The Reclusive ogre Shrek lives in a swamp that is suddenly invaded by
fairy tale creatures of all sorts. Lord Farquaad, ruler of nearby
Dulac, wants to make his city as perfect as possible and thus banishes
all fairy tales. This includes a sarcastic, motor-mouthed Donkey who
more-or-less adopts Shrek. When Shrek goes to complain, Farquaad's
knights attack him. When he defeats them, he becomes champion.
Cowardly Farquaad asks Shrek to rescue Princess Fiona from a
dragon-infested castle in exchange for his swamp. Farquaad, who wants
to marry a princess so he can become a real king, has chosen Fiona
from a "Dating Game" magical mirror. Shrek and Donkey set out on the
perilous journey and have many adventures. They rescue Fiona after
fighting the dragon, but later the dragon becomes friendly. Fiona is
at first disappointed with her rescuer, expecting a handsome prince to
fall in love with rather than an ugly ogre. Fiona herself becomes ugly
at night because of a curse, but she hides this fact from Shrek. After
a series of misunderstandings she almost marries Farquaad, but her
love for Shrek is finally realised and fulfilled.
Shrek closes himself off from society because he thinks he is
physically unacceptable. Fiona expects the world to conform to the
romantic ideas she got from reading fairy tales. And like Shrek, she
worries that if people see her ugly side, no one will like her. The
Dragon also seems worried about her physical self for when Donkey
compliments her, she becomes friendly and helpful. Everyone learns
about the true nature of beauty, love, and friendship. Shrek and
Donkey forgive each other because they are friends. Farquaad is driven
by a lust for power. He chases the fairy tale creatures from his city.
He also uses a magical talking mirror.
Social Psychology is the scientific study of how we influence, affect, and relate to one another. Social psychology is studied to see how the influence of others can impact how we act. This can be seen in many aspects in life. Most specifically, social psychology can be seen in movies. Recently, I have viewed the movie Shrek which was released in 2001. Shrek is a kid’s movie about an ogre named Shrek who rescues a princess from a castle for Lord Farquaad in order to regain his swamp and privacy. During this process, however, Shrek falls in love with the princess and discovers a secret about her. While watching Shrek, I have noticed that many theories and concepts from social psychology were apparent in the film.
The following essay will be an explanation of how Shrek and the fairytale creature’s freedom of rights were violated. Although most people might not realize there were many violations executed by lord Farquaad against most of the characters in the movie. The Canadian Charter of Rights and Freedoms is very important because it provides justice and protection for every human individual. Shrek is an ogre who just wanted to be left alone but his swamp was invaded by the rest of the fairytale creatures. He goes on a quest to save Princess Fiona for Lord Farquaad. Along his journey he has to overcome many obstacles despite his rights being violated every step of the way. Lord Farquaad was an unjust ruler; he violates fundamental freedoms, Democratic
The first scene of Shrek starts off with him in his swamp having fun to an upbeat track (All Star by Smash Mouth), which presents Shrek to be a laidback, peaceful character. After the opening scene, there were a bunch of nearby villagers, who have negative stereotypes about ogres, headed towards Shrek’s swamp to try to drive him away from there (Constructivism). The usage of stereotypes set a theme for the film, to never judge a book by its cover. Once Shrek met Donkey and Fiona, neither one of them assumed that because Shrek was an ogre, it meant he is an evil monster. In addition, everyone else in the movie does not call him Shrek. Everyone calls him “Ogre” instead, further confirming the stereotype. In another scene after Fiona goes into a cave at night to sleep, Shrek and Donkey have a conversation of the aftermath of their quest to rescue Fiona. Shrek goes off on a tangent about how people hate him despite not even getting to know him. Donkey shows an example of personal construct by telling Shrek that he never thought of him as an ugly monster. This scene shows the bipolar dimensions aspect, where people who never tried to know more about Shrek would have a default negative view about him. Donkey, who learned more about Shrek during their journey, does not characterize him as any type of villain and
Society establishes their own rules of morality, but would they be accepted in these days?
The final element that I thought was very important to the play was the theme. The theme was the main thing that the musical was about and basically the whole reason for several actors, directors, producers, prop designers, etc. to spend so much time and effort to put on the play. One major theme in the musical was the theme of acceptance. Ogres aren’t typical characters in fairy tales that are accepted very much. The story of Shrek and Fiona teach people that it’s okay to be different and to be yourself which i think is a very important lesson.
In the essay i am going to focus on the characters of Shrek and lord Farrquaad, the fairytale genre is subverted from the usual ogre being a man eater and the prince saving the princess to the ogre becoming the rescuer and the prince being evil person who sends the ogre to do his dirty work and rescue the princess.
Proper socialization as an infant has long lasting effects on an individual well into adulthood. Sociality in the form of bonding with one’s mother, friendships or just mental stimulation from sound and touch can help form a person’s personality and determine their moral attitude. Morality correlates to empathy because empathy gives someone the ability to relate to how another is feeling, which in turn could help someone determine what is considered right and wrong. Empathy is associated with being responsible for someone’s ability to make socially acceptable decisions and exhibit moral behavior. When someone is lacking empathy or has been socially stunted such as the case of the Romanian orphans, it is believed that they are more capable of doing immoral things such as stealing, lying and cheating. What is morally acceptable
In this essay I am going to analyse the characters of shrek and Lord Farquaad, and write about how filmmakers use different camera angles, lighting, music and setting to create an unusual fairy tale. The giant in jack and the beanstalk is what we expect of giants/ogres. In traditional fairy tales ogres are normally man-eating beast, at the beginning of shrek, shrek is what you expect him to be like. When the farmers go to his swamp and the meet shrek. When shrek is shouting at them the low angle camera shot makes shrek look intimidating to the crowd and audience.
The second reason to act morally is because there is religion. Sometimes moral codes are obtained by theologians who clarify holy books, like the Bible in Christianity, the Torah in Judaism, and the Qur 'an in Islam. Their conclusions are often accepted as absolute by their believers. Those who believe in God view him as the supreme law giver; a God to whom we owe obedience and allegiance. In other words, they think that being a good person is one who obey god by following his commandments. Religion helps people to judge whether a certain act is good or bad, which can be considered as the definition of morality. Most religions promote the same values which are: fairness, loyalty, honesty, trust, etc.... Similarly, McGinn lists the same qualities
Shrek’s journey begins when he receives an invitation from Fiona’s father and promptly travels to the city of Far Far Away. Barely arriving home from his honeymoon, Shrek is “hereby summoned to the kingdom of Far Far Away in celebration of [his] marriage” (Adamson, Asbury, Vernon, Shrek 2). He discerns that Fiona compels him to attend; however, Shrek has observed the grandiose procession during the reading of his summoning, and remarks he is out of place, being an ogre. By highlighting the differences brought upon by the notice, Shrek demonstrates he understands that his life is about to change drastically, fulfilling his call to adventure. Under pressure from Fiona and Donkey, his loyal friend, Shrek embarks on the road to Far Far Away. When he finally enters the gate of the extravagant city, Shrek sighs and asserts that “[they] are definitely not in the swamp anymore” (Adamson, Asbury, Vernon, Shrek 2). The area between Shrek’s swamp and the land of Far Far Away that he crosses serves as a threshold,...
es indeed, animation is fun for children, but it also expresses important ideas for people of all ages. In some ways, ‘Shrek’ is your classic fairy tale for example, it has a hero, a beautiful Princess, and a dastardly villain. But unlike the traditional fairy tales, the hero is an ugly, ill-tempered ogre, the Princess is not all she appears to be, and the villain has some obvious shortcomings. The award-winning animated film, ‘Shrek’, is directed by Andrew Adamson and Vicky Jenson, the viewers learn that being a good person is more important than just being good-looking. It also shows that true friends help each other in difficult situations and that women can be equally as strong characters as men. These ideas are portrayed through characters such as Shrek, Princess Fiona and Donkey. The directors use camera angles and dialogue to express their ideas.
Shrek, an enormous, disgusting green ogre falling in love with a beautiful princess (later turning into a nasty ogre) is a perfect example of a stereotypical fairytale, right? Well in the movie Shrek, the voice over in the trailer talks about a “hero” attempting to rescue a “fair princess” with the help of “his trusty companion." Besides the fact that the hero is a voluptuous green ogre and the companion is a donkey, everything fits in normally to the definition of a traditional fairytale (Diaz). Also according to Mary Kunimitsu, in fantasy films “There may be characters with magical or supernatural abilities such as witches, wizards, superheroes, mythical creatures, talking animals, and ghosts” (Kunimitsu). In Shrek, there are many of these different characters. Therefore, by explanation, a traditional fairytale with the beautiful princess getting saved by the prince and falling in love is exactly what happens in the movie Shrek, just with a twist. The voice over in the trailer for Shrek states it perfectly as he says “Shrek is a highly irreverent take on the classic fairytale” (Adamson). As an untraditional fairytale, and a parody, the movie Shrek poses the breaking of stereotypes of gender and film fairytales all the while keeping the criteria of a fairytale.
written by William Steig in 1990 (“Shrek!”). The plot of the book and the film are similar in some ways, but the film adaptation creatively incorporates many different fairy tales into its plot to create a new fairy tale. Some of the fairy tales characters included in the plot are the Gingerbread Man from The Gingerbread Man, Magic Mirror from Snow White, and the Big Bad Wolf from Little Red Riding Hood. For the creators to pull multiple elements of different stories into their own, they used intertextuality, as opposed to allusion, to mold the story into a single universe, where each character feels as though they belong in said
The one thing that separates Beauty and the Beast from all the other fairy tales is that Beauty gets to know the Beast before marrying him. She lives with him for several months and gets to know him for what he is inside. He is not a prince that rescues her but she is a woman that rescues him. It is only when she professes her love for him that he is transformed. If it wasn’t for her love of the Beast from the inside he would have never been transformed and they would not have been wed. Yes, he helps her mature and become a beautiful, young women but it is her that causes the transformation.
Plato, Aristotle, Augustine, and Nietzsche all had their own ideas for which one could reach happiness in his/her life. All have similarities in there reasoning except Nietzshe, who contradicts the others entirely.