The Midwestern Contemporary Art (MCA) museum is a non-profit organization. Non-profit organizations have a legal and ethical obligation to the public and their constituents to manage their events with answerability and transparency. Their mission activities, finances, accomplishments, and decision making processes should be open to the public on a regular basis. All information about a non-profit organization should be available to the public. The organization should build public understanding and trust and confirm external visibility (Minnesota Council of Non-Profits, 2016). The original BATNA was when Peter Smith became a member of the MCA board of trustees. Peter gave $10,000 dollars to the museum and eventually pledged to give $5 million …show more content…
As eh chairperson, Peggy Fischer needed to persuade the Smiths to give their donation that they had promise to donate to the museum. Reciprocity should be a tactic used on the Smiths, people feel obligated to give when they receive. The museum needs the $5 million in donations from the Smiths to be able to pay for the new building to house the art. The Smith’s had a love for contemporary art, scarcity could be a tactic used on the Smiths. Fischer could highlight what the museum has to offer them in the way of contemporary art. If their donation is not given to the museum and the museum had to close its doors, then there would be no more contemporary art in the Great Lakes area. The Smith’s know that MCA is a great non-profit organization to be a part of, Peter Smith was a very big part of the museum for many years. They knew that if donations are not made that the museum would go under (Sumac, …show more content…
This is very important to have to get repeated gifts or donations for your organization. As a non-profit organization, you cannot afford to not have a program of gratitude. Promptness is key factor when it comes to donors, donors like promptness, send out that thank you letter. Sending out a thank you let the donor you received their gift. It lets the donor know the gift will be put to good use. Also, let the donor now they made the right decision and show that you are well-organized (Axelrad, 2014). Thoughtfulness when sending a thank you letter to a donor, saying because of your gift the museum will be able to build the building it needs to house the art. Repletion where gratitude is concern is the key, gratitude mist be repeated. If you want your donors to stay interested by their generosity, there needs to be genuine gratitude given to the donors on continuous bases. Give gifts that show personal thoughtfulness snapshots of projects that they personally help with, recognition in publication, etc. (Axelrad, 2014). Phone calls are a way of saying thank you promptly. Donors that get calls will give more. Calling is a value of repetition also. Call monthly donors a least once a year to thank them for their sincere loyalty. Board member s can do these calls being warm and genuinely grateful can make all the difference you need to let them know how much you appreciate their gifts
“Cleveland Museum of Art: Building,” Cleveland Art, Cleveland Museum of Art, 2013. Web. 25 March, 2014.
Gratitude is a gift that the earth urgently needs. Consistent gratitude is a form of recognition of the gift and the giver. Daily gratitude can help eliminate the need for more and practicing more of only what we need. Gratitude leads to a society of contentment rather than one that's always in need of more. We human individuals have conventions for appreciation; we apply them formally to each other. We say thank you. “We understand that receiving a gift
The play “Permanent Collection” focuses on an African-American man who has just taken over an art museum named Sterling North. While digging through storage, he finds eight African sculpture pieces and wants to add them to the collection at the Morris Foundation on the campus of a college. The Director of Education Paul Barrow is hanging on to the words of Mr. Morris and his vision because he doesn’t want anything to change at the museum according to Mr. Morris’ will, which contributes to the title of the play “Permanent Collection.”
The Board gathered in 2008 to review and extend the Museum’s strategic plan. Guiding their vision for 2015 are the Museum’s values of respect, inspiration, lifelong learning, and Play! The Board ordered a community needs assessment, and armed with the results identified a set of goals for 2015. These are:
“Civilian Conservation Corps Museum.” www.sos.state.mi.us/history/museum/museccc/index.html. Michigan Historical Center, Michigan Department of State. 26 April 2000
The show’s organizers, Teresa A. Carbone (the museum’s curator of American art) and Kellie Jones, did an exceptional job of strategically placing the artwork in relevance and relating topics to one another. When I arrived, the exhibit was empty and I actually had the opportunity to meet Ms. Carbone, who was on hand at the museum’s entrance.
On my trip to the Metropolitan Museum of Art, I decided to take my mother with me. While being in the museum, I decided to focus on “The American Wing”. In “The American Wing”, there are amazing pieces of art, jewelry, and antique silver. I was amazed on how each piece of artwork and item was carefully designed. They had an amazing design that you do not see now in days.
The Tampa Museum of Art was not always the same museum that we see today. It went through multiple stages throughout the years. The works vary, creating a large spectrum from the old to the new. The social angles change with the exhibits in the museum, combining to create the diversity we see today. Visiting this museum in person helped me to appreciate it even more than I would have thought possible. Observing and analyzing the other visitors helped me to understand the museum’s impact on the community more than I would have been able to just by reading about it. This museum is much different from others than I have visited.
“Art Museums and the Ritual of Citizenship.” in Exhibiting Cultures. Eds. Ivan Karp and Steven Lavine. Washington: Smithsonian Institution Press, 1991. Print.
At the begging, the idea that I had to visit a museum for my assignment did not make me feel happy and amused. It was the opposite. I was thinking that it would be really stupid and boring going there, spending my day looking at some expensive “drawings”. However, when I saw the museum as a building, it really impressed me. The structure and architecture was really beautiful. As I was looking for the pieces of works that I had find information about. I was attracted by other gorgeous paintings as well. I saw paintings and sculptures from different cultures, which I never had heard before. My day at the Metropolitan Museum of Art was really a pleasure and fun. Apart from pleasure and fun, I got an idea of art which is very important to anyone of us.
With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.
In Stephen Weil’s essay, he argues “the museum’s role has transformed from one of mastery to one of service” (Weil, 196). According to him, museums have changed their mission from one that cultures the public to one that serves
... Mr. Lauren took a leading position in raising funds to build new exhibit space and a headquarter building for the museum.
Although The Institute of Contemporary Arts (ICA) of Boston was the only place dedicated to contemporary art for more than 50 year, it is having trouble growing into a pillar of the art industry (Reavis, 2010, pg.1). The main problem is the organization’s powerless leadership. According to Peter Northouse (2015), leaders must possess an effective influencing power in order to motivate followers (pg.47). The leaders prior to Jill Medvedow failed to get the local community fondly interested in contemporary art or an environment that showcases it. Therefore, there are no investors, donors, or patrons breaking down the door to fund or see the exhibits presented in the old
What is Museum Education? Museum Education is about educating the public about History, Science, Math, or English etc., but in an informal setting (not in a classroom or school). Museum Education is about immersing the students in the topic at hand. For example, a walking tour guide in downtown Frederick, MD places their tour group literally in front of the history they are teaching them. Similarly, a museum education intern reads the students a book like the Ox Cart Man then places them in a market that will teach them too how to trade and barter. Although, a museum educator does not get to be in the classroom with the students, like a general education teacher, they teach students meaningful lessons that they often remember. Lauren Allen