to a land that would become my adopted home the way it had for so many others. I found a land carved up like a puzzle; each person, each culture, each idea holding onto their piece with the will of God or gods. Today, there are many Hawaii’s. Depending on where you go, you can witness the poor, the rich, the privileged, the oppressed, the loud, the silent, the passive, and the active.
Hawaii’s population is diverse and unique. The islands are the most racially diverse state in the Unites States; in fact there are, no racial majorities in the Hawaii. 38.3% of the population is Asian while only 26.1% is Caucasian. Because of the diversity of citizens and the mix of Western idea with Hawaiian traditions, Hawaii has a varied and ethnically assorted culture. However, many citizens still practice the religion and traditions of their ancestors through their music and dance. The most important infl...
While walking down the beach, the white, warm sand mushes between your toes. The sun’s radiant rays beam off your glowing skin. The sound of waves crashing blocks out the external world. There is no other place like the gorgeous tropical islands of Hawaii. The wide range of flowers, cuisine, and wildlife makes it one of the most diverse places on Earth; however, the unappealing aspects Hawaii makes it one of the most dangerous in the world.
...e" (Trask xix). This incident beautifully illustrates and signifies tourism's impact in American society. Like most Americans, this woman uses a discourse that has been shaped by tourist advertisements and souvenirs. The woman's statement implies that Trask resembles what the tourist industry projects, as if this image created Hawaiian culture. As Trask asserts, Hawaiian culture existed long before tourism and has been exploited by tourism in the form of advertisements and items such as postcards. Along with the violence, endangered environment, and poverty, this exploitation is what the tourist industry does not want to show. However, this is the Hawai'i Haunani-Kay Trask lives in everyday. "This is Hawai'i, once the most fragile and precious of sacred places, now transformed by the American behemoth into a dying land. Only a whispering spirit remains" (Trask 19).
...Hawai`i’s economy is very dependent on tourism, however many locals are possessive of their land, and as they stereotype tourists, many do not accept others as they have a unity for their own. Numerous individuals feel the desideratum to fit the local stereotype because they prefer not to be labeled as a “haole”. It becomes tough and rather intense for an individual, because becoming haole betokens that you forgot and disregarded the local or Hawaiian quality values and ways of routes, as well as the flowing stream of life in the islands. We need to remind ourselves that regardless of where we emanate from, our skin tone, race, physical characteristics, and so forth, everybody ought to acknowledge just for who we/they are and treat one another like 'ohana and show "aloha", and subsequently, we can determinately verbally express "This is it. This is Paradise" (33).
Thank you for taking the time to read about the Hawaiians and their culture. I hope that you learned something new about this quaint island chain. If by any chance you’re going to visit Hawaii soon, I know you’d have a great time because