Michael Moore's 13 Rules For Making Documentary Films

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Production Production stage, filming! This part of the process lasted between the months of Spring and Summer 2016. All the interviews took place in Texas. For the most part, everything went well and according to planed. However, if something can go wrong, paraphrasing Murphy's law, sooner or later it will. For example, one of the interview took place in a location outside, and we didn’t have the correct sound equipment for it, so the sound became a piece of work for post-production. A dead cat microphone cover should always be included in the list of equipment for a documentary, because its nature of uncertainty even the most controlled types of interviews like this one where there wasn’t so much pressure like in other documentaries. In …show more content…

(2002) indicates “Interviews are a distinct form of social encounter. They differ from ordinary conversation and the more coercive process of interrogation by dint of the institutional framework in which they occur and the specific protocols or guidelines that structure them.” (p. 120) This statement couldn’t be any truer, in a regular conversation you can debate your own opinions, but the way it works in an interview, for your interviewed to trust you and share their thoughts with you, the formulation of questions must be well thought out. In Michael Moore’s 13 Rules for Making Documentary Films rule number 10 is “As much as possible, try to film only the people who disagree with you.” This couldn’t be more effective, if as a filmmaker I agreed to everything being said by all the interviewees, what would be the controversy? It really isn’t about my personal opinion, but it kind of is as long as I can justify any point of view either by stats or by contrasting the …show more content…

I know that most documentary films stay away from that, most don’t like narration, they just put up a couple of cards to explain what’s going on, but the audience is wondering, who is saying this to me? After I came to peace with the idea of using narration, I figured out a way of having that element without actually doing the narration myself. My voice is not really meant to be a voice over and even less in English, but I knew the accent was actually a plus for this documentary, so I asked a journalist friend of mine, who lives in New York, speaks perfect English and still has a little accent, to do the voice over of the documentary. Documentary Storytelling, Weight, J. (2012) describes it

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