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The representation of women in merchant Venice
The representation of women in merchant Venice
Prejudice shown through characters in the merchant of venice
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In The Merchant of Venice by William Shakespeare, women were suppressed by the societal ideals of the Elizabethan era. In this play, the female characters Jessica and Portia stray away from the expected stereotypical passive role of women in society, and show rather dominant and powerful traits that men were expected to have. Portia, the heroine of this play is bound to a lottery set up in her father's will, which gives male suitors the chance to choose between three caskets made up of gold, silver, and led in order to win her hand in marriage. Portia’s scheming throughout the whole process caused Bassanio to have a better chance in choosing the correct casket, while also allowing her to keep the promise of not disclosing the truth about the caskets to any of the potential suitors. Along with her manipulative ways, she was very comfortable in playing a masculine role. Her powerful and confident actions make her stand out from other women in The Elizabethan society. Jessica, like Portia steps out of the stereotypical weak woman role in society and takes on a dominant role. By running away from her father and converting to Christianity with her lover, Lorenzo, she disrespects and disowns her father. By starting a new life without her father's rules, she shows the strength and confidence of an ideal man of her time. The actions of both these characters earn them praise for their feminist actions. However, while both Portia and Jessica show admirable feminist actions, they both lose the opportunity to be noteworthy when they return to the act of submission that they must play to the patriarchal society.
Despite the similarities between these two female characters, Portia and Jessica seem to take on their rebellious, daring rol...
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...s way of speech is much different from Jessica's in that it shares many common characteristics with the men's way of speech. In her declaration of financial support to Bassanio, she says, " I would not be ambitious in my wish to wish myself much better, yet for you I would be trebled twenty times myself, A thousand times more fair, ten thousand times more rich, that only to stand high in your account I might in virtues, livings, friends, exceed account. (Act 3. Scene 2. 155-161)" This choice of words shows that Portia is very comfortable with speaking about money. She speaks this way most likely because it comes so naturally from her, as opposed to a woman who is less fortunate than she is. Portia seems to be extremely comfortable with taking on the masculine role of a financially successful and responsible man, while she also seems to not want to leave this role.
...rs in the play) to function as the spokesperson for the law suggests that rather than an attack on the female sex, The Merchant of Venice subtly questions patriarchal assumptions about women.
Shakespeare's The Merchant of Venice exemplifies a principle that is as unfortunately true in our time as it was in his - he who has money also has love, sex, and above all, power. In this case, the use of 'he' is deliberate; 'she,' in the Elizabethan era, rarely had either financial independence or much control over the course of her life. Portia, the deceitful heroine of the play, is a major exception. To put it bluntly, Portia is enormously rich. This unique position allows her to meddle in the affairs of the unsuspecting and somewhat dim male characters, and eventually gives her unprecedented power of self-determination. However, the play is more than a tale of feminine wiles overcoming male dullness of wit. Portia's wealth and intelligence may fuel her successes in marriage and the courtroom, but in each case it is her ability to usurp traditionally masculine roles that guarantees her victory. As Portia exploits the codependence of wealth, masculinity, and public power in her society, she becomes the only woman in the play who consistently controls her own destiny.
In Shakespeare’s The Tragedy of Othello the Moor of Venice, there are several strong, predominate female characters. Emilia, Desdemona, and Bianca have to defend themselves from the vicious men in the play. However, despite being victimized by the domineering men, their individual strengths set them apart from their abusers.
William Shakespeare's The Merchant of Venice "The Merchant of Venice" by William Shakespeare features, Shylock a very controversial character due to his religion, profession and personal traits. Professionally Shylock lends money to people in debt, in order to gain interest and profit. Although, this is very much central to our modern way of life, in the Elizabethan period, money lending was not accepted as an acceptable profession. Throughout "The Merchant of Venice" Shylock is portrayed as menacing, inhumane and slightly eccentric, yet at times misunderstood and induces sympathy from the reader.
Baptista is looking for suitors to marry his daughters and views the marriage as a monetary transaction: "After my death the one half of my lands, and in possession twenty thousand crowns." (2.1 122-123). In this quote, Shakespeare is using the characterization of Baptista to demonstrate how women were viewed as nothing more than objects that could be sold. Baptista told this to Petruchio when he asked how much Kate was worth. In addition, Baptista was attempting to appeal to suitors: "Proceed in practise with my younger daughter; she 's apt to learn and thankful for good turns. Signior Petruchio, will you go with us, or shall I send my daughter Kate to you?" (2.1 165-168). Shakespeare uses Baptista to demonstrate how poorly women were viewed. Baptista is practically selling his daughters and attempting to make them more appealing to suitors, so much as offering to bring Kate to Petruchio. Throughout most of the play, Baptista is looking to marry off his daughters. "Faith, gentlemen, now I play a merchant 's part, and venture madly on a desperate mart." (2.1 345-346). Shakespeare uses Baptista to demonstrate once again the little value women have and how they are viewed as objects. Baptista is acting as a "merchant" when he is selling his
Merchant of Venice: Portia was No Feminist. & nbsp; The question has been proposed whether Portia was her own woman, and if after she married Bassanio would she still be the protector of her fortune. I researched for evidence to the theory that Portia was not her own, her fortune was not her own, and she was bound financially to her husband after marriage. There is nothing out of the ordinary about this particular arrangement, and I don't feel that the relationship should continue to be hailed as a progressive, feminist relationship. & nbsp; The best evidence I could find were the words which were spoken out of & nbsp; One half of me is yours, the other half yours-- Mine own, I would say; & III.ii. 16-18. & nbsp; There you have it. Portia is Bassanio's. This may be idle lover's talk; however, it does signify the beginning of a possessive relationship in which Bassanio is the possessor! & nbsp; Directly after Portia is "won" by Bassanio's correct choice & nbsp; Happiest of all, is Com
Throughout the rest of the play we see Portia fight back not only through giving herself control of who she marries but also through deceiving the Duke into believing that she is a clever, young lawyer named Balthazar by writing a letter that the Duke receives from, supposedly, Bellario telling him that he cannot make the court hearing but he has sent a young man, a disguised Portia, called Balthazar to take his place. She starts the letter with flattery, saying, ‘Your Grace shall understand…’ This makes the Duke feel elevated and respected because Your Grace is a sign of humbleness showing respect and a feeling of status. She then writes that Bellario is ‘very sick’ so that the Duke would have sympathy for Bellario and therefore be more likely to agree to Balthazar being the prosecution councillor.
This character sketch will be on Shylock, describing his physical and personality traits. Shylock is an older, Jewish money lender who has one daughter named Jessica. Shylock is introduced into the novel when Antonio’s friend, Gratiano needs money in order to impress a girl. Antonio at the time does not have any money and sends Gratiano to Shylock to borrow money from him. Shylock does not like Antonio because of past experiences where Antonio made fun of him publically. This leads to an interesting bond that Antonio must agree to in order for Gratiano to get money. Shylock has many different character traits such as vengeful and his greed which will be displayed in this character sketch.
Everyone is deceived and believes Portia is truly a man therefore showing that she has the capabilities to exert the traits of a man. Portia is described as the “wise young judge” (IV, I, 228) and an “excellent young man” (IV, I, 252) by Shylock showing that he believes in the gender identity of Balthazar. Bassanio, Portia’s husband, is also fooled as he states that Antonio’s life is more valuable to him than Portia. Her credibility in turn gives her power over the men in the scene. She is able to use the balances of justice along with her knowledge in order to save Antonio. The turn in this scene is when she repeats, “A pound of flesh” (IV, I, 315) and states the specific words used in the document as no blood can be dropped from Antonio or else Shylock will be punished and strikes fear into Shylock. This shows that it is possible for a woman to obtain the masculine qualities of being powerful and intellectual. If Portia were to have not dressed as a man, but merely a woman, due to the social constructs of the time she would not have had any power in this situation. Portia tells Bassanio “I pray you, know me when we meet again” (IV, I, 432) which shows her feelings towards Bassanio not knowing her true identity, even through her disguise. Her actions were that of her individual, but due to her altering her appearance of gender it changed the way others viewed her
His lack of education has deprived him of good manners as well as good sense. The scene itself initially seemed inconsistent with the rest of the play. The prejudice the women tolerate is evidenced by their tendency to dress in men’s clothing in order to be heard or considered (Olson). As women, their voices are inhibited or disregarded; they are overshadowed and overlooked by society. Portia, for example, has little choice but to consent to being the prize in her “loving” late father’s lottery.
From the first time Portia is introduced, she is depicted as a very smart woman. In the beginning, she is searching for a husband that has more in his head than money and beauty. Portia and her companion, Nerissa, talk about the flaws of all her suitors and she makes it very clear that she is looking for an honorable man who will love her for who she is and not for her money. She also finds that “If it be proved against an alien that by direct or indirect attempts, he seek the life of any citizen, the party against the which he doth contrive shall seize one-half his goods” (Act IV.
William Shakespeare shows how two tradesmen can have completely different lives when others view them differently in the play The Merchant of Venice. In the play, Bassanio, Antonio’s friend, needs money to pursue his love. They seek a loan from Shylock, a Jewish moneylender in Antonio’s name. The contract is for three times the value of the bond in three months or else Shylock cuts off a pound of flesh from Antonio. While all this is happening, there are love plots going on. One of which is for Shylock’s daughter to elope with Lorenzo, a Christian. Later on, Antonio’s source of money, his ship, is reported sunken in the English Channel, dooming him to the loss of one pound of his flesh. There is a trial on the bond, and when it seems sure that Antonio will die, Portia, disguised as a doctor of laws legally gets Antonio out of the situation and Shylock recieves harsh penalties. Antonio and Shylock, two similar businessmen of Venice, are viewed differently and are treated oppositely to heighten the drama of the play and mold a more interesting plot.
Throughout Shakespeare’s various works, it has been observed that he rarely uses females in his literature, but when he does, he uses them for a distinct purpose, as is evident in Julius Caesar. By defying the societal standards of her gender and showing genuine interest in her husband’s thoughts and feelings, Portia, the wife of Brutus, reveals key aspects of his character while adding depth to the story. For her time, Portia was a woman who both respected herself and took pride in herself, without allowing society to make a mark on her. This is evident when she states, “Think you I am no stronger than my sex/ Being so father'd and so husbanded?" (Port...
flesh and blood, hates him so much that she robs him and runs away to
Throughout the Merchant of Venice, while Portia is being courted. the reader can see that she does not like any of the suitors, except Bassanio. She finds a flaw in all the suitors and readers, as well, can see. the flaws in each as they present themselves to her. Her true love however, is for Bassanio