In the novel A Thousand splendid suns, Hosseini exemplifies the need for companionship and love through the genuine lack of these characteristics in Mariam, a underappreciated, illegitimate woman. Mariam’s battle for self-worth shapes the sincerity of her relationships with others and how they feel they should treat her. The product of Mariam's experiences illustrates how essential love and companionship are when discovering dignity and purpose through adversity. In a world filled with controversy and deception, a sense of purpose is essential in the way in which we derive the value of our own self-worth and find fulfillment. For Mariam, caring for the needs of others, and additionally in maternity aspects is one of the few practical …show more content…
This one word was not only the way Mariam felt about herself, but the basis of which she felt she deserved to be treated. The only thing Mariam had to base her own character on was through the way others acted towards her. She grew up throughout her entire life suffering, and accepting from the abuse of Nana and Rasheed. This constant abuse made Mariam feel as if all she could ever deserve and be worth was that of a Harami. Throughout the novel it is apparent how the words and actions of others around her distorted her views of how everyone in the world is warranted to treat her. “”Why have you pinned your little heart to an old, ugly hag like me? Huh? I am nobody, don't you see? A dehati... she [Mariam] marveled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections.” (Hosseini, 252) The surprise Mariam finds through another creature showing any sort of affection for her proves to her that, not only she can amount to possess real connections with others, but she is deserving of this basic need and doesn’t owe the world for wanting this. The love Mariam found through Laila and her children was her salvation giving her life a sense of purpose and fulfillment which she had never felt before Through Mariam's checkered background and the diverse people which formed her character, the reader is able to see how much the actions of others around us can contribute to the makings of one's own self-worth. Mariam experienced many conflicting ideas coming from others about what she is accredited to do and her worth in the world. However, Mariam only truly discovered her purpose when she meets Laila and her children, where she is finally able to see her own worth through the salvation of their love and
Both Laila, the lucky girl with breathtaking beauty, whose luck suddenly vanishes, and Mariam, the unlucky and illegitimate daughter, whose luck goes from bad to terribly worse, become dynamic and complex characters. This transformation is brought about by the gradual revealing of Hosseini’s motivation. In fact, Hoesseini is evidently motivated to reveal the truth, and let the emotional and physical realities of Afghani women’s lives be known to the
What the reader understands of the infidelity of Milan Kundera’s characters in The Unbearable Lightness of Being is a mere distraction from the real substance of the story and of the character’s real purpose. Kundera offers the reader a red herring and only through close examination can one dissect and abstract the true essence of each character’s thread that links them to one another in this story. For it is not clearly seen: in fact, it can not be seen at all. It is the fierce absence of the word commitment that is so blatantly seen in each individual, yet the word itself is buried so deeply inside of Tomas and Tereza that it takes an animal’s steadfast and unconditional love to make the meaning and understanding of commitment penetrate the surface.
The author explains different situations she has been exposed to throughout her life. The main factor that differentiates her case from the others is her level of education. She has been educated and has been exposed to two different cultures. Due to these factors, she knows how to behave under different circumstances. A good example is when a drunk man offended her and she reacted by walking away instead of creating a big discussion. Maria’s friend complemented her for the cool handling of the situation. Another reason why she feels so proud of herself is because she took advantage of that education chance and does everything possible to keep growing up. She explains that sometimes she is sent to that “kitchen” where she belongs. Her genes will follow her everywhere and not matter where she is at, people will keep asking her where is she from.
Fatima Mernissi is a superb writer who introduces the reader into a harem through the mind of a nine-year-old girl. In this autobiographical novel young Mernissi talks uncensored about the contradictions of life in a harem, surrounded by the extraordinary women in her family who are restrained from leaving the family courtyard. These women’s is a struggle of complete lack of freedom. They are not allowed to leave the courtyard except on very few occasions, and escorted by men (Mernissi 39). Their lack of mobility is also accentuated by lack of other freedoms such as education and financial freedom, although they have a voice in the decision making of the crucial changes in the harem life.
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
Whenever we look at our beloved Mariam from A Thousand Splendid Suns, we discover that she herself is a symbol. She represents innocence, love, and loyalty, and that’s just in the first few chapters. How, you might ask? Directly from the text in chapter one, we see her loyalty. “The truth was that around Jalil, Mariam did not feel at all like aharami. For an hour or two
In addition, Maria plays the role of the lady in waiting who essentially doesn’t do anything for herself except take orders. Later on the reader soon realizes that, Maria is a strong witty character that takes matters in to her own hands. Maria developes a strategy, first she goes for the messed up drunken Sir Toby and her goal is to straighten him out. Maria confronts Sir Toby about his drunkenness, “That quaffing and drinking will undo you: I heard my lady talk of it yesterday” (1.3.128). Sir Toby begins to take notice in Maria. Maria begins to plot with Toby to bring down Malvolio (the condescending butler) as a practical joke. Through the process of plotting against Malvolio with Toby, Maria develops a back bone something she was not known for with Olivia. Maria took the lead in the plotting and Toby starts taking her orders, “Observe him, for the love of mockery, for I know this letter will make a contemplative idiot of him” (2.5.18-19) As a result of the jokes success, Mari...
Mariam’s strength is immediately tested from birth and throughout her whole childhood. She has been through a lot more than other children of her age, and one of those challenges is the hope for acceptance. She is looked at as an illegitimate child by her parents, and they say there’s no need to attend school. We learn right away what the word “harami” means when Nana uses that to describe her own daughter. She says, “You are a clumsy little harami. This is my reward for everything I’ve endured. An heirloom-breaking, clumsy little harami” (Hosseini 4). Nana especially pushed Mariam away from pursuing her goals. She said there was no need for education and men always find a way to blame it on a woman. This pushed Mariam away from her mom and closer to Jalil, but he refuses to acknowledge her and his wives look at her with cold stares of disgust. Mariam only feels loved by Jalil through all of this, mainly because he brings her things and shows her some love. She asks him to do something with her outside of the kolboa and he first agrees, but never brings her because of his fear with his wives and the structures of Afghan culture that frown upon it. He starts to act as if she was a burden to him and Mariam’s hope for acceptance is crushed. She realizes the truth, especially once she reaches adulthood. In Afghanistan, marriage is not all about love for eachother, it is about traditional role...
From start to finish, one could see how much Mariam values Laila, Aziza, and their friendship. The first example is when Mariam vows to help Laila while they are in the hospital for Laila’s unborn child: “I’ll get you seen, Laila jo. I promise” (287). This simple promise is a deep portrayal of Mariam’s desire to help Laila find a doctor and deliver her baby. Additionally, one can see Mariam’s love for Laila when she protects her from Rasheed’s grip of death, “‘Rasheed.’ He looked up. Mariam swung. She hit him across the temple. The blow knocked him off Laila” (348). Rasheed was going to kill Laila, but Mariam steps in and knocks him off of her with a shovel to save her life. Mariam forms a tight-knit bond with Laila, and when Hosseini includes their relationship, one can see how Mariam values Laila enough to kill another man. The author also describes their relationship after Mariam and Laila discuss plans for leaving: “When they do, they’ll find you as guilty as me. Tariq too. I won’t have the two of you living on the run like fugitives.” … “Laila crawled to her and again put her head on Mariam’s lap. She remembered all the afternoons they’d spent together, braiding each other’s hair, Mariam listening patiently to her random thoughts and ordinary stories with an air of gratitude, with the expression of a person to whom a unique and coveted privilege had been extended” (358). The love Mariam has for
The characters of Nana and Mariam show the archetype of a mother by sacrificing to make their children’s life better. Towards the beginning of the book Nana describes Mariam’s birth to Mariam and mentions, “ I cut the chord between us myself. That’s why I had a knife.”(11). As Nana mentioned she sacrificed throughout her pregnancy though the pain and separated the umbilical chord herself because she wanted her child to have the best chance that she could. She also mentions the knife, which could have been use to kill the baby, similar to what Laila almost did with the rusty bicycle spoke. In addition, the knife could have been used to kill herself to end her suffering. Nevertheless, Nana does not carry out this plan and instead she decides to give up her feelings for the child’s. Mariam too goes through moments where sacrifice is necessary. For instance, when the drought hit and Rahseed looses his shoe store she realizes that in order for her family to survive she must ask Jalil, her father, for money. In order to contact her father she travels in the hot sun, calls the mayor, and says, “I know you have important things to tend to, but it is life and death”(310). Mariam swallows her pride and begins to realize her negative reaction towards her father w...
Mariam endured the loss of her mom as a 15 year old and for the rest of her life Mariam would have to deal with the fact that she was the one who drove her mom to suicide. It affected her everywhere she went and in everything she did. After that, she had to endure the fact that her dad wanted her gone so badly that he married her off to a man, Rasheed, that was about 30 years old than her and who lived far away. Her new husband scared her for a while but she saw a good side when he found out that she was pregnant. Mariam was so happy to be having a child of her own; however, that happiness was cut short when she had a miscarriage. Mariam “believed that the baby had been an undeserved blessing, that she was being punished for what she had done to Nana”(93). Again, Mariam had to endure the loss of the child that was making this new life a little bit more bearable and her new husband a bit more pleasant. When they found out that Mariam could not have children, Rasheed had no use for her. The children that Mariam wanted stood for hope. She was hopeful that her life would be better and that she could escape that death of her mom, but each time the child is taken from her and so is her
“Intense love does not measure, it just gives. “ (Mother Teresa) This sentence perfectly describes the character Clarisa in the short story, “Clarisa” written by Isabel Allende because of her giving nature and devotion to helping other people. In this short story, Clarisa is the model of gentility and compassion by giving absolutely every thing she had, and even spends “…the last cent of her dowry and inheritance,” (434) and, “In her own poverty, she never turned her back on the poverty of others” (434). For these reasons, they people that know Clarisa hold her in high esteem, and continually portray her as saint like. Allende helps the reader understand the admiration others have for Clarisa through the use of imagery, similes, and diction.
“The Harem Within” is a life story that portrays Mernissi’s childhood experiences while growing up in her family house in Fez, Morocco. Fatema Mernissi was a daughter of wealthy landowners and agriculturalists family. Even though she was raised in indulging and a privileged neighborhood, detached from the poverty most Moroccans experienced, her childhood was spent in the limits of her household shape. Mernissi was raised in a “classical domestic harem”, which abides of extended family and was designed to keep the women sheltered from men outside of the family and the public in general. Occasionally, this exceedingly limitation nurtured feelings of frustrating separation and isolation. Mernissi’s upbringing in this habitat influenced her progress as a scholar and writer.
In this essay I would like to emphasize different ideas of how love is understood and discussed in literature. This topic has been immortal. One can notice that throughout the whole history writers have always been returning to this subject no matter what century people lived in or what their nationality was.
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.