INTRO Examination into the true heart of experience and meaning, Charles Johnson’s Middle Passage looks at the structures of identity and the total transformation of the self. The novel talks about the hidden assumptions of human and literary identity and brings to view the real problems of these assumptions through different ideas of allusion and appropriation. As the novel tells Rutherford Calhoun’s transformation of un-awareness allows him to cross “the sea of suffering” (209) making him forget who he really is. The novel brings forth the roots of human “being” and the true complications and troubles of African American experiences. Stuck between posed questions of identity, the abstract body is able to provide important insight into the methods and meanings in Middle Passage. RUTHERFORD’S TRANSFORMATION Middle Passage’s protagonist , Rutherford Calhoun, shows that identity is a dangerous “middle” experience for the African American offspring that endured the middle passage. As a survivor of a unknown place and subject to total isolation of his own personal experiences we find Rutherford searching for meaning. The novel questions the structure of human and literary identity by testing the power of duel oppositions and abstraction to portray the meaning of experience: "Our faith in fiction comes from an ancient belief that language and literary art all speaking and showing-clarify our experience" (Being 3). By questioning the African-American experience, Johnson radicalizes faith and is able to show the complexities of experience and change. Johnson’s examination into identity, which we can see as both human and textual, depends mainly on the appropriation for its literal and pensive methods. This contradictory space of ... ... middle of paper ... ...o becoming "like any other men," or if not like every other man they become more like Rutherford himself: “They were leagues from home - indeed, without a home - and in Ngonyama's eyes I saw a displacement, an emptiness like maybe all of his brethren as he once knew them were dead. To wit, I saw myself. A man remade by virtue of his contact with the crew. My reflection in his eyes, when I looked up, gave back my flat image as phantasmic, the flapping sails and sea behind me drained of their density like figures in a dream. Stupidly, I had seen their lives and culture as timeless product, as a finished thing, pure essence or Parmenidean meaning I envied and wanted to embrace, when the truth was that they were process and Heraclitean change, like any men, not fixed but evolving and as vulnerable to metamorphosis as the body of the boy we'd thrown overboard. (124)”
The narrative enables Douglass to flaunt his hard-earned education. As stated before, his diction brings pathos to his work. He describes his experiences in a way that lets his audience feel the indignity of being owned by another person. For example, D...
There are many factors that lead to the development of an individual’s identity. Franz Kafka’s “The Metamorphosis” illustrates an extreme change in Gregor Samsa’s external identity and the overall outward effect it has on the development of his family. While James Baldwin’s “Sonny’s Blues” illustrates a young man struggling to find his identity while being pushed around by what society and his family wants him to be. Both of these characters exhibit an underlying struggle of alienation but both also demonstrate a craving for belongingness. This conflict of trying to belong to something as well as satisfying the needs of society, has directly impacted their own individuality and the lives of the people around them.
Emancipation was a persistent issue in the twentieth century as was the problem of the color line. Many writers like DuBois argue that in both a conscious and sub conscious way the color line denotes limitations but also sets standards for African American people during this time. Through the use of the main characters and secondary characters as well as foreshadowing Chestnut in his book The Marrow of Tradition depicts the color line in Wilmington, North Carolina. The theory of the color-line refers fundamentally to the role of race and racism in history and civilization. Through the analysis of The Marrow of Tradition readers can recognize and understand the connection of race and class as both a type of supremacy and as an approach of confrontation on a domestic level during the twentieth century for African Americans.
...oncluding passage to his narrative for a specific purpose: to create a more profound connection with his audience on the basis of his experiences and thoughts. He creates a vision of relief in the beginning of the passage by means of diction, similes, and an impeccable amount of imagery. Douglass also applies an approach for the application of syntax, diction, and connotative sense to amplify the feelings of loneliness and paranoia presented after emancipation. The result is the masterpiece that fluently runs from one state of mind following his escape to another. It is a masterpiece with a timeless sense of moral values being unconsciously taught to its audience, whether or not they succeed in deciphering it.
In the passage of the Narrative by Fredrick Douglass, the author masterfully conveys two complimentary tones of liberation and fear. The tones transition through the use of diction and detail. The passage is written entirely in first person, since we are witnessing the struggles of Fredrick Douglass through his eyes. Through his diction, we are able to feel the triumph that comes with freedom, along with the hardships. Similarly, detail brings a picturesque view of his adversity.
... and well-known African Americans. The imagery he uses is a painting of his experiences, and his thoughts and feelings of those experiences. His use of hyperboles is a connection of dot from his experiences and his emotions. Now that we have seen Cleaver’s literary design, we now understand how his experiences affect his life. We also understand the messages that the other authors mentioned in this essay are trying to send. Like Cleaver, they use certain literary methods for certain reasons, whether their literary methods are to express their feelings or to teach us things we may have not known before. Although the other author’s appear to have different reasons for using certain literary methods than those reasons of Cleaver’s, Like Cleaver, their aim is to get a point through to us; therefore, they too, create a successful literary design.
A dialectic is the process of synthesizing truth by holding contradictory ideas in tension. Since Richard Wright’s short story “Long Black Song” and Zora Neale Hurston’s short story “Sweat” have opposing arguments they must engage in a dialectic. Both stories examine the oppression of the African American race, but they find different sources for its difficulties and demise. In “Long Black Song”, Silas, while expressing his frustration for the superiority of the white men, articulates that the black woman is the source of African American difficulties. In “Sweat”, Sykes’s encounter with death reveals that the African American man’s arrogance is the cause of the demise of the African American race. Wright’s short story “Long Black Song” and Hurston’s short story “Sweat” engage in a dialectic, in which “Sweat” repudiates “Long Black Song”, and produce the truth that one’s hubris that is the source of the difficulties of one’s race and the demise of oneself.
Over historical progression, African Americans have faced a surfeit of injustices that are addressed throughout numerous works of literature. One of the most frequently discussed themes in African American literature related to these injustices is social issues in an interracial community. With various literary techniques, the central topic of social issues due to race portrayed. Ida B. Wells-Barnett’s A Red Record and Alain Locke’s The New Negro address the social issues of racial brutality, inferiority and social controversy in an interracial society.
There is no other experience in history where innocent African Americans encountered such a brutal torment. This infamous ordeal is called the Middle Passage or the “middle leg” of the Triangular Trade, which was the forceful voyage of African Americans from Africa to the New World. The Africans were taken from their homeland, boarded onto the dreadful ships, and scattered into the New World as slaves. 10- 16 million Africans were shipped across the Atlantic during the 1500’s to the 1900’s and 10- 15 percent of them died during the voyage. Millions of men, women, and children left behind their personal possessions and loved ones that will never be seen again. Not only were the Africans limited to freedom, but also lost their identity in the process. Kidnapped from their lives that throbbed with numerous possibilities of greatness were now out of sight and thrown into the never-ending pile of waste. The loathsome and inhuman circumstances that the Africans had to face truly describe the great wrongdoing of the Middle Passage.
Toni Morrisons novel 'Beloved' demonstrates how the African American people, oppressed by marginalization and racism, endure the strain of slavery even after they are liberated from it. The establishment of slavery’s horrific dehumanizing, through the estrangement of families and destitution of fundamental human rights is distinctly existent in the novel. Opposite from this setting, Morrison moves us from one location to another; with movements in time through the memories of the central characters. These characters yearn to repress the painful memories of their pasts and are often driven out from a character’s mind or contained securely within; Paul D functions by locking his memories and emotions away in his imagined “tobacco tin”. The case
The author gives well-founded conclusions as they are based on a thorough analysis of the work of the writer. These findings have given me a chance to see the dynamics of Douglass’s identity under the influence of various factors, including the opposition between the two types of identity - the identity of a slave and the identity of a free man.
Identity in James Baldwin’s “Stranger in the Village” and Zora Neale Hurston’s “How it Feels to be Colored Me”
The main character is completely alienated from the world around him. He is a black man living in a white world, a man who was born in the South but is now living in the North, and his only form of companionship is his dying wife, Laura, whom he is desperate to save. He is unable to work since he has no birth certificate—no official identity. Without a job he is unable to make his mark in the world, and if his wife dies, not only would he lose his lover but also any evidence that he ever existed. As the story progresses he loses his own awareness of his identity—“somehow he had forgotten his own name.” The author emphasizes the main character’s mistreatment in life by white society during a vivid recollection of an event in his childhood when he was chased by a train filled with “white people laughing as he ran screaming,” a hallucination which was triggered by his exploration of the “old scars” on his body. This connection between alienation and oppression highlight Ellison’s central idea.
...rrison’s characters. Slavery has destroyed, or perhaps not allowed the development of one’s identity. Fortunately, this lack of identity can be restored by a change or discovery of a name. “Everyone knew what she was called, but nobody anywhere knew her name. Disremembered and unaccounted for…” (Morrison 323). Identify is important because it tells us and everyone else who we are and what we stand for. Without a name, you are without an identity. Without and identity, you are without remembrance. Without remembrance, you are undefined.
In Ralph Ellison’s novel The Invisible man, the unknown narrator states “All my life I had been looking for something and everywhere I turned someone tried to tell me what it was…I was looking for myself and asking everyone except myself the question which I, and only I, could answer…my expectations to achieve a realization everyone else appears to have been born with: That I am nobody but myself. But first I had to discover that I am an invisible man!” (13). throughout the novel, the search for identity becomes a major aspect for the narrator’s journey to identify who he is in this world. The speaker considers himself to be an “invisible man” but he defines his condition of being invisible due to his race (Kelly). Identity and race becomes an integral part of the novel. The obsession with identity links the narrator with the society he lives in, where race defines the characters in the novel. Society has distinguished the characters in Ellison’s novel between the African and Caucasian and the narrator journey forces him to abandon the identity in which he thought he had to be reborn to gain a new one. Ellison’s depiction of the power struggle between African and Caucasians reveals that identity is constructed to not only by the narrator himself but also the people that attempt to influence. The modernized idea of being “white washed” is evident in the narrator and therefore establishes that identity can be reaffirmed through rebirth, renaming, or changing one’s appearance to gain a new persona despite their race. The novel becomes a biological search for the self due through the American Negroes’ experience (Lillard 833). Through this experience the unknown narrator proves that identity is a necessary part of his life but race c...