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Monsters in literature essay
Representation of good and evil in literature
Monsters in literature essay
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Examine the Concept of Monsters and the Monstrous in Mary Shelley’s
Frankenstein
Miss Hutton
“Frankenstein” has a variety of monsters and monstrous
things/incidents within it, however I am jus going to focus on some
main aspects of the monsters and monstrous.
Shelley got the idea for “Frankenstein” whilst she was on holiday. AS
well as being challenged by Lord Byron to produce a horror novel, she
was also influenced death many times; she was abandoned and had a
literacy upbringing.
Shelley relates her story to fears which were carried by many humans
at that time. As a lot of science was happening people thought God
would get upset and not want humans to interfere with what he/she had
created.
In the late 18th century and early 19th centuries science was rapidly
progressing. Experiments and techniques using dead animals and humans
were also increasing e.g. galvanism bringing drowning victims “back to
life”. Ideas and fears of grave digging and experimenting with human
bodies were also increasing. This was frightening as many people
believed it may prevent resting in peace.
On one hand, the scientific discoveries and experiment were exciting,
but on the other it was terrifying. The key fear was that man was
trying to “play God” and this was an action against God and could end
in disaster. Mary Shelley clearly embodies the fears of her time in
this novel.
Modern audiences still enjoy reading and watching horror as we know we
can walk away from it and continue our lives. Frankenstein was and
still is one of the greatest horror books written. It is still
relevant to incidents happening today. Children dress up as the
monster at Halloween and directors still try producing newer versions
of the movie.
People view the creature as a monster purely based on its aesthetics,
“I had gazed on him while unfinished; he was ugly then…” Victor
comments on the monsters looks a lot throughout the novel and as the
story progresses the creature realises how hideous he is too. Later on
in the novel the creature commits horrific crimes, “Could the daemon
who had murdered my brother also in his hellish sport have betrayed
the innocent to death and ignominy?” This quote is from Victor, after
victor gets the news that his brother is murdered he immediately
thinks that the creature murdered him. Victor has a 2D image of the
creature from the beginning and that is that he’s a monster. The
creature murders many innocent people and also blackmails Victor. The
creature also has supernatural powers which frighten the other
characters in the story. The most monstrous of things is that he
enjoys some of the murders he commits, “I gazed on my victim and my
The creature was created with the intention of goodness and purity but because of this, he wasn’t equipped to deal with the rejection of his creator. After Victor Frankenstein’s death, Robert Walton walks in to see the creature standing over his friend’s lifeless body.
The Fulfillment of the Definition of Gothic Horror by Chapters 5 and 4 of Mary Shelley's Frankenstein
Mary Shelley’s novel arises several questions relevant to the present day. A question that arises from the novel is whether man is born evil or made evil from his life experiences. The debate on whether how far man should pursue knowledge exists today as well as other questions challenged in the novel therefore “Frankenstein” is a popular novel at present as much as it was in the past.
Mary Shelley's Presentation of the Relationship Between Frankenstein and the Creature 'It was on a dreary night of November that I beheld the accomplishment of my toils.' These are the famous words of Mary Shelley that foretold the birth of Frankenstein's monster. A tale of catastrophe, love and endless yet hopeless toil; the tale of Victor Frankenstein is a perfect example of early gothic literature. Born on a dreary summer in 1816, his story has been immortalised in not only the pages of many books but also on the silver screen. Like many of its genre, Frankenstein is a terrifically dark yet pioneering story.
Events of the time had led to a near breakthrough to bring the dead to
For as long as science has existed to satisfy man's appetite for knowledge and exploration, there have been people with the belief that science is none other than man's attempt to play God. The 19th century was a time of enlightenment where philosophical thought began and man's concern to better himself in a psychological form developed.
In the novel, Frankenstein, by Mary Shelley, the Creature's only need is for a female companion, which he asks Victor Frankenstein his maker to create. Shelley shows the argument between the creature and Frankenstein. The creature says: "I demand a creature of another sex, but as hideous as myself " (Shelley 139). Shelley shows what the creature wants from Frankenstein and what his needs are. Shelley gives us an idea of the sympathy that Frankenstein might feel for the creature even though he neglects him. The creature confronts Victor demanding his attention and expressing his needs. I feel a lot of sympathy for the creature based on him being able to forgive Victor for abandoning him and being able to communicate with him.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Victor Frankenstein: The Real Monster. & nbsp; Science is a broad field that covers many aspects of everyday life and existence. Some areas of science include the study of the universe, the environment, dinosaurs, animals, and insects. Another popular science is the study of people and how they function. In Frankenstein by Mary Shelley, Dr. Victor Frankenstein is an inspiring scientist who studies the dead. He wants to be the first person to give life to a dead human being. He spends all of his Frankenstein is to blame for the tragedy, not the monster he has created, because he is the mastermind behind the whole operation, and he is supposed to have everything under control, working properly as a good scientist should. & nbsp; Although some critics say that the monster Victor has created is to blame for the destruction and violence that followed the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being.  something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and & nbsp; I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. (156) & nbsp; Victor is saying that he has isolated himself for two years and in the end, he is not at all happy because of the bad outcome. He also adds, "Winter, spring and summer passed.so deeply was I engrossed in my occupation" (156). By spending most of his time inside on his experiment, never going out, but mostly worrying about his success, he has got himself crazier. This has made him lose sight of his surroundings and judgment & nbsp; Moreover, the monster should not be held responsible for killing Victor's family members and friends as shown in the book and movie, because it is Victor who has brought a dead creature back to life. He expects the monster to know everything when he wakes up cool, calm, and collected. But when the monster is awakened, he does not know anything. He sees a world different from what he is used to, which makes him get nervous and scared, so he&nb has removed him from dead. With the dawning of life, the monster has to learn about his new environment. In the play of Frankenstein, the monster starts to gradually get used to things. The problems he encounters are with Victor's assistant, Peter Krempe, Victor's friend, Henry, and other family members, including Elizabeth, and these are reactions to how these people treat him. These reactions are clearly shown in the movie of Young Frankenstein, where Victor tries to teach the monster how to live like to show off the monster to an audience in a dance routine of sorts. But then people start to scream, panic and throw things at the monster, so he reacts by attacking them to defend himself. In this case, it is clear that Victor tries to push the monster too hard because he wants to be famous.
We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think. It is in the complex structure of the novel that Mary Shelley creates sympathy. We shift from Robert Walton to Victor Frankenstein to the monster and finally back to Walton. With each shift of perspective, the reader gains new information about both the facts of the story and the reliability of the narrator. Each perspective adds pieces of information that only they knows: Walton explains the circumstances of Victor’s last days, Victor explains his creation of the monster, the monster explains his turn to evil.
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
Shelly came up with the basic idea of the book from a dream, but this
Shelley also shows us, in Frankenstein, that although juxtaposing terms, the monstrous being everything human is not, they are also intertwined, in that you can not have one without the other. There is also an overwhelming desire to know the monstrous, if only temporarily, and this calls into question the influence the monstrous has on the human definition. The Oxford English Dictionary (OED) describes ‘human’ as being ‘Of, belonging to, or characteristic of mankind, distinguished from animals by superior mental development, power of articulate speech, and upright posture.’ (OED). The term ‘monstrous’ is described as ‘The condition or fact of being abnormally developed or grossly malformed.’
Frankenstein shows that what looks like a monster in appearance my not be and what looks normal on appearance may be a monster. While a scary ugly creature may look like a monster a true monster is formed from within and is scene through actions. Along with this knowledge is power and power has the ability to make monsters. The pursuit to know more is a never ending road that leads to lies, secretes, and monstrosity. “How much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow,” while knowledge is boundless and beautiful an excess of anything can create a monster.