Middle vs. Modern English in The Canterbury Tales
As its name suggests, Middle English is the language that was spoken in the country of England around the 12th to 15th centuries. Middle English became the prominent language in England near the end of the 11th century shortly after the Norman invasion by William the Conqueror in 1066. Unlike England's preceding language, Old English, Middle English evolved into much more of a written language. There were many writers and educated English scholars who worked to translate Old English texts into the new Middle English language. There were also writers, such as Geoffrey Chaucer, who used the Middle English language to write new works which employed new and creative literary techniques. One such work, The Canterbury Tales, is a work that has been recognized as having an extreme significance on the development of the Middle English language. This work is argued to be the greatest literary contribution to the Middle English language and is credited with popularizing the language among literary scholars. However, despite its historical influence on the Middle English language, the significance of the work is less seen today because of the evolution of Modern English. As a result, it is important to investigate the origins of this work and in so doing, make an effort to realize the overall importance of reading the text in its original Middle English language.
Geoffrey Chaucer was born in London about 1340. Although many facts about his life are unknown, it is evident in his writing that Chaucer was a very educated man. After many years of being employed by English nobles, Chaucer began to travel to many different parts of Europe. While on these trips, Chaucer discovered the works...
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...an see, when reading a work such as The Canterbury Tales, there are many advantages and disadvantages to the work being in both middle and modern English. Before reading such a work, one must realize his or her own purpose for reading the work and then decide on which version to read. It is the opinion of many that it is beneficial to read both versions in order to educate one self about both languages as well as to experience the evolution of the English language. The English language has changed greatly over the many centuries since the time this work was written. However, this work helps create a bridge between the languages of the middle and modern English worlds. This was a work that transcended any work previously written and one that will continue to have an important place in the history of English literature and the English language as a whole.
Boardman, Phillip C. "Geoffrey Chaucer (c. 1343-1400)." Enduring Legacies: Ancient and Medieval Cultures. 6th ed. Boston: Pearson Custom Pub., 2000. 430-54. Print.
British literature is an interesting and integral part of all literature in the world. Beginning with an epic as old as Beowulf, British literature has had a rich and ever-changing history. I have found that The Longman Anthology of World Literature is a comprehensive book filled with the world's prominent authoritative literary works from the time when stories were oral traditions to the present, including many pivotal works in the history of British literature. The authors of The Longman Anthology made an interesting choice when editing the order that the stories were placed in this book: though Sir Gawain and the Green Knight and Chaucer's Canterbury Tales were written in the latter half of the 14th century, Sir Gawain was placed before Chaucer's writings in this anthology. In fact, Sir Gawain was possibly written a bit before The Canterbury Tales. I believe the editors of The Longman Anthology chose to do this because Sir Gawain was originally an oral story whereas The Canterbury Tales were always written, and Sir Gawain has a deeper connection with older language and themes of the area than The Canterbury Tales due to the spread of Christianity and Christian ideals.
During the middle ages in England, 1154-1485, Henry II was king throughout the Renaissance; England established parish churches with their towers and had now retired from their late medieval form. Geoffrey Chaucer was born in the late 1300’s in London. He worked as a servant in the 1350’s making little to no money, just enough to pay for his own things. In 1366 Chaucer got married to a woman named Philippa. He started again and fulfilled diplomatic missions in Florence, Italy in 1370 through 1373. Chaucer had no time to write poetry, his true passion. His wife Philippa died in 1387 but he just kept working to pay debts.
The Canterbury Tales, written by Geoffrey Chaucer, has gone through many adaptations. Some authors decided to translate the story into verse, while others chose to write the as a narrative in prose. Although all adaptations are based off the same story, they are vastly different and can be the result of opposing interpretations of the original work. After reading a text translated by Nevill Coghill (referred to as Version I) and a text translated into a narrative by a different author (referred to as Version II), it is obvious that for each similarity they share, there are many more differences in language, syntax, and imagery as well.
“The Canterbury Tales” was written in the 14th century by Geoffrey Chaucer. These tales constitutes a frame story which each pilgrim has to tell their own story to the Chaucer, the pilgrim; not the poet. As we know, the tale itself is a satire, but the stylistic structure in the tales creates a sense that can be a parody as well. To support this idea of parody, it is need to know the definition of parody and how Chaucer use this style to make his own ideas clear through the general prologue and the tales such as “The Miller’s Tale” and “The Knight’s Tale”.
From The Riverside Chaucer, Third Edition. Ed. Larry D. Benson, Ph.D. New York: Houghton Mifflin, 1987. Chaucer, Geoffrey. A. The Canterbury Tales.
Chaucer’s book The Canterbury Tales presents a frame story written at the end of the 14th century. It narrates the story of a group of pilgrims who participate in a story-telling contest that they made up to entertain each other while they travel to the shrine of Saint Thomas Becket at Canterbury Cathedral. Because of this, some of the tales become particularly attractive for they are written within a frame of parody which, as a style that mocks genre, is usually achieved by the deliberate exaggeration of some aspects of it for comic effect. Chaucer uses parody to highlight some aspects of the medieval society that presented in an exaggerated manner, not only do they amuse the readers, but also makes them reflect on them. He uses the individual parody of each tale to create a satirical book in which the behaviours of its characters paint an ironic and critical portrait of the English society at that time. Thus, the tales turn satirical, ironic, earthy, bawdy, and comical. When analysing the Knight’s and the Miller’s tale, one can realise how Chaucer mocks the courtly love convention, and other social codes of behaviour typical of the medieval times.
Ellis, Roger. Patterns of Religious Narrative in the Canterbury Tales. Banes & Noble: Totowa, 1986.
Geoffrey Chaucer, England's first great poet, was born in 1343, during a time of social, political, religious and literary ferment. Chaucer, who was the descendent of a prosperous family from Ipswich, received the impetus for writing from fourteenth-century Italian and French poets. Chaucer--whose father was a successful wine dealer in London and whose mother, Agnes de Compton, a member of the English court--was reared in an intellectual environment of high society. He was well educated, having studied at the Universities of the Court. He lived among nobility in his service to the Court.
Mandell, Jerome. Geoffrey Chaucer : building the fragments of the Canterbury tales. N.J. : Fairleigh Dickinson University Press, 1992.
The Canterbury Tales. Trans. Nevill Coghill. Literature: The British Tradition. Ed.
An interesting aspect of the famous literary work, "The Canterbury Tales," is the contrast of realistic and exaggerated qualities that Chaucer entitles to each of his characters. When viewed more closely, one can determine whether each of the characters is convincing or questionable based on their personalities. This essay will analyze the characteristics and personalities of the Knight, Squire, Monk, Plowman, Miller, and Parson of Chaucer's tale.
(2) Geoffrey Chaucer. The Canterbury Tales edited by M.H. Abrams. The Norton Anthology of English Literature. (New York: W.W. Norton & Company, Inc., 2001). All future references will come from this text.
It is not hard to apply Chaucer's description of the greedy doctor to today's medical system, nor is it difficult to find modern-day people with equivalent personalities to those of many of Chaucer's other characters. However, it is the institutions of his time as well as their flaws and hypocrisies that Chaucer is most critical of; he uses the personalities of his characters primarily to highlight those flaws. The two institutions that he is most critical of have lost much, if not all, of their influence; in many instances, the Church has only slight hold on the lives and attitudes of the people as a whole, and the strict feudal system has entirely disappeared. Few institutions today are as clearly visible and universally influential as those two forces were in the Middle Ages, so, if Chaucer were writing his tales today, he would most likely turn to the hypocritical attitudes of the general populace and the idiosyncracies of our daily lives. He gives some emphasis to these in the Tales (for example, he mentions the prioress's ladylike compassion for even the smallest creature in the Prologue, but has her tell an anti-Semitic tale later), but, in today's American culture, he would be most likely to criticize businessmen, middle-class parents, and the demand formust instantaneous gratification.
The Medieval period of The Canterbury Tales is held on April 11, 1387. The writing style of tales are literary skilled. “There is clear evidence in them that Chaucer was familiar with a considerable number of the great book of his time, and it is fairly well established that his writings show a steady increase in his literary skill” (Chaucer xxxvii). Chaucer is a writer of surprise. His stories not only come from plots of other writers but also from his lifetime. “There is of course no explaining where or how Chaucer acquired his ability as a great storyteller. However, the fact that he was a man of affairs as well as a man of books, a civil servant who dealt frequently with people from all walks of life, seem to have had great influence on the writing he did at night when he returned home from the office” (Chaucer xxxv). The Prioress tells an anti-Semitic tale, which reflects her position among the clergy.