Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
John Donne the features of his poems
Explore the relationship between men and women in literature
John Donne the features of his poems
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: John Donne the features of his poems
John Donne’s poetry is rife with analogous themes, which allows the reader’s mind to wrap itself around the poems in the most superlative way possible. Donne’s poems are alive with collective themes of paradoxes and fidelity. Fidelity, in Donne’s vision of humanity, also weaves aspects of love: be it physical or spiritual. His theology and religious dogmas are abundant in his poems as well as his conception of cosmic forces beyond our control.
“The Flea” portrays a young girl, fearful of losing her chastity, who is being sought by a cavalier young man. His efforts to beguile her are shattered when she destroys their “conjectural marriage” while he is in the throes of his seduction. She deters him by killing a flea, drunk on their intermingled blood after it has bitten both the fellow and the lady. The supposition of marriage is called off by the woman, suggesting a paradox in Donne’s time; women did not have the right to end a marriage, unlike a man who always had the prerogative to end a marriage. “Donne's manner of blurring boundaries between male and female has typically been regarded as a way of entrenching conventional gender roles and of suppressing the assertiveness of female sexuality” (Mintz, B Susannah. "Forget the Hee and Shee": Gender and Play in John Donne); this creates the paradoxical image of a cloud between male and female gender roles which can be seen in the following.
There is no marriage of course. He is trying to convince her to have sex with him, “a sin, nor shame, nor loss of maidenhead: ” (line 6) based solely on the fact that their blood is already commingled in the flea so they might as well share other bodily fluids. This is in common with “The Triple Fool” in which Donne demoralizes himself for havi...
... middle of paper ...
...cept often that divine love is perfect love and serves as the only genuine model for all others. In another of Donne’s poems “The Canonization,” the poet writes, “Countries, towns, courts beg from above/A pattern of your love” (lines 44-45). This indicates that two lovers have such a perfect love that it serves as a paragon for the rest of the world.
John Donne and his poetry exemplify the type of verse that connects the themes of derisive cosmic forces out of our control, to love, to religion, to paradoxes within the poems, and the theme of fidelity. These themes are evident in “The Flea”, in which the woman kills the flea and the supposed marriage between the man and the woman, “The Hymn to God My God in My Sickness” in which Donne feels he is on the verge of dying, and “The Triple Fool” in which Donne feels depressed after rejecting his love in a sexual manner.
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
During the first four lines of the poem the speaker feels like God has been very generous to him, he feels that God is almost too friendly and that he has been too caring. Donne feels that in orde...
At the threat of demise, the speaker states “This flea is you and I, and this/Our marriage bed, and marriage temple is” (12-13). A union is created and through the three of them, it is seen as a correlation to the holy trinity with God being replaced by the flea. Even though the woman does not seem inclined to spare the flea, Donne furthers his argument with the mixing of their blood allowing for an unmistakable union without societal norms or scandal. Since the flea can hop from one host to the other without commitment, so can we have a little romp in the hay without the pressures of marriage and life ever after. Through the third stanza, we find that the woman has killed the flea and therefore quelled any chance of a sexual union between the speaker and his quarry. He has failed once again to gain her favor and seal the deal. While the flea may have been able to take her blood without seduction, the speaker finds excitement in the challenge to live and woo another day.
Donne, John. “Hymn to God, my God, in My Sickness.” Poems of John Donne. vol I. E. K. Chambers, ed. London: Lawrence & Bullen, 1896. 211-212.
...al in lines one and two with enjambment between the words “digest” and “my soul.” He even goes so far as to conflate God the Father with depraved man through enjambent and the phrase “robbed man” in line 9. In fact, this line seems to actually serve as a kind of “volta” due to the ultimate extreme of conflation, thus following the traditional Italian sonnet form. This emphasizes the purity of the form as representative of the Trinity in this sonnet. Donne’s use of the form of the poem itself as an embodiment of the Trinity seems to further emphasize the perceived interrelatedness of all things, and therefore supports the mutual statement of love that opens the poem. So, the conflation rises to yet another level, where the poem itself is a resonation of God’s love as a manifestation of the trinity, and Donne takes the role of creator, thus acting in the image of God.
John Donne's, "The Flea," is a persuasive poem in which the speaker is attempting to establish a sexual union with his significant other. However, based on the woman's rejection, the speaker twists his argument, making that which he requests seem insignificant. John Donne brings out and shapes this meaning through his collaborative use of conceit, rhythm, and rhyme scheme. In the beginning, Donne uses the flea as a conceit, to represent a sexual union with his significant other. For instance, in the first stanza a flea bites the speaker and woman. He responds to this incident by saying, "And in this flea our bloods mingled be."
In the first stanza, Donne uses extended metaphors to get his point across about the flea. The first stanza speaks of how the writer and the woman become one after being bitten by the flea. This stanza begins with “Mark but this flea, and mark in this,” punish the flea, and punish only the flea. “How little that which thou deniest me is,” she denies his sexual advances which means little to her. “It sucked me first, and now sucks thee, And in this flea, our two bloods mingled be,” the flea bites them both causing their blood to mix together inside the flea. The mixing of the blood cannot be a sin, or shame, or lose of virginity therefore; neither should it be for their other bodily to mix together, “A sin, nor shame, nor loss of maidenhead.”
The first stanza shows a wide range of fantastical language with the intention of drawing the reader slowly and steadily into the hazy, dreamlike setting. Along with the words like ?fantasy?, ?fables? and ?dreams? come affectionate phrases that effectively show us that the poem is meant to be addressed to a lover, ?Dear love? being the most obvious example. Later on in the poem, the language shifts from drowsy and steady to more intense and complicated, yet less passionate and more doubtful. Donne?s choice in the last stanza to utilize fiery words like ?torches? and phrases ?light and put out? and ?thou cam?st to kindle? depict a sense of overwhelming passion, as uncontrollable as fire. Donne doubts that he can control his lover to continue loving him as fervently as in his dream, which is why his dream lover is ?an angel? while his lover in reality is compared to fire.
...) This is one of the most important claims that Donne makes because he indirectly inducts himself and Anne into the canon of saints, thus making them sacred. The poem ends with Donne calling upon all those who have suffered from similar criticisms; this further dignifies Donne as a saint-like figure. Therefore, both of Donne’s latter poems expose the transformation that Donne acquires when he meets Anne. His sexist attitude and views transcend to a more spiritual and emotional one.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it
Even though they were centuries apart, both Aristotle and John Donne share the same opinion that “Love is composed of a single soul inhabiting two bodies.” Donne captures this beautiful idea of a spiritual love in a poem called Valediction: Forbidding Mourning, written for his wife before he left on a trip in 1611. In only nine stanzas, John Donne presents the ideals for true love; the forbidding mourning due to their physical separation through metaphors such as the “trepidation of the Spheres”, “expansion of gold thread”, and the “union of a compass”; and it will come to prove that True love is a spiritual love that will transcend any physical love.
John Donne, an English poet and clergyman, was one of the greatest metaphysical poets. His poetry was marked by conceits and lush imagery. The Flea is an excellent example of how he was able to establish a parallel between two very different things. In this poem, the speaker tries to seduce a young woman by comparing the consequences of their lovemaking with those of an insignificant fleabite. He uses the flea as an argument to illustrate that the physical relationship he desires is not in itself a significant event, because a similar union has already taken place within the flea. However, if we look beneath the surface level of the poem, Donne uses the presence of the flea as a comparison to the presence of a baby, thus making the sub textual plot about aborting the baby.