He is rich, madly in love, and willing to do anything to get what he wants; he is Lucentio. Lucentio is one of the main characters of Shakespeare’s The Taming of the Shrew. His role in the play begins as he arrives in Padua, Italy as a rich student with the intent of furthering his education at a university in Padua. Mind you, Lucentio is accompanied by his servant Tranio who reminds him to enjoy life and not to exclusively focus on his studies. However, this conversation is abruptly interrupted by a boisterous crowd containing Baptista Minola and his alluring daughter Bianca. Upon seeing Bianca, Lucentio proclaims, “Tranio, I burn, I pine, I perish, Tranio, if I achieve not this young modest girl. (Act 1, Scene 1)” This ultimately leads to Lucentio’s passionate pursuit of Bianca.
In order to achieve his goal of wooing Bianca, Lucentio decides to give up his studies and to disguise himself as Cambio, a tutor that wishes to educate Bianca. In doing so, he also has Tranio disguise himself as Lucentio. Once Lucentio’s wish to educate Bianca is granted he begins to win Bianca’s heart as Cambio. This is effortless for Lucentio because even without the guise of an affluent young man he is still attractive and fascinating, well to Bianca anyway. Furthermore, Bianca does not even express any concern in the fact that Lucentio portrayed himself as someone completely different while he was around her. Nonetheless, at the end of the play Lucentio expresses his wishes to privately marry which mostly likely will happen.
Lucentio seems to be one of the more likable characters in The Taming of the Shrew, despite the fact that he is an endlessly rich and somewhat desperate sounding bachelor. However, Lucentio is good natured in his pursuit...
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... his money. However, he does not seem concerned with the loss of wealth, yet Bianca is slightly irate with the men’s expectation of subservience.
Lucentio is the most genuine character in The Taming of the Shrew. He only acts out of love and is not even interested in marrying into even more wealth, and he even gives up his disguise for the good of his father, even though this action could have negatively affected his relationship with Baptista. When he disguises himself as Cambio he simply acts himself around Bianca and she ends up loving him for who he is. Without Lucentio, The Taming of the Shrew would lack a truly likable suitor that is driven by love and not greed. Lucentio allows the audience to find even more humor in Katherine and Petruchio’s relationship as Lucentio and Bianca truly love each other, while it seems Katherine is forced into loving Petruchio.
Using the same satirical techniques, he points out, a little more subtly, that servants, like women, are treated like less than people, when they are people just as good as everybody else. throughout the play we see instances of the mistreatment of servants, such as Vincentio beating Biondello, Petruchio abusing his entire staff, and Lucentio using Tranio as a pawn to help him win over a girl. Tranio even laments about this, saying, “Oh, sir, Lucentio slipped me like his greyhound, which runs himself and catches for his master.” Tranio is comparing himself to a dog to be used at Lucentio’s command in this quote, commenting on how Lucentio may treat him well, but he still does not value him as a person.
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
inexperience with the evils of the world leads to her demise. One's innocence attracts all types, yet this attraction may become lethal. Her husband, Othello, will protect her at any means. He will sacrifice himself for the love of his beloved wife.
In the beginning, a lot of what we learn about Kate comes from what other people say about her. In Act I, she is only seen briefly and she speaks even less, but our picture of Kate is pretty clear. Shakespeare, sets up a teaching lesson, helping us to see the mistakes of our own judgment. When Baptista announces that Kate must marry before Bianca may take suitors, Gremio describes Kate by saying "She's too rough for me" (1.1.55). Later in the scene, Gremio reiterates his dislike for Kate, claiming she is a "fiend of hell" (88) and offering that "though her father may be very rich, any man is so very a fool to be married to hell" (124–126). He finishes by saying that to marry Kate is worse than to "take her dowry with this condition: to be whipped at the high cross every morning" (132–134). Hortensio, too, is quick to add to the situation, calling Kate a devil (66) and claiming that she is not likely to get a husband unless she is "of gentler, milder mold" (60). Tranio, Lucentio's servant, is perhaps the only man in this scene not to talk ugly about Kate, claiming she is either "stark mad or wonderful froward" (69).
Roderigo: A jealous suitor of Desdemona. Young, rich, and foolish, Roderigo is convinced that if he gives Iago all of his money, Iago will help him win Desdemona's hand. Repeatedly frustrated as Othello marries Desdemona and then takes her to Cyprus, Roderigo is ultimately desperate enough to agree to help Iago kill Cassio after Iago points out that Cassio is another potential rival for Desdemona.
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
Othello, a tragic hero full of hidden flaws, attempts to appear as a man of only logic and bravery, and not subjected to human emotions. His spectacle begins with his storytelling at Brabantio’s household. As Othello reveals to the Duke of Venice:
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The Marriage formed between the two is a match made in heaven for two reasons. First Because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them. The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s at attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it.
In the taming of the shrew, the play focused on two women in particular, Baptista's daughters, Bianca and Katherine. These women lived in this environment that gave men power for all their lives...
The story is about two sisters Katherine and Bianca. Bianca has a suitor who would like to marry her, Lucentio, but the only way that he will be able to marry her is if her older sister is married first. When Petruccio arrives to Padua he agrees to court and marry Katherine because she will provide a lovely dowry. Rumor has it that Katherine is a cynical, unruly, and extremely unpleasant female. Bianca on the other hand is the typical image of a lovely woman, beautiful, soft-spoken, and very feminine.
In Shakespeare’s play, Othello, several incidents occur that portray the purpose of Roderigo’s character. If one event is isolated from the rest, the thematic desire is lost. It is only when the events are looked at as a whole that the actual theme is obtained. Roderigo is a minor character who carries out a vital role in the play. Although Roderigo has very few lines, he plays a crucial role on a thematic level.
He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. He should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told.
Shakespeare’s famous play Othello is a play of love that has turned bad by the unfounded jealousy of the protagonist character Othello. Arguably the contribution of Othello’s susceptibility to manipulation, his weaknesses and the manipulation of other characters tactics such as Iago each contribute to the downfall of Othello. However, to the extent of which each is more significant varies and this is what will be analysed in this essay.
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
Jealousy, whatever it may be driven by, can produce many different actions in a person depending on their desires. Othello craftly examines a few examples of these with highly contrasting characters driven by vastly different things. The different manifestations of jealousy in said characters can be analysed through the characters of Roderigo, Othello, and Iago, while also proving how jealousy can sometimes be a front for more cynister feelings.