Lyotard on the Kantian Sublime
ABSTRACT: In this essay I explicate J.F. Lyotard's reading of the Kantian sublime as presented in Lessons on the Analytic of the Sublime (1994) and in "Answering the Question: What is Postmodernism" (1984). Lessons articulates the context in which critical thought situates itself as a zone of virtually infinite creative capacity, undetermined by principles but in search of them; "Answering the Question" explores how the virtually infinite creative capacity of thought manifests in the avant-gardes. Essentially, in both works Lyotard understands the Kantian sublime as legitimating deconstructive postmodernism.
In the Critique of Judgement Kant defines the sublime as "that, the mere ability to think which shows a faculty of the mind surpassing every standard of sense." (1) Such striving for absolute comprehension beyond what the imagination is capable of representing in a simple perception or image may be occasioned by the "rawness" of scenes like the Great Pyramid of Cheops, the magnitude or immensity of which alludes to the Idea of absolute greatness. (2) Imagination's failure to contain this Idea understandably results in pain. (3) But pain is not the end-point; characteristic of sublime feeling is a "movement" of pain to pleasure: "the feeling of a momentary checking of the vital powers and a consequent stronger outflow of them." (4) In other words one is awestruck: nature appears as a "mere nothing in comparison with the Ideas of Reason." (5) From this we realize our superiority to nature "within and without us" and our supersensible destination beyond nature. (6) In this paper I wish to explicate J-F. Lyotard's reading of the Kantian sublime. There are lessons to be learned here, as the title of his recent work (1994), Lessons on the Analytic of the Sublime, suggests.
Essentially, the heuristic function of the sublime is to expose reflective judgment (of which sublime feeling is a species) as the context in which the critical enterprise functions or as the "manner" in which critical thought situates its own a priori conditions. (7) The Kantian sublime may teach us something else: In an earlier work (1984), "Answering the Question: What is Postmodernism?," Lyotard views the sublime as legitimating the avant-garde as way of extending the critical enterprise to the arts. The method behind the madness of the avant-gardes, Lyotard contends, is incomprehensible unless one is already familiar with "the incommensurability of reality to concept which is implied in the Kantian philosophy of the sublime.
Furthermore, resonation can be found in Preziosi exploration of the establishment of female identification through aesthetics. Within Preziosi chapter on aesthetics he addresses main issues including “Kant’s Critique of Judgment, judgment about beauty, and perception of perfection.” Aesthetics was addressed in the perception of how the female body is formed and encased while a male looks at the female body. In this case the male would be Degas gazing at his ballerina while either sketching his model or doing a sculpture of the ballerina. Preziosi states that “there should be two kinds of theory or sciences of knowledge corresponding to each logic and aesthetics.” This concept of two kinds of theory made more apparent as every sculptor Degas made is presented as a different theory, yet the two theories are different, Degas’s artwork deals with both logic and aesthetics. Logic can be applied to Degas’s____, works of art. Where as aesthetics deals with____. Later on in Preziosi chapter on aesthetics, he brings up the issue of “the idea that sensory knowledge could have its own perfection-and, further, that an aesthetic judgment about beauty or beautiful objects.” When viewing Degas’s sculptor the
If semiotic theory holds, we have to choose between capitalist constructivism and Baudrillardist hyperreality. It could be said that the characteristic theme of Sargeant’s[3] critique of Sartreist absurdity is the role of the reader as observer.
Rose, Carol. "American Civil Liberties Union." American Civil Liberties Union. N.p., 08 Dec. 2012. Web. 12 Mar. 2014.
When you eat a cheeseburger, you might know that you are eating a beef patty with cheese, lettuce, and ketchup on a sesame seed bun, but do you know what you are really eating? According to the documentary GMO OMG, “approximately 85% of all processed foods contain GMOs”, yet most consumers are unaware that this secret ingredient is included in most of their food. Although Monsanto believes their product is safely feeding the world, consumers should be aware of the hidden horrors of genetically modified food because research indicates that GMOs could drastically affect their health as well as cause environmental damage, all while violating the rights of consumers and farmers.
Scholars have traced the history of Sublime literature back to the third century literary critic Longinus. In his work Peri Hypsos, he lays the groundwork for the Sublime literature that still exists today. "Sublimity is always an eminence and excellence in language" (qtd. in Arensberg 3). "Excellence and eminence" are conveyed through rhetorical devices found in the text. Many of these devices are also found in works identified as Magical Realist works of literature.
Over the years, this country has witnessed many cases of police brutality. It has become a controversial topic among communities that have seen police brutality take place in front of their homes. Officers are faced with many threatening situations everyday forcing them to make split second decisions and to expect the worst and hope for the best. Police officers
The quest for the ideal is a phenomenon that many people attempt to achieve. As we all know, the quest for the ideal is difficult and complicated by personal experience. The poems, “The Story” by Karen Connelly and the “The Love Song of J.Aflred Prufrock”, by T.S Elliot, as well as the essay “Kant’s Beauty and the Sublime” by Maureen Rousseau explore the peril inherent in the quest for the ideal, which is that in our search for beauty we risk encountering the sublime. The danger of the sublime is that we cannot comprehend the magnitude of the realms of things that are sublime. We ask ourselves why someone would want to risk encountering the sublime. Well, with great risk comes great reward and that is the beauty we seek.
There has always been times where police officers and other authority figures have been accused of abusing their power. In the past three or four years, it seems that it has become more common that police have been at fault for killing or injuring people of various ages when attempting to detain them. Police brutality has a negative affect on all lives directly or indirectly through racial profiling, protests, and media.
Amnesty International. Police Brutality and Excessive Force in the New York City Police Department, 1999b.
The Transcendental Deductions of the pure concept of the understanding in Immanuel Kant’s Critique of Pure Reason, in its most general sense, explains how concepts relate a priori to objects in virtue of the fact that the power of knowing an object through representations is known as understanding. According to Kant, the foundation of all knowledge is the self, our own consciousness, because without the self, experience is not possible. The purpose of this essay is to lay out Kant’s deduction of the pure concept of understanding and show how our concepts are not just empirical, but a priori concept. We will walk through Kant’s argument and reasoning as he uncovers each layer of understanding, eventually leading up to the conclusion mentioned above. In the Transcendental aesthetics, Kant defines the objective validity of Space and Time as concepts a priori with the help of Geometry, showing that if we believe in the validity of Geometry, we have to believe that Space and Time are concepts a priori.
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
Nevertheless, the sublime does not lead us to despair, but to a higher pleasure than beauty affords
What can be said about the sublime? Class discussion led to the definition of sublime as the element found in travel literature that is unexplainable. It is that part of travel literature where the writer is in awe of his or her surroundings, where nature can be dangerous or where nature reminds a human being of their mortality. The term "sublime" has been applied to travel texts studied in class and it is hard not to compare the sublime from texts earlier in the term to the texts in the later part of the term. Two texts that can be compared in terms of the sublime are A Tour in Switzerland by Helen Williams and History of a Six Weeks' Tour by Mary Shelley and Percy Bysshe Shelley. There are similarities and differences found in both texts concerning individual perspectives of travel and the sublime. The main focus of this commentary will be comparing and contrasting the perspectives of Williams and Shelley within their respective texts, the language of the sublime and the descriptions of the sublime.
"Water Pollution." Current Issues: Macmillan Social Science Library. Detroit: Gale, 2010. Opposing Viewpoints in Context. Web. 5 May 2014.
In conclusion, the sublime and the beautiful are major topics in romantic poems and novels. Different authors bring out the different ways they can be seen and interpreted. In the novel Frankenstein and the poem “I wandered lonely as a cloud”, the sublime and the beautiful are shown through the feelings and the mind of the main characters. In the poem “Mont Blanc,” the sublime is shown through the complexity of nature and how man will never truly be able to understand it. In order to have something beautiful there must be something sublime, and in order for they’re to be something sublime there must be something beautiful.