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Important aspects of a midsummer night's dream
Important aspects of a midsummer night's dream
Shakespeare literary techniques
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A Midsummer Night’s Dream, one of Shakespeare’s famous plays, tells a tale of Hermia, Demetrius, Lysander, and Helena who suffer from unrequited love. Throughout the story, the fairies interfere in an attempt to better the situation, but end up making unfortunate changes that the characters must overcome. Throughout the story, there are key elements that clearly differentiates Shakespeare’s writing style from that of others’. Two main elements that occur throughout the play are the use of puns and the young lovers struggling to overcome obstacles.
The use of puns is one prominent element in Shakespeare’s writing as it entertains the audience with references that can help better understand situations. In the play, the characters of working
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Hermia and Lysander struggle dealing with forbidden love as Hermia is in an arranged marriage which Demetrius, so they plan to overcome this obstacle by running away. In the beginning of act 1, Lysander tries to consult with Hermia who is upset about her destiny and explains to her how,“The course of true love never did run smooth”(1.1.134). This ties to the element of Shakespeare’s writing by relating to the theme of how love does not always go the way it is planned. It allows the characters to decide their own destiny if they are given the chance to change it. Another example is when one of the lovers is jealous of another individual. Helena is jealous of Hermia in the play when she is confused on how Demetrius won’t to fall in love with her, but Hermia. In act 4, a mythical character, Oberon takes pity on her and attempts to make her wish come true. However, through a mistake his servant Puck makes, she feels insulted by Demetrius and Lysander who are under an enchantment by falling in love with her. On the quest of love, there needs to be heartbreak and hurt to keep a relationship. Helena deals with pain, but still manages to get what she wants in the end. What also relates to this theme is how people who love others at times seem unattractive or repellent, but over time, it is realized that the beauty behind it is an intense feeling that real love plays
Undermined by sexual attraction when we discover that Helena is in love with Demetrius, the suitor that Egeus has chosen for his daughter Hermia to marry. All these complexities of the love theme I will have to reveal both as a director and in the performance of the two young women, Hermia and Helena. Hermias’ costume is quite simplistic but very feminine. It is pink Elizabethan linen with purple lining and a gold rim at the bottom. It has puffy sleeves and it cuts across her shoulders with gold lace also around the rim.
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
Shakespeare creates a situation in which two pairs of young lovers, Lysander and Hermia, are forced to elope from the oppressive authority of their Elders, here we see Lysander asking Hermia to flee to the woods, “there gentle Hermia may I marry thee; and to that place the sharp Athenian law cannot pursue us” Freedom is not permitted in Athens, therefore the two lovers plan to escape into the woods. Hermia has two options given from her oppressive father, ‘either to die the death, or to abjure for ever in society of men’. She disobeys his commands. Shakespeare uses images to reflect Athens, and to magnify and to solidify Lysander and Hermia’s love for each other, which is strong and cannot be broken, without the use of magic. ‘Withering on a virgin thorn, grows, lives, and dies in single blessedness’.
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
You can tell that this backfired because Demetrius still doesn't love Helena even though she told on Hermia. This is another example of the power of love in A Midsummer Night's
Helena also is shown as being a faithful lover towards Demetrius but her persistence to get Demetrius to fall in love with her is often annoying which gets Demetrius extremely aggravated. Helena pursues Demetrius’s love desperately despite the fact that he scorns and ignores whatever that she has to say. She states that women like her “should be wooed and not be made to woo” (Act 2, Scene 1, Line 242) but still continuously attempts to make him fall in love with her stating “for I am your spaniel and Demetrius the more you beat me the more I will fawn on you.” (Act 2, Scene 1, Line 205-207) Even though Demetrius continues to reject her,
Throughout William Shakespeare’s A Midsummer Night’s Dream, Helena evolves from being a heartbroken, desperate girl to a strong woman who effectively advocates for herself. In the beginning Helena is a young woman who struggling with a heartbreak, she had a prior relationship with a man named Demetrius, who is now moving on and not interested in her. He is falling in love with a woman Hermia, who happens to be the best friend of Helena. Slowly Shakespeare uses the literary technique of characterization to show how Helena grows as a person. Helena overcomes her obsession with Demetrius, and is able to stand up and defend herself when everyone seems to turn against her.
Helena was at first desperate for Demetrius’ love, following him as he searched for Hermia and showering him with signs of her affection. “Your virtue is my privilege: for that/ It is not night when I do see your face” (Shakespeare 2.1.227-228). Surprisingly, this changed when Demetrius showed similar feelings towards her, and she took it as more signs of hatred from him. She seemed willing to do anything to gain
Shakespeare, William. A Midsummer Night’s Dream. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.
The “A Midsummer Night’s Dream” play, deals with the difficulty of romance. Shakespeare’s voices about love through many of his plays. They contain a just amount of old prose. It is a recurring theme in Shakespeare’s plays, both comedies, and dramas. It is apparent that Shakespeare was infatuated with love.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Helena follows a very rough road toward her true love as she persists in her pursuit of Demetrius, despite her love not being reciprocated. Demetrius loves Hermia, not Helena, and Helena would do anything to trade places with Hermia. All she wants is for him to so much as glance at her, but Demetrius’ eyes are fixated on Hermia’s dark beauty. She even expresses this feeling of desperation to Hermia, saying “Were the world mine, Demetrius being bated, / The rest I’d give to you to be translated.
further when Helena, a friend of Hermia is found to be in love with Demetrius.
Helena takes the usual gender role of a man fawning after a woman and flips it. Her love of Demetrius knows no bounds as she follows him on a wild goose chase through the forest to prove her love to him, all the while knowing he was just on the search for Hermia and in love with her. This is where the dichotomy comes into play. She chases him, all the while knowing she is not the girl whom he loves. When Demetrius lets her know he has no interest, she has a full mental breakdown, but denies Demetrius the right to reject her.