In William Shakespeare’s, The Tragedy of Macbeth, the main character, a loyal Scottish soldier by the name Macbeth, is enticed into betraying his king by the weaknesses that come to light when three witches prophesize great fortune in the form of kinghood. At the time, unknowing Macbeth sees this as a fortunate turn of events, and sends word to his wife, thus exposing his most fatal flaw: a distinct lack of independence. When it turns out that the king, in fact, chooses his son, the prince, instead of Macbeth as heir to the throne, the Lady Macbeth takes advantage of the opportunity provided by the king’s visit to their home to ensure her and her husband’s financial security. By killing the king and scaring off the heirs, Macbeth would have the throne as his. But, the lady must first bypass Macbeth’s weaknesses, and instill within him a new one. Using her own quick wits, Lady Macbeth manages to cultivate her husband’s ambition until it controls him, to the point that even Macbeth blames for his actions, not realizing that, despite his courageous accomplishments in battle, his true flaw is his severe lack of independence, proven by his weakness of conviction, avoidance of emotional conflict or discomfort, and his inability to accept the consequences of his actions.
The audience learns early in the play that Macbeth isn’t an undeniably bad person: he is loyal to his king, a leader to his men, and a friend to his comrades. Though he is more than a little bloodthirsty in battle, this trait is actually what assures the audience that it is not out of simple cowardice that Macbeth refuses to kill the king, and implies a certain level of sincerity and guilt at the thought of killing his leader. Had it not been for his wife’s encouragement...
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...hee peace’” (1.7.44), for she refuses to relent, or risk losing him to his sense of morality. Thus, ‘ambition’ is not Macbeth’s fatal flaw as much as a lack of independent thought and action.
In essence, due to Macbeth’s lack of conviction, his avoidance of emotional conflict or discomfort, his inability to accept the consequences of his actions, and the evidence provided, one can conclude that his fatal flaw is a distinct lack of independence. When one is deprived of independent thought and action, as Macbeth found he was, one is bound to be the victim of others’ whims. The witches’ prophesy sparked his imagination, as they knew it would, and left him helpless against his wife’s greed and ambition. Thus, valiant soldier Macbeth is reduced to nothing more than a traitor by his less-than independent nature and the much stronger, much darker wills of those around him.
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
“If chance will have me king, why, chance may crown me Without my stir?” Macbeth ponders after three witches foresee that he will become king in the tragic play Macbeth written by William Shakespeare (349). Macbeth is wondering how he could become king of Scotland without him intervening as he is not in line for the throne. He believes that he will have to take action to gain this position. Macbeth was right to doubt fate, because his choices led to his ascension to the throne and, later in the play, to his downfall.
As Macbeth becomes less dependent on his wife, she loses more control. She loses control of her husband, but mostly, of herself, proving her vacillating truth. Lady Macbeth’s character gradually disintegrates through a false portrayal of unyielding strength, an unsteady control of her husband and shifting involvement with supernatural powers.Throughout the duration of play Lady Macbeth’s truly decrepit and vulnerable nature is revealed. Lady Macbeth has been the iron fist and authority icon for Macbeth, yet deep down, she never carried such traits to begin with. This duality in Lady Macbeth’s character plays a huge role in planting the seed for Macbeth’s downfall and eventual demise.
Macbeth’s blind ambition leads him to surrender to his dark desires that taunt him throughout the play. Macbeth is frequently tempted to result to the wrongful methods that seem to roam inside of him. In the beginning however Macbeth tends to ignore these desires and depends on chance. He declares “if chance will have me king, why, chance may crown me, without my stir” (Shakespeare, act 1, scene 3, 143-144). This declaration by Macbeth shows his initial stand, which is reliant on fate and sin free. Yet as Macbeth’s character develops throughout the play, he moves farther from his dependence on chance and closer to his darker desires. Eventually his blind ambition to become king overp...
William Shakespeare’s Macbeth tells the story of a general who commits regicide in order to become king. Early in the play, Macbeth is conflicted as to weather or not he wants to kill his kinsman the king. In the first two acts Macbeth is not portrayed as a ruthless killer; he is a sympathetic character who succumbs to the provocation of his wife and a prophecy foretold by three mysterious witches. In contrast, Lady Macbeth is a manipulative, immoral woman. Her ambition is so strong that she is willing to do anything to see her husband succeed. However, in the third act things begin to change. The death of the king and lord and lady Macbeth’s rise to power catalyze profound transformation in their personalities.
I, Lady Macbeth, am a very ambitious woman. I want all the power and will do anything to gain it. My husband, Macbeth, has the chance to be king for us, but he does not have what it takes to seize the crown. He is too full of kindness, and does not have the mean streak that is needed, but I do. “Hurry home so I can persuade you and talk you out of whatever’s keeping you from going after the crown. (I.v.14). If it takes killing Duncan to rule, then let it be done. “Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top-full of direst cruelty.” (I.v.30)! Let me handle tonight.
Prior to deciding whether or not conflict is central to the dramatic development of MACBETH, one must consider all the dramatic factors that contribute to the Shakespearean play. The gradual decline of the protagonist , the role portrayed by characters and the order in which the events occur, greatly influence the direction in which the development of the play takes place. After reading the text MACBETH, by Shakespeare and viewing the film version, directed by Roman Polanski, it is logical to see that ambition and the deceptive appearances of what really is, is central to the dramatic development of MACBETH.
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
In this world a person is suffering from stress put on his shoulder. Due to the amount of stress, naturally a person cannot sleep with a mind empty of worries. Sometimes a person gets disconnected from God. The disconnection from God along with the increasing amount of stress and of lack of sleep could lead a person to depression and losing hope in life. In Macbeth, the leading character, Macbeth suffers the same symptoms with an over stressed person in real life. Moreover, these symptoms begin when Macbeth kills King Duncan. Therefore, after killing King Duncan Macbeth, the noble character, suffers from serious problems that lead him into losing the hope of living.
Lady Macbeth is a vicious and overly ambitious woman, her desire of having something over rules all the moral behaviors that one should follow. On the beginning of the novel, Macbeth receives the news that if Duncan, the current king, passed away he would be the next one to the throne. So, Lady Macbeth induces Macbeth into killing Duncan by filling his mind with ambition and planting cruel seeds into his head. After accomplishing his deed of killing the king, he brings out the daggers that were used during the murder, and says, “I’ll go no more. I am afraid to think what I have done; look on’t again I dare not.” This is his first crime and Macbeth is already filled with guilt and regret. He shows the reader to be the weak one of the duo. Lady Macbeth as the cruel partner still has some sentiment and somewhat a weakness in her heart and mind. When talking about Duncan she says, “Had he not resembled my father as he slept, I had done’t.” Weakness is still present and will always be there throughout the novel but this one change the fact that Lady Macbeth is still the stronger and cruel one.
In Act 1, Scene 7 of this play, MacBeth begins a monologue. In this soliloquy, the character shows, as Shakespeare’s characters are known to, a human truth: he is conflicted with morals of killing his king; the mind’s battle between personal want and acting ethically. He states an ethical appeal to himself, saying, “First, as I am his kinsman and his subject, Strong both against the deed,” meaning that he should act as a dutiful subject and not slaughter his good king. MacBeth is aware that his only motivation to kill the king is his ambition, and that ambition drives people to disaster. At the end of MacBeth’s monologue, he had chosen not to kill King Duncan, and shares his decision with his wife Lady Macbeth once she enters.
text of the play seems to imply that Macbeth is indeed responsible for his own
This specific action consequently resulted in Macbeth’s level of morality to continually decline as he is acutely aware of his own tyranny. Therefore Macbeth attempts to forget the horrific deed he has committed and be the figure that orders and disorders. Our perception of Macbeth being a wise and loyal soldier is now eroded, as we start to view Macbeth constantly questioning his own actions, and is also impelled to perpetrate further atrocities with the intention of covering up his previous wrong-doings.