Masculinity In Yan Bi Emperor's Domination And Invisible Man

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In Yan Bi’s novel Emperor’s Domination, while dueling the protagonist, numerous arrogant youths yell, “I, your father, will defeat you!” The “father” proceeds to enter a state of half-death, beaten until “his parents couldn’t recognize him.” In a prevalent Wuxia-genre trope, after an arrogant statement, convoluted battle, and eventual loss, defeated warriors repent and cry, “I had eyes, but I couldn’t recognize Mt. Tai.” After being disgraced, the insulted protagonist gains revenge through violent victory or, in the occasional scene, an affair with a relative of the repenter. Similarly, when facing challenges, individuals in Ralph W. Ellison’s Invisible Man, Arthur Miller’s Death of Salesman, Nathaniel Hawthorne’s The Scarlet Letter, Francis …show more content…

For example, when not-Tyler goes to a Remaining Men Together meeting, Bob tells him “the group’s disbanded” for Fight Club (100). Bob desires to prove that he is still a man by fighting against his fate. He doesn’t want to despair; instead, he wishes to achieve the thrill of fighting before a crowd and fill the void in his life with masculinity. Similarly, Tyler starts Project Mayhem to escape being “God’s middle children” (141) and implicitly gain the attention of his disappearing father who is his “model for God” (186). When facing obstacles, some individuals resort to violence to prove that they are still men. By expressing masculinity, these individuals ignore the void in their lives because the morning after they are in a state of “zen” (64); however, Not-Tyler becomes “pissed” that he had “become this totally centered Zen Master and nobody had noticed” (63). When men display masculinity, it is for society to notice and respect them. In addition, Dimmesdale often “plied” a bloody scourge “on his own shoulders in “an act of penance”because he fears admitting he is Hester’s lover (132). Dimmesdale discovers that he cannot provide for his family and he is effectively not a man. As his sins plague him, Dimmesdale desires to prove he is still a man and deny that he lacks the courage to admit his adultery. By self-flagellating, he believes he atones for his sins and …show more content…

Big Bob’s desperation to prove his masculinity by joining Project Mayhem results in his “amazing miracle of death” (178). The only way to escape Project Mayhem, which replaces family and success with masculinity, is death. Project Mayhem suggests that individuals exchange their success for an unsustainable illusion that crumbles as individuals make poor decisions to perpetuate their toxic masculinity. Furthermore, Willy teaches his sons that being masculine and using others will lead to success. Paradoxically, Willy’s need to be “picked” by a woman destroys his own dream for Biff to surpass him in life because Willy can never be satisfied with what he has (38). Biff inherits his father’s toxic masculinity because his “father is” his “model for God” (Palahniuk 141). Biff gains bad morales that lead into trouble because he attacks his problems instead of compromising. Willy taught Biff that, so long as you’re charismatic enough, everyone else will listen to you, resulting in a false confidence. For Willy, success comes from how many people know you, and Billy played in front of thousands, but Bertram presents in front of a small, select group as a lawyer at the Supreme Court. The stark contrast between their current states suggests the backwardness of Willy’s values. Similarly, Not-Tyler’s father passes toxic masculinity onto him by suggesting, “Get married before the sex gets boring, or you’ll never get

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