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Metaphor in metamorphosis
Dehumanizing metaphor in the metamorphosis
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In The Metamorphosis by Franz Kafka, Gregor, the main character, clearly went through a Metamorphosis, but so did his sister Grete. Grete goes through the largest transition in response to Gregor’s becoming a bug.
Grete Samsa, Gregor’s sister, most definitely underwent a metamorphosis. Before Gregor had become a bug, Grete was just there. She was ignored by the family. Grete was described as the “useless” sister. Grete took violin lessons, but she wasn’t very great. She does not leave or go out often. Grete is fearful, and pictured as timid and afraid of the world. When it is time for breakfast, she quietly whispers and whines for Gregor to get up and eat. As the “breadwinner” of the family, Gregor got all of the attention. The whole Samsa family was dependant upon Gregor for everything.
When Gregor’s secret is revealed, his becoming a bug, Grete is the only one that actually cares for him. Grete cleans his room, brings him food, puts his chair by the window so he can look out of it, and invents the idea to move the furniture so he has space to run around. She, of course, is scared of him
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In the beginning, Grete took charge of her brother out of concern, respect, and love. Later, she soon looks at her caring as a duty or job. She doesn’t love it too much, but it carves out her place and role in her family. Grete becomes territorial about Gregor. She does not let her mother take care of him or be involved.
It would appear that in the start of the story, Grete and Gregor have a very close and very loving relationship. But, as the story progresses, she becomes the person who argues the most for getting rid of Gregor.
I believe one moral of the story is that change is not always a positive thing, especially in Grete’s example. Independence has been discovered in Grete. But, her heart has become cold and she is less loving because of this newly found
Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back” (Kafka 16). Throughout the text she becomes the sole reason Gregor stays alive. Grete spends her days worrying about the various foods Gregor likes and dislikes, how to make his room more comfortable, and trying to make him feel more comfortable. Gregor is not the only family member whose health is cared for by Grete. “Now his sister, working with her mother, had to do the cooking too; of course that did not cause her much trouble, since they hardly ate anything” (Kafka 25). Kafka incorporates household chores and her mother’s illness, escalating Grete’s isolation. During her mother’s many asthma attacks, Grete arrives first
One of the major symbols in the story is the window in Gregor’s room. Gregor always seems to be looking out the window admiring the external domain. The window represents freedom in a way he feels a strong connection with the outside world despite the fact he is grounded indoors. He realizes is no longer associated with the real world. Grete, Gregor’s younger sister supports Gregor at the beginning. Grete helps out with Gregor’s complication by taking care of him. She gives him his food, cleans up after him, and she even came up with an idea to make it easier for him to move around in his room. She wanted to make Gregor feel like he is appreciated and link to the world so she moved the chair by the window so he could see more clearly.
The Metamorphosis by Franz Kafka is the story of Gregor Samsa, his turning into a bug, and his ultimate death. In the beginning of the novel Gregor wakes up as a bug and struggles to become used to his new body. Gregor is locked in his room and late for work; he is the only one who works in his family, so it is important that he shows up and earns money to pay off his parents debts. His office manager shows up wondering where he has been and everyone is shocked to see Gregor’s transformation when he finally makes his way out of his room. Upon seeing him, his father shoves him forcefully back into the room, scraping Gregor’s back. Grete, Gregor’s sister, is his primary caretaker throughout the book and she makes certain he is receiving the food he wants and is the only one to clean his room for him. Gregor’s mother and father do not pay much attention to him at all throughout the book. The mother occasionally checks on him, but can barely stand the sight of him. Eventually, Grete starts working and stops taking care of him too, leaving Gregor all by himself. Betrayal is evident in The Metamorphosis and contributes to
It is notable that Grete is a very good violin player. We see that Grete seems to take care of Gregor in a way, but that leads to her starting to act like his owner, and that he is a piece of property. “She had grown accustomed, certainly not without justification, so far as a discussion of matters concerning Gregor was concerned.” (Kafka, 161) Though, near the end of the story, Grete begins to care less and less for her older brother, and eventually decides to let him go. ““He must go,” cried Gregor’s sister” (Kafka, 176) It's just another example of Gregor never fitting in. He is stereotypically, just a bug. A quote, more than less an example that really hits it
He overheard his father speaking to his mother and sister about their financial status. As well as, how his father has been using the money he had saved from his business. Like any caring child, Gregor did not ask or question his father, just aided with no remarks. Even after his family started changing towards him, he only worried about cooperating financially in order to avoid any stress or family destruction. He slowly came to the conclusion that he will always be a bug, and because of that he isolates himself.
Gregor Samsa’s mother, whose name is never revealed, is a physically and constitutionally weak woman. She cares dearly for Gregor which is first shown by her distress as Gregor does not wake up at his usual time. It is evident that Gregor’s mother has the hardest time coping with his transformation. She can not bear to lay eyes upon Gregor. Though she has trouble adjusting, she doesn’t stop loving her only son. As Gregor’s mother and sister begin to move furniture out of his room, his mother stops to contemplate whether this is the right course of action. As Sheldon Goldfarb states in his critical essay, “When his mother and sister start removing his furniture, his mother's second thoughts provoke him to resist: he does not want to give up his human past and the possibility of returning to it” (Goldfarb). On the outside, Gregor’s mother reacts with repulsion at the sight of the bug, but on the inside still cares deeply about her son underneath. Gregor is able to see this and it gives him new hope.
The relationship between Gregor and his sister Grete is perhaps the most unique. It is Grete, after all, with whom the metamorphosed Gregor has any rapport, suggesting the Kafka intended to lend at least some significance to their relationship. Grete's significance is found in her changing relationship with her brother. It is Grete's changing actions, feelings, and speech toward her brother, coupled with her accession to womanhood that seems to parallel Gregor's own metamorphosis. This change represents her metamorphosis from adolescence into adulthood but at the same time it marks the final demise of Gregor. Thus, certain symmetry is to be found in "The Metamorphosis." While Gregor falls in the midst of despair, Grete ascends to a self-sufficient, sexual
“The Metamorphosis” by Franz Kafka was a book about a hardworking, traveling salesperson who worked relentlessly to get money for his family. The story mainly focuses on Gregor (the main character) and his metamorphosis. Before Gregor transformed into a huge bug, he worked everyday just to get money for his family, but most specifically his sister because he wanted her to get into violin school. “One morning, as Gregor Samsa was waking up from disturbing dreams, he discovers in bed that he had been changed into a monstrous verminous bug ( Kafka 3).” Gregor’s change to a bug was an event of magical realism. People suddenly waking up in the morning and
Grete at the beginning of Gregor’s transformation turned into the primary caregiver; however by doing this her inexperience ended up hurting Gregor. A decision was made to remove Gregor’s possessions by Grete despite quarrel from her mother, “Into a room in which Gregor ruled the bare walls all alone, no human being beside Grete was ever likely to set foot.” (Kafka 32). This was understandable considering she was the only one that was helping Gregor, but Grete let too much power go to her head. Unlike this unintentional pain she caused Gregor, she purposely began to abandon him and chose to give up hope.
Psychoanalytic theory examines a person’s desires, dreams, and both the conscious and unconscious mind. One part of this theory examines the desire of a child to remove one parent from their role in order to receive the attention and love from the other; this is called an Oedipal Complex. I used this concept when approaching my questions. During application of this theory, I took the concept of the author using romantic language to describe the brother-sister relationship of Gregor and Grete and the way she takes on a mothering role in taking care of Gregor to determine that she wishes to remove her mother, not to get to her father, but to get the affections of Gregor. This is not an exact translation of the Oedipal Complex, but it does hold similar aspects, especially if you take into consideration what Gregor does in this passage. When his mother cleans his room, he is dissatisfied and regresses to a state where he behaves more like a bug, “hissing loudly with rage” when things do not go his way, contrary to his more human-like behavior in the rest of the story. I saw that Gregor must be glad that his sister is his “caretaker” and that he could be enjoying their unusual
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
Despite his situation Gregor still feels that he can go to work. However he proves unable to do this when he encounters so much trouble when trying get out of bed and open the door. Gregors manager comes to his home, wondering why he didn’t show up for work. The manager gets irritable and tells Gregor in the presence of his family that he wanted a real explanation as to why he would not come out of his room. Gregor finally has enough strength to open the door with his mouth but by that time his manager had already left. He is now saddened and in fear that he lost his job, because he knows that he is the financial “backbone” of the family. When his family finally sees that he is an insect they are immediately disgusted. His mother faints, and his father forbids his mother and daughter to see him. Grete, Gregors ...
By Mr. Samsa’s stowing his pain in his proverbial soul effects his actions in life and the people surrounding him including his children. His childhood equally lacked a health structure. When family coexists under the same household, especially children, they begin to take on certain roles in the family. Grete’s role in the family structure was the one as the initiator. She’s the one who suggested killing Gregor or disposing of him and the father followed pursuit in agreement.
Franz Kafka wrote the short story Metamorphosis in 1912. No one can truly know what he aimed to accomplish with the story, but it is thought he wrote it to demonstrate the absurdity of life. The story is written with a very simplistic undertone, ignoring how completely ludicrous the situation that Gregor Samsa and his family are in. Metamorphosis is most often thought of in the scientific meaning of the word, which according to dictionary.com is a profound change in form from one stage to the next in the life history of an organism. It is also defined as a complete change of form, structure, or substance, as transformation by magic or witchcraft or any complete change in appearance, character, circumstances, etc. This word is generally reserved for describing how a caterpillar turns into a butterfly, a good analogy for the process of metamorphosis. It brings to mind a pleasant event, very unlike what Gregor and his family experience. We as readers only get to see things through Gregor’s eyes. Does this skew our understanding of the story, and how do Gregor and Grete’s metamorphoses differ, and how are they alike?
Grete is a character who appears to have the most tolerance for Gregor shortly after his metamorphosis. Gregor was apparently rather fond of his sister and had hoped to finance her education in a conservatory. He was also rather mesmerized with her violin playing. His inability to follow through with these planned acts of kindness may have led to a faster deterioration of Grete’s maintenance of Gregor’s room. Although she could never get used to Gregor’s new freakish appearance, she was his sole provider throughout his life after the metamorphosis: