Masculinity And Feminism In Shakespeare's As You Like It

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Shakespeare was a feminist. No, not in the way in which he would advocate “Free the Nipple”, or women not shaving because hair is natural, which he might have. He was a feminist in the way he pushed gender norms of the Renaissance woman, blurring the lines between masculinity and femininity. In Revisiting Shakespeare and Gender, written by Jean Gerlach, Rudolph Almasy, and Rebecca Daniel from the Women in Literature and Life Assembly of The National Council of Teachers of English, they state, “Defining what a female was supposed to be and do was an act of Renaissance culture” (Gerlach et al, Vol. 5). A perfect Renaissance woman was described to be silent, obedient to men, sexually chaste, and humble (Gerlach et al, Vol. 5). Shakespeare, however, …show more content…

Rosalind has been one of the most discussed character of Shakespeare’s works. The play takes place in the forest of Arden where “many aspects of Elizabethan social order are turned inside out” (Lee, Introduction). In this play, gender roles are loosened, reversed and social norms are questioned. Rosalind is a funny, young woman full of wit and life. When Duke Frederick banishes Rosalind from his court, she runs away into the forest with her dear friend, Celia. To ensure their safety and reduce suspicion, Rosalind disguises herself as a young man. Her alter-ego, Ganymede, brings forth many ideas on androgyny, sexual identity, and gender fluidity unaccepted by the renaissance standards. Rosalind is a character of both masculine and feminine characteristics and while Ganymede is a tool to help display the masculine side of her, these characteristics remained present throughout the entire show. Jean Gerlach and others explain in Revisiting Shakespeare and Gender, “Although they are women, subject at some point in each play to the care of fathers, brothers, and/or husbands, each is also "masculine" in her actions. As "strong females," they demonstrate more self-awareness than the men; they use their reason, they talk, they are mobile, often found in the out-of-doors rather than inside their fathers ' or husbands ' houses. They control the action” (Gerlach et al, Vol. 5). Similar to Cleopatra, Rosalind not only controls the action, but dominates it, utilizing her many feminine and masculine

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