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Contribution of romance in literature
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lucy steele plays a major role in sense and sensibility as she is the climax of the plot as she had already been engaged to edward for 5 years which conflicts elinors love for edward as welll as edwards love for elinor. lucy steele's character is a support character for elinor dashwood due to the fact that elinor is able to show her sense while lucy tells her about her engagement to edward and elinor also gets to show composure when telling edward about the help that colonel brandon was giving to edward and lucy so that they may be wed without many issues as before. auste utilizes lucy in such a way as to give edward a double identity by showing that edward has secrets as well as showing some conflict in edwards character as well by submerging
There is no getting away from the fact that Marianne is sensibility and Elinor sense, and it is fairly simple to see this through Marianne's melodramatic and childish nature and Elinor's constant attention to others thoughts and feelings before her own.
The first of Jane Austen’s published novels, Sense and Sensibility, portrays the life and loves of two very different sisters: Elinor and Marianne Dashwood. The contrast between the sister’s characters results in their attraction to vastly different men, sparking family and societal dramas that are played out around their contrasting romances. The younger sister, Marianne Dashwood, emerges as one of the novel’s major characters through her treatment and characterization of people, embodying of emotion, relationship with her mother and sisters, openness, and enthusiasm.
In the book Pride and Prejudice written by Jane Austen, one of the main characters of the book is Elizabeth Bennet. Pride and Prejudice has many characters, but the main one that people tend to form the closest relationship with his Elizabeth Bennet. Elizabeth is arguably one of the most renowned and well-known figures of all English literature. Jane Austen reveals the complexity of Elizabeth Bennet through her own actions and conversations as well as the reactions and comments that other people say about her. Throughout the book, Elizabeth struggles with her hasty judgment of others, her own prejudice, and in finding her true self and her true future husband that is right for her.
In Lucy Steele’s confession to Elinor that she is engaged to Edward Ferrars, we can see how the novel illustrates gossip as a cause of both internal conflict, in Elinor, and external conflict, present between Elinor and Lucy. Elinor becomes jealous because of Lucy’s boastful gossip about her life, placing the two into a conflict over romance. When the two meet, Lucy divulges in her relationship with Edwa...
Sense and Sensibility is about the Dashwoods, who are struggling to overcome the death of their father and husband. When he died, they were left virtually penniless, and because the law says that everything is passed down to the son of the decease the family is left with nothing and no place to live. The Dashwoods move in to a small cottage in Barton. But before they leave the oldest daughter falls in love with Edward Farris. Edward is part of England’s upper class, and his sister does not approve of his relationship with Elinor Farris, so she sends him away to London. Shortly after moving to Barton, another on of the Dashwood girls, Marianne, meets Mr. Willouby after she falls down while running in the rain. Willouby is quite handsome and soon he and Marianne become quite fond of each other. Willouby’s family does not like the idea of him marrying a poor girl, and they threaten to strip him of his wealth and inheritance if he marries her. At about the same time, Elinor finds out that Edward has been secretly engaged to someone else for five years.
Jane Austen is a master of the delicate romance. She writes of the repressed feelings of her heroines, the discomfort and obstacles of their situation, the lack of self-awareness and a slow progression to a romantic and happy ending. The honest and heart strong Marianne Dashwood, in Jane Austen’s Sense and Sensibility goes entirely against the mold of more conventional Austen heroines, such as Elinor Dashwood or Anne Elliott. Marianne is scrutinized for her selfishness, lack of propriety, and immaturity, but these accusations glance merely at the surface. Upon deeper analysis of Marianne’s character, she is revealed to be a modern young woman with a strict yet evolving code, which guides her actions through sensibility, intellect and independence of spirit. To accuse her to simply be an immature, overzealous adolescent girl is to fall prey to the same errors in judgment that befall Marianne.
...res toward her predecessors and acknowledges the influence of their legacy on her generation. In contrast, Marianne represents the qualities associated with the emerging "cult of sensibility," embracing romance, imagination, and excess. Marianne crys when her family must depart from "dear, dear Norland," (23). Austen's characterization of Marianne reminds the reader of the newly emerging English Romantic literary scene. Austen's depiction of Elinor and Marianne reflects the changing literary landscape of the time.
To conclude, both Lucy Honey church and Elizabeth Bennet are influenced by place as their attitudes towards love and social etiquettes in the case of Lucy or Pride and morality in Elizabeth’s case change to become understanding and willingly accepting. Pemberley becomes a symbol of Darcy and Elizabeth’s love and unification while Italy and George lift away the social repression that Lucy was suffering from.
Elinor is said to be the character that has the most sense. She sharply contrasts her mother and her other sisters who are much more open with their feelings. Elinor is said to follow all the rules of society. Her beliefs and attitude are what makes it so surprising that she decides to marry a man such as Edward. Edward’s fortune depends entirely on his mother and he must stay in her good grace to inherit any money. At first Elinor’s belief that money has much to do with happiness makes sense. She has feelings for Edward who is the eldest son and therefore should inherit all the money. Ho...
Marianne represents sensibility, and Elinor represents sense. We find out early on that Elinor does not share her feelings with other people, not even her sister. She remains very composed and to herself. When Edward comes into the story, there is an immediate attraction. Elinor tells no one of her feelings, but she feels great for him.
... Victorian values. She is supposed to be submissive and delicate, and she does attempt to do what her cousin asks and remain ladylike. Towards the middle of the story Lucy has obviously been thinking a lot about her future and she begins to speak her mind but is usually shut down by Cecil or other Victorian characters. By the end of the novel, Lucy has realized Cecil will never treat her as an equal and she leaves him.
...ire the beauties of nature through sights, sounds, and smells. Elinor possesses keen insight and has feelings, though she does keep them firmly controlled. Elinor carefully absorbs what is around her, processing them to make sure she understands. When Lucy Steele tells Elinor that she is engaged to Edward Ferrars, Elinor feels great pain at these words while also realizing the reason Lucy would tell Elinor this, that Lucy wants Elinor to know that Edward belongs to her. Both sisters face many trials and tribulations throughout the novel, but, from the start, with their sound senses and sensibilities, they are able to overcome these and find happy endings.
Next the readers see how Elinor willingly helps her sister get through adversities in her life. “Elinor was to be the comforter of others in her own distresses, no less than in theirs; and all the comfort that could be given by assurances of her own composure of mind” (228). So therefore, Elinor unselfishly puts aside her emotions to comfort Marianne after Willoughby rejects her and breaks her heart: “What!—while attending me in all my misery, has this been your heart?” (229). Marianne realizes that Elinor has known about Edward’s engagement to Lucy, but she chose to put it behind her in order to comfort her. This pain has been weighing Elinor’s heart for four months, which makes it even harder for Marianne to understand. “Four months!—cried Marianne again—so calm!—so cheerful!—how have you been supported?” (229). Elinor’s answer to this inquiry shows clearly why she chose to be selfless and conceal her pain: “and I owed it to my family and friends, not to create in them a solicitude about me” (229).
Romantic author Jane Austen is known for bringing different views of romance, marriage, and intimacy to light in her novels. She designs each female character to posses different and creative views of romance. Pride and Prejudice expresses the variety of relationships, while Emma focuses on the actions revolving around romance from one primary female character. Lydia Bennet is a rebellious, open-minded teenager who has similar behavioral patterns as her sister, Catherine "Kitty" Bennet. Both sisters are claimed to possess wild and loose manners. (Telgen). The blind sense of romantic judgment leads to sudden pleasure but eventual heartbreak and devastation. Elizabeth Bennet is a powerful,
The significance of having this balance is portrayed through the inability of the other couples in the story to reach an equal amount of happiness as Elizabeth and Darcy because of their pursuit of either reason or passion. Austen's view of true love is clearly evident in the relationship between Darcy and Elizabeth. Elizabeth Bennet is an unfailingly attractive character, but what everybody notices about her is her spirited wit and good sense of humor. She has a keen, critical mind when expressing her opinions and is unwilling to believe in the best of everyone. It is this intelligence that brings Mr. Darcy's admiration of her and her sense that she can rely on both mind and heart.