Medea is a tragedy written by Euripides, based on the myth of Jason and Medea, particularly Medea’s revenge against Jason for betraying her with another woman. In the character of Medea the reader sees a suffering women driven only by her passion for the revenge she intends to impose on Jason. Medea is unwilling to give her enemies any kind of victory or satisfaction and will stop at nothing to make her enemy’s miserable even at her own dismay. Medea does the unthinkable in the play when she kills King Creon, Jason’s new bride who is the King Creon’s daughter, and her own children. Although Medea has done a terrible thing, she is not the only one who has serious flaws. Jason and King Creon also have flaws that make the play so dramatic. Medea …show more content…
In the play Medea is so hurt by Jason’s actions that her horrible flaws become menacing to everyone around her. She is so engrossed in her hatred for Jason that she ends up letting the detestation cloud her better judgement, and ends up plotting to kill everyone who has done her wrong. Medea is so distraught over the betrayal that she even plans to take the innocent lives of her two children in the process of her revenge. Her nurse expresses her fear of Medea in the few first scenes of the play and leads the readers to be able to foreshadow the events to come. “ Go indoors, children. That will be the best thing. And you, keep them to themselves as much as possible. Don’t bring them near their mother in her angry mood, for I’ve seen her already blazing eyes at them as though she meant mischief and I am sure that she’ll not stop raging until she has struck at someone. May it be an enemy and not a friend she hurts!” (Euripides 4). The nurse is not …show more content…
“ I am afraid of you- why should I dissemble it? Afraid you may injure my daughter mortally. Many things accumulate to support my feelings. You are a clever women, verse in evil arts, and are angry at having lost your husband’s love. I hear that you are threatening, so they tell me, to do something against my daughter and Jason and me, too. I shall take my precautions first. I tell you, I prefer to earn your hatred now than to be soft-hearted and afterward regret it.” (Euripides 10). After expressing his fear of Medea to her, he sent her to exile, and told her to leave now. Medea doesn’t take this well and say’s that she will hold her tongue and will not do any harm to anyone. King Creon doesn’t believe her and tells her she must leave because he is not a foolish man and knows a woman who holds her tongue is much more dangerous than one who does not. Medea asks for time so that she can make arrangements for a place for her and her children to go. “ Allow me to remain here just for this one day, so I may consider where to live in my exile. And look for support for my children, since their father chooses to make no kind of provision for them. Have pity on them! You have children of your own it is natural for you to look kindly on them. For myself i do not mind if i go into exile. It is my children in being trouble that I mind.” (Euripides 12). Creon
She gave the children the dress she made and the diadem, submerged with poison and instructed her to give these gifts to the princess under the false impression that she wants to please her so she may convince her father to allow the children to stay in Corinth. After the death of the king and the princess, Medea kills her two children. The only time the children have spoken and they plead to live. There is no future for the children, to escape their mother’s wrath and anger and her drive to hurt and destroy everything and everyone that Jason loves and cares about. Medea contributes to the work as a whole because we see her side of the story and understand the motives behind her action and the consequences as the result of her madness. Medea is the rising action and the climax of the play. We also see Jason side of the story from his conversations with Medea and his explanation was awful. He is the reason for the conflict and issues for Medea but Jason does not take care of the problems he created nor does he take the responsibility for the consequences of his actions. He married a sorceress and not a normal Greek
As she is "Faced with her husband's cold pragmatism, Medea responds according to her nature." Euripides really stresses the "otherness" of Medea's nature: she is "of a different kind", described in terms of nature and animals: she is "a rock or wave of the sea'", "like a wild bull", "a tiger". Yes, she is a little dangerous, but she is driven by her hear; that vital force which distinguishes the body from the corpse and has been crushed by Jason's betrayal.
Even though Medea’s crime are despicable, Jason is also a despisable character. When he encounters Medea for the first time in the play, he says, “Even if [Medea] hates me / I could never think badly of [Medea]” (Euripides 462-463). It is easy for Jason to say these kind words because he is not the one being abandoned for another spouse. He also undermines Medea again after she recites how she helped him in on the Ship Argo. Instead of giving her any credit or appreciation, Jason confesses, “since you make such a mountain of it, I think that Kypris, god of love, was the savior” (Euripides 525-526). It is not enough to leave Medea for another woman while allowing her and her children to be exiled, but Jason also felt the need to discredit her contribution to his
Medea is a tragedy written by acclaimed Greek playwright Euripides.fortunately, had the opportunity to view last night's performance. Euripides cleverly uncovers the reality of Ancient Greek society, shining a light on the treatment of women and the emotions and thoughts that provoked during their time in society. As they were voiceless, Euripides acted as a voice. The scene is set during a male- dominated society, Medea the protagonist challenges the views and chooses to ignore the normality of civilisation. Treated as an outsider her passion for revenge conquers the motherly instincts she possesses, provoking a deep hatred and sparking revenge towards her once loved family.
Behind this weak figure however, we have the warnings of the Nurse, shadowing this pity. She describes Medea's fury brewing from the grief and how powerful it is ("not relax her rage" "like a mad bull or a lioness"). Her appearance as a woman in grief is well depicted but very soon Medea emerges from the house, shaking off this grief and instead focusing on revenge. Her speech when she leaves the house gives us some evidence of her sour temper. While talking she comes across as submissive ("I accept my place") and describes the unenviable position of women in society ("we women are the most wretc...
The problem set at the beginning of the play is that Jason has decided to marry another wife, Glauce. Medea is angered and will not let Jason off without punishment. The loss of Jason is not only a matter of passion; Medea has been completely humiliated by Jason's decision to take a new bride. Her pride shows again when she refuses Jason's aid. Though her situation is difficult, she would rather destroy all than accept help from one who has wronged her so horribly. Living as a barbarian among Greeks has made her more defensive, more full of hurt pride. To punish Jason, Medea had her children deliver poisoned gifts to the new bride, to kill her children, Glauce, and Creon. . Medea is not without feeling, nor is she a sociopath. She comprehends the difference between right and wrong, but chooses to follow the dictates of rage.
When she goes to Jason for the first time at the palace, she expresses extreme anger and wishes bad for the future of Jason and her to be wife. Upon Jason’s contribution of money and a safe place to stay, Medea instantly refuses any of his help. This attitude of Medea opposes the current day behavior of any helpless woman- self suffice. Medea uses Creon’s order of exile and an extra day for her own advantage. Now when she approaches Jason again, but now to convince him that she feels remorse over her attitude and justifies his thought of women being emotional and obsessive. She later glories her accomplishment in terms of manipulation, a heroic feature, when she says, “he’s not so clever after all”. After a while to get permission for the children to remain in the city with their father, Medea sends some gifts for the princess by her children. Her extreme desire of revenge is accomplished through her poisoned gifts that take the lives of the princess and Creon into its wrath. Revenge is surely a motive force associated with men as heroic figures which Medea takes upon
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
*Although Medea is arguably the most intelligent character in Euripides’s piece, shown in her dialogue with Creon, she has become ridiculed, and viewed as barbarous and less desirable following her separation from Jason. She is no longer a wife to a Greek man. She is simply an outsider, and a burden on a prosperous
The Greek tragedy Medea is a tale of a woman scorn and the wrath that follows. The story is one of outright deceit, crippling revenge and questionable justice. It is typical of Greek tragedies in its simplicity, but atypical in the way it justifies horrific revenge. Medea is one of Euripides' most enduring plays. It and only a handful of others have survived the several thousand years since their conception.
As with Medea and Jason, the battle between the two lead to former's madness, leading to the death of the enemies she considered, and, unfortunately, leading as well to the death of her own children. Medea felt betrayed and left behind by her husband Jason, as well as continuously aggravated by Creon despite the fact that it was she who was in a disadvantaged position.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
Medea's plan was set into motion. She has nothing to loose. She is even angrier because she betrayed her own father and her people for him. She even bears the burden of having Pelias killed by his daughters for Jason. She decides to take revenge out on Jason's bride and poisons her. She also doesn't want Jason to take the children from her. She decides to kill them, but agonizes over this decision before killing them. Some critics view this as a pathetic attempt at motherhood. I know there is a certain bond between mother and child. She just wants to hurt Jason as much as she has been hurt. "She first secures a place of refuge, and seems almost on the point of bespeaking a new connection. Medea abandoned by the entire world, was still sufficient for herself." (blackmask).
Although Medea killed and did things that people felt were wrong it is evident that through out the play that along with her other characteristics, she was a caring and loving person. The first time we are shown this is when we discover everything she did for Jason. If she did not love him she would not have done those things. We are also shown that Medea can be a caring person by the love that she had for her children. Although she killed them in the end during the play she was a mother to her children, she showed affection to them, and she did think twice before she killed them. It is because Medea was a caring and loving person that she did what she did. Her feelings were hurt and her heart was broken; and she did what she felt she had to do to hurt Jason for hurting her.