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Gender critiques of the catcher in the rye
Gender critiques of the catcher in the rye
Theory about magical realism
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Magic Realisim in Foreigner, Egyptian Cigarette, and Enchanted Bluff
Sarah Orne Jewett's "The Foreigner," Kate Chopin's "An Egyptian Cigarette" and Willa Cather's "The Enchanted Bluff" are all stories that contain Magic Realism Magic Realism is typically defined as a construct of many writers from Third World countries. This style of writing realistic fiction wherein the extraordinary occurs and is not thought of as unusual has been described as a way of breaking away from the constraints of linear time and hierarchical thinking: in other words, as a way of escaping the patriarchal modes of writing that have dominated these often post-colonial countries. The definition of this form of fiction writing can be expanded to include women as representatives of repressed cultures. As writers, these women were often trivialized as "scribblers" during a time women could not even vote, and they could be considered "colonized" by their culture. Therefore, Sarah Orne Jewett's "The Foreigner," Kate Chopin's "An Egyptian Cigarette" and Willa Cather's "The Enchanted Bluff" are all stories that can and should be discussed in the context of Magic Realism-- do they or do they not fit within this style of re-writing reality?
Each of these writers depicts "magic" differently. Their degree of acceptance for these unorthodox events in realistic fiction reflects their willingness to "bend the rules" of traditional fiction. Sarah Orne Jewett's "The Foreigner" is a story which features some very interesting magic elements that place her firmly "outside" of straightforward fiction with this story. Her characters, Mrs. Todd and Mrs. Tolland, are incredible images of witchiness in the midst of Protestant propriety, and in this short story ...
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... her story describes a supernatural place, cannot be defined as "Magic Realist." She, along with her characters, is too much grounded in "this world."
These three women authors approach magic situations in a realistic setting in entirely different manner, and this manner reflects the difficulties that these women felt with their own communities. Jewett and Chopin seem much more ready to accept difference, whereas Cather struggles with her "art." Writers of Magic Realism are experimenting with new elements, rejecting the "laws" of realistic fiction because of the repressive nature of those rules and rule-givers. Jewett, Chopin and Cather all depict a brush with some sort of "magic" and the success of their characters' acceptance of that experience reflects each author's struggle with the patriarchal writing community, and its rules of realistic fiction
Faris, Wendy B. "Scherazade's Children: Magical Realism and Postmodern Fiction." Magical Realism: Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995.
Delbaere-Garant, Jeannie. "Variations on Magical Realism". Magical Realism Theory, History, Community. Ed. Lois Parkison Zamora and Wendy B. Faris. Durham" Duke U.P., 1995. 249-263.
Flores, Angel. "Magical Realism in Spanish American Fiction." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995. 109-116.
On November 8, 1988, Republican Presidential candidate Vice President George H. W. Bush was elected as the forty-first President of the United States of America. Bush defeated Democratic challenger Governor Michael Dukakis by a ratio of a bout six-to-five. 49 million people voted for Bush, netting him 426 electoral votes while 42 million voted for Dukakis getting him 112 electoral votes. Strangely, a man not even running for President received an electoral vote; Lloyd Bentsen (Democratic Vice President Nominee) received one electoral vote from the state of West Virginia. Bush's victory was also a victory for the Republican Party, but the Democrats received a similar victory in that they retained control of both the House and the Senate. The presidential election as a whole was a negative race, with an abundance of personal attacks (mainly instigated by Bush). The election of Bush in 1988 confirmed the Republican domination of presidential politics for another four years.
When reflecting on his memories of the man he knew as Jay Gatsby, Nick Carraway recalls the unique individual’s finest quality: “It was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again” (Fitzgerald 2). Although Gatsby occasionally stepped off the straight and narrow, he never lost sight of his ultimate goal: Daisy’s love. Even when it seemed as though everything was working against him and that he would never regain his lost love, Gatsby kept going, knowing that the strength of his hope would see him through. His childlike determination, while ultimately his downfall, was what made Gatsby truly “great.”
The Civil Rights Era became a time in American history when people began to reach for racial equality. The main aim of the movement had been to end racial segregation, exploitation, and violence toward minorities in the United States. Prior to the legislation that Congress passed; minorities faced much discrimination in all aspects of their lives. Lynchings and hanging...
42 is an example of the heavy burdens that minority athletes had to overcome and how they slowly started to emerge at the professional level. The film is based upon Jackie Robinson, the first African American baseball athlete to play Major League Baseball. It depicts the racial biases in the realm of sports, the unbearable hardships Jackie endured, and the overall character of the old ballparks. Brian Helgeland, director, wanted the film to depict the terrible racism that Jackie faced and how he overcame many obstacles in order to achieve his dream. Helgeland’s intent to represent this resulted in him exaggerating a few scenes in order to better highlight Jackie’s tough journey to greatness. However, these scenarios helped aid the popular view of the civil rights era by better emphasizing the obstacles that minority athletes had to overcome. In the film for example, after Jackie Robinson moved up to the big leagues, some of his partners wrote a petition to the board of directors explaining their discontent of the current situation. Almost every single player signed the petition against the African American athlete. This event actually happened during Jackie’s first year with the Brooklyn Dodgers, however only a few white players signed the petition. Others like Pee Wee Reese refused to sign it, “It didn’t matter to me whether he was black or green, he had a right to be there too.” The exaggeration of the opposition within his team portrayed the struggles that Jackie Robinson had to deal with because of his race. The refusal of some players to sign shows how not all caucasian males opposed the idea of integration and how they began to accept minority athletes into white cultured sports. Jackie’s rookie year posed plenty of tro...
Gatsby had been working for so long to make Daisy his, that somewhere along the way his love turned to obsession. His Dream is not the pure thing it started out to be. His first step in fulfilling it was to become wealthy, which he did through corrupt means. He was filled with hope that once Daisy saw his wealth and how much he still loved her, that she would leave her husband Tom and come be with him. He even “bought that house so that Daisy would be just across the bay” (Fitzgerald 83). In an attempt to make this come true, he and Daisy began to have an affair. The amorality and dishonesty of this only solidifies the fact that Gatsby’s dream was corrupted by his desire to have Daisy, as if she were an object not a person. Gatsby also never took into account that Daisy may have already fulfilled her dream. She was, even throughout her affair with Gatsby, content with her life with Tom because he gave her the life of luxury she had always dreamed of. Daisy’s dream was corrupt from the beginning. Her desire for money won over her desire for love. As for Gatsby’s dream with Daisy, “it was already behind him, somewhere back in that vast obscurity beyond the city…” (Fitzgerald
Love, love, love; the only thing everybody talks about. Every movie, every series, every story talks about how two people fall in love and live happily ever after. All stories get to the conclusion that the love the couple shared was unique and that the two lovers matched perfectly together. But what happens when two lovers do not belong to the same social class? What happens when they don’t share common things they like? Are they not meant to be? “In love everything is possible”, someone once said. When someone is in love, he/she would make everything that he/she cans to make his/her lover happy and keep him/her by their side forever. F. Scott Fitzgerald, one of the most important American writers of the twentieth century, depicts a love story in his novel The Great Gatsby and shows how love can change a person. Gatsby, the man from which the story takes its name, fell in love with Daisy when he was young officer just before going to war. As the story goes on, he falls more and more in love with her, but he loses her to a richer man. Gatsby’s love for Daisy
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
The novel The Great Gatsby displays deceitfulness in many of its characters. The deceit brings many of the characters to their downfall. Gatsby had the greatest downfall of them all due to the fact it took his life. In The Great Gatsby , “ Gatsby goes to spectacular lengths to try to achieve what Nick calls ‘his incorruptible dream’ to recapture the past by getting Daisy Buchannan love” (Sutton). Gatsby always had an infatuation with Daisy, Jordan Baker said,”Gatsby bought that house so that Daisy would be just across the bay” (Fitzgerald 83). Gatsby and Daisy did have a past together. While Jordan was golfing, “The Officer looked at Daisy while she was speaking in a way that every young girl wants to be looked at sometime[…]His name was Jay Gatsby and I didn’t lay eyes on him for over four years-even after I’d met him in long island I didn’t realize it was the same man” (Fitzgerald 80). Daisy is now in an abusive relationship with Tom Buchannan, “Nick Carraway attends a small publicly blames Tom for the bruise on her knuckle” (Sutton). When they meet again Gatsby showers Daisy with love and affection, wanting her to leave her husband Tom, but she does not want to in their society. Tom and Gatsby get into an argument and tom tells Daisy about Gatsby’s bootlegging that brought him to his riches. Tom yelled, “He a...
Love is a feeling between two people that comes with lots of emotions, respect, commitment, trust, honesty, and many other values. In the story The Great Gatsby, the characters within their relationships violate most of these values. Tom and daisy Buchanan got married for all the wrong reasons. Daisy says, “Well, she was less than an hour old and Tom was God knows where” to Nick Caraway as they are catching up on things (Fitzgerald 16). This quote shows that Tom doesn’t really love and care about Daisy the way he should because if he did then he would be there for his daughter’s birth. Just as Tom didn’t care about Daisy, she is only attracted to him because of his money, and that shows when she is unfaithful to him. Eventually Daisy rekindles her relationship with her one true love Jay Gatsby. As Gatsby and Daisy’s relationship grows, he pressures her to tell Tom that she never loved him. She could not bring herself to that paint and yells out, “Oh, you want too much!’ she cried to Gatsby. ‘I love you know---isn’t that enough? I can’t help what’s the past.’ She began to sob helplessly. ‘I did love him once---but I loved you too” (Fitzgerald 132). Th...
Love has a crippling effect on every character in this novel, especially J. Gatsby. Love can indeed be a good thing at times. But F. Scott Fitzgerald shows us that love can sometimes do more harm than good. Love can complete your life, or, love can destroy it.
Blanche is a delusional character who creates life from her imagination to help her pass through the hardness of life. Blanche admits that living in fantasy is much better than living in reality. When she was talking to her lover “Mitch”, she admits that the world of fantasy is much kinder as she says, “I don't want realism. I want magic!” (Williams, 117). Blanche does not care if this magic is factual or not. The importance of magic to Blanche is that she has the choice to choose fantasy which allows her to believe in and hope for something better than harsh world. She is aware of that, making the world as attractive as sh...
Flores, Angel. "Magical Realism in Spanish American Fiction." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995: 109-116.