Movie The Matrix
In 2002, Brent Staples communicated with Jean Baudrillard about the use of his philosophy in The Matrix (1999), a film written and directed by Andy and Larry Wachowski. Staples wrote, “He [Baudrillard] noted that the film’s “borrowings” from his work “stemmed mostly from misunderstandings” and suggested that no movie could ever do justice to the themes of this book”. In this paper, I will argue that the Wachowski Brothers did not want to “do justice to the themes of this book”; they wanted to adapt Baudrillard’s theories about the blurring of the real and unreal, and the eventual extermination of the real, into a story that provides hope for humans wanting to escape the suffocation of the “hyperreal”. The “hyperreal” was first coined by Baudrillard in his book, Simulacra and Simulations (1983); it is the product of the distortions of the real through endless simulations of it in radio, newspaper, television, and film.
In The Matrix, Morpheus offers Neo one more opportunity to accept the “hyperreal” in the form of a blue pill which alludes to a world of fantasy, a world that has imprisoned the real—this world is known as the matrix. Many people, like Neo, might ask "what is the matrix?" Whether they would be ready, or not, Morpheus will tell them, “The Matrix is the world that has been pulled over your eyes to blind you from the truth”. The truth “that you are a slave”, “like everyone else you were born into bondage, into a prison that you can’t smell, or taste, or touch; a prison for your mind”. This prison is built not necessarily to keep you from being free, but to keep you from the real. The prison’s simulations of the real are so precise that they fool thousands of people in The Matrix. However, there...
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... the matrix. Neo speaks of a simulation that produces redundancy, a simulation that fears change and evolution, and finally a system that allows no progression of human thought. Neo and his band of revolutionaries are now set on awakening as many people as possible from this banal, fake existence. An existence that has produced the stagnation that the Wachowskis feel humans have been born into.
There is meaning to be found in life, and for the renegades in The Matrix, meaning is reality. The Wachowskis, and those liberated from the programmed world, see the perpetual simulations and the machines responsible for them as enemies. The enemies of reality are accountable for the traditional cultural suffocation of the real, progress, inspiration, dreams, and individuality. The Matrix and its creators take the position that no amount of this suppression is acceptable.
This world is designed to simulate the peak of human civilization which was destroyed by nuclear war. The majority of the world's population is oblivious to the fact that their world is digital rather than real, and they continue living out their daily lives without questioning their reality. The main character, Neo, is a matrix-bound human who knows that something is not right with the world he lives in, and is eager to learn the truth. He is offered the truth from a character named Morpheus, who proclaims that Neo is “the One” (chosen one) who will eventually destroy the Matrix, thereby setting the humans “free.” For this to happen, Neo must first overcome the Sentient Program agents who can jump into anyone's digital body.
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
camera then cuts quickly to a shot from the view of the door, just as
The matrix, as presented in the eponymous film, operates as an Althusserian Ideological State Apparatus (ISA). The Matrix1 presents a world in which "the state [as] a 'machine' of repression" is made literal where robots rule the land (Althusser 68). It is true that they rule by force (sentinels and agents) and these constitute the Repressive State Apparatus, but their primary force of subjugation is the matrix, their ISA. The film traces the path of one man, Neo, in his painful progress from the ideology of the matrix to the "real world," or the ideology of the "real."2
In The Cave prisoners are chained, from birth, to face a wall within a dark cave. These prisoners have never had any interactions with the outside world. Their only understanding of the outside world comes from a bridge and a fire at their backs. When people, animals, or objects cross the bridge, the fire projects their shadows upon the cave wall which the prisoners are facing. To these prisoners, the obscure shadows which dance along the walls of the cave are the only “real” thing they know. To their brains, which have never experienced, seen, or came into any contact with anything in the outside world, this is reality. To the prisoners, reality is a jumble of dark shadows which occasionally move from one end of a cave wall to another. This is their perception of reality because it is all they have ever known. While The Matrix does not involve prisoners being chained to a cave wall, the ideas within it are very much the same as in The Cave. Neo, the main character in The Matrix, has unknowingly been living in the matrix his whole life. The matrix world is his reality much like the shadows on the cave wall are the prisoner’s reality. As the world outside of the cave is the true world for the prisoners, the true reality for Neo is the real world which exists outside of the matrix, which is a highly advanced
...tands the test of time, thanks only to its screenplay; the effects, score and sets can all be outdated, but a good script will never date until dealt with. Many of the influential screenplays, hence films, have risen from the sci-fi genre and they will undoubtedly continue to do so as long as the genre keeps re-inventing itself visually. This is something the Wachowski bros have done; they’ve started a new chapter in the history of cinema and sci-fi, one which has already spawned the likes of ‘Pitch Black’ ( Ian Thorburn and David N. Twohy , 2000), ‘Minority Report’ ( Steven Spielberg , 2002) and of course, the next two Matrix sequels.
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
The Matrix, once being released was a world-famous film that involved a lot of thinking and the ability to interpret complex ideas. However, these two topics of fate and freewill were creatively and smartly submerged in this film. The pill, jujitsu and Oracle scene were three main examples of the effect this all had on The Matrix, however there were a few others scattered throughout the film. It remained to be quite a mysterious concept but gradually as more in-depth thoughts came to mind, it seemed to be quite interesting. By exploring these themes it forces us to think if we are in a Matrix and what are reaction would be like if we were to find out that the world we lived in was a fake, never our true reality.
In their film, The Matrix, Andy and Larry Wachowski have included many literary allusions and symbols to enhance the appeal of this groundbreaking science fiction film. As incredible as the special effects and cinematography are in this film, the Wachowski brothers have significantly bolstered the appeal of The Matrix by an elaborately constructed story spanning time and reality. These allusions and symbols include references from infamous writers such as Lewis Carol, Jung, John Bunyan and Descartes. However, the most meaningful and abundant references come from The Holy Bible.1
The Matrix is a 1999 science fiction film written and directed by The Wachowskis, starring Keanu Reeves and Laurence Fishburne. It tells a story of a future in which reality to most humans is actually a computer program called "the Matrix”. In "the Matrix” humans are really sleep while their bodies are fed on my machines. The movie while directed to entertain audiences but also gave us many insights into philosophy. Many scenes in this movie reflect Descartes, and his many writings explaining them in a visual manner. In this paper I will show various examples of philosophy within the scenes and give commentary explaining each scene.
The movie chosen, as a springboard into the forthcoming philosophical discussion, was “Dark City”, A Mystery Clock Production by New Line Cinema directed by Alex Proyas. The movie raised many interesting questions and produced many engaging comments. At the very beginning of the movie, you hear the voice of Dr. Schreber, played by Kieffer Sutherland. He begins by saying, “They [the “Strangers”] had mastered the ultimate technology, the ability to alter physical reality by will alone.”i[1] If the “Strangers” are altering reality, the people of the city will never truly know what is real and what is artificial. Consequently, the city in which they live is all artificial and made up. We as viewers can see this, but ...
When I first announced to my parents that I was going to marry my current wife, the first words out of my father’s mouth were, “But she’s from another culture.” My father and mother, although being generally good people, are the products of an older system of beliefs. It is the matrix I was raised with, and that dictated my earlier learning experience. Fortunately for me, I chose to risk alienating my parents, and told them that if they ever mentioned “different cultures” to me again, it would be the last time we would be on speaking terms. I chose to ignore the matrix I was presented with, and the happiness and peace of mind that came from that decision have shaped my life ever since. I share this example because it is the key point of what I want the reader to understand from the comparison in this paper. It is a comparison between two choices made by two different primary players from the movie The Matrix and Octavia Butler’s novel Dawn.
The Matrix, directed by the Wachowski sisters, is a film that discusses free will, artificial intelligence and poses a question: ‘How do we know that our world is real?’ This question is covered in the philosophical branch of epistemology. Epistemology is a component of philosophy that is concerned with the theory of knowledge. The exploration of reality is referenced in the film when Neo discovers he has been living in an artificial world called ‘The Matrix’. He is shocked to learn that the world in which he grew up is a computer program that simulates reality. The questioning of knowledge and its irreversibility provoked by The Matrix invites the audience to wonder whether their own world is an imitation of true reality, thus making it a
...The Matrix” and Plato’s “The Allegory of the Cave” almost gives the idea that the movies writers may have had a lot of influence from Plato’s allegory. The creation of this movie gives and futuristic prospective of “The Allegory of the Cave” letting the people who have seen the movie think about reality and the truth. In conclusion, Plato’s story of the cave brings up many philosophical points and most significantly, addresses the topic of society’s role in our lives. On some level, we are all influenced by the thoughts and actions of everyone else, but at the same time, we as humans have the ability to question, make our own conclusions, and finally make our own choices.
In the film The Matrix (1999) in the scene “The Two Pills” help characters and relationships are developed and continuation of the films narrative through various components of cinematography and mise-en-scène. Most notable in The Matrix is the use of costuming, sound effects, props, setting and camera movement. Through the use of these techniques the audience becomes more involved in the narrative as Neo meets Morpheus for the first time and is given the opportunity to learn the secrets of the matrix.