Not only does the film Love and Basketball demonstrate lot of feminist elements, but it has a lot of black feminist elements. Written and directed by Gina Prince-Bythewood, a black woman, and starring many other black women, Love & Basketball is not just a warm coming-of-age story, but also a soothing relief for gender relations among black men and women. This movie redefines and defies the societal norms placed on women, while also addressing many stigmas that are placed on males and their “maleness”. As a society there are a lot of qualities that men have been socialized to uphold when it comes to how they act or react, what they support, and what they suppress. This movie produces a harsh critique of male socialization early on and continues …show more content…
Men don’t quit. Men aren’t weak. This idea can lead one to believe that if these qualities are only related to men, then they cant be demonstrated through women, which is what Quincy ultimately thinks. Monica is a girl who can play basketball better than Quincy (causing him to react violently, pushing her down). She wants to do the same things he does (play basketball), can do everything he can, and won’t allow him to boss her around. These early scenes serve multiple purposes: we see how Monica and Quincy meet, their childhood courtship, and we see Monica tear down all of the masculine nonsense his father has taught …show more content…
He wants to play basketball on the same team wearing the same number, but Zeke would rather Quincy get an education. There is an interesting tension here between the father who wants something different and the son who merely wants to imitate. The issue, which Quincy doesn’t understand until later, is that Zeke doesn’t want his son to become like him. Zeke has a failed marriage due to serial adultery. He’s a washed-up basketball player who didn’t even play for a very good team. In one of the film’s most wrenching scenes, an older Quincy asks his father, “how come you couldn’t be the kind of man you kept trying to make me?” Zeke replies with, “I just couldn’t son.” This characterization is critical without being dogmatic. It doesn’t let Zeke off the hook but it shows him trying to correct his mistakes with his
Whether this be through morals, choices, beliefs, or personality. Holloway argues that it is through toxic/abrupt masculinity that boys are constantly caught in the crossfires between fight or flight. Masculinity becomes toxic when it becomes obsessive and disruptive. When society gets to the point where they cannot even focus or be themselves because of the fact that the only thing they care about is being the perfect man. The idea of striving to become this perfect man is an example of flight in society. Men are being forced to attempt to fit into these ideals and “prove, and re prove that they are men” in order to avoid the feeling of not fitting in with the rest of the group (Holloway). Holloway continues to discuss how throughout their lives men are constantly seen as emotionally tougher which causes them to grow up believing that if they show emotions they are weaker and are not allowed to be a part of the pack. Therefore instead of fighting this ideal and deciding to stand up for who they are, it is easier to conform and attempt to fit in because if they show discontent then they are shown as weak and unable to handle the “social constructions of masculinity” forcing them to become a social pariah and damage their spiritual
Discriminating gender roles throughout the movie leaves one to believe if they are supposed to act a certain way. This film gives women and men roles that don’t exist anymore, during the 60s women were known to care for the family and take care of the house, basically working at home. However, a male was supposed to fight for his family, doing all the hard work so his wife didn’t have too. In today’s world, everyone does what makes them happy. You can’t tell a woman to stay at home, that makes them feel useless. Furthermore, males still play the roles of hard workers, they are powerful compared to a woman. However, in today’s world a male knows it isn’t right to boss a woman around, where in the 60s, it happened, today women have rights to do what they want not what they are
In Kimmel’s essay “’Bros Before Hos’: The Guy Code” he argues that the influence of society on masculinity is equal to or greater than biological influences on masculinity. In the essay, Kimmel uses various surveys and interviews to validate his argument. He points to peers, coaches, and family members as the people most likely to influence the development of a man’s masculinity. When a man has his manliness questioned, he immediately makes the decision never to say or do whatever caused him to be called a wimp, or unmanly. Kimmel’s argument is somewhat effective because the readers get firsthand accounts from the interviewees but the author does not provide any statistics to support his argument.
Go out to an urban neighborhood and find a game of pickup basketball. Listen if you can hear any of the kids yell “Iso!” What does it mean? It literally means isolation, but on the court it means “Give me the ball and let me do it myself.” In Forty Million Dollar Slaves, author William C. Rhoden argues white journalists perpetuated the stereotype that black athletes are selfish with a “one-on-one” mentality. However, Rhoden fails to acknowledge that this “one-on-one” mindset on and off the field is a very real dynamic, with legitimate cause.
As young men grow up, they would generally learn and integrate within a box of codes which shows them how to be a man, known as the Guy Code. The Guy Code is a set of rules prevalently applied among men groups about how a man behaves with other men and his girlfriend. It mainly teaches guys to be dominant, aggressive and fearless. In Michael Kimmel’s “ Bros Before Hos: The Guy Code”, he indicates that men disguise their emotions and inner beings to be like a man, particularly among their peers. It imposes a consciousness that timidity is not a characteristic that men should have.
As an African American women, I believe that this simply is not so. Women have to work twice as hard to prove to our counterparts that we are capable of performing the same task just as well and in fact for less pay. If we do decide to enter into the work force, we still are expected to bare children, maintain all of the household chores, and fulfill our husband’s desires. Thankfully, the role of a woman has changed drastically over the past decades. It is slowly but surely becoming more prevalent to see women in positions of power while the husbands are left to pick up the slack. I believe we are truly a force to be reckoned with now that we have realized we are full potential. Love and Basketball has always been one of my favorite films. When most people think about a movie geared towards any type of sport, you would typically think it is solely about men. On the contrary, Monica became the focal point and succeeded her dreams of becoming a professional basketball player for the WNBA in spite of all the social stigmas. This movie reiterates the notion of women refusing to settle for anything less than what they enjoy doing no matter
To be labeled as a feminist is such a broad classification therefore it is divided into various subsections, one such subsection is known as hip hop feminism in which Ruth Nicole closely associates herself with throughout this essay I will thoroughly discuss this form of feminism. Ruth Nicole is a black woman that categorizes herself as a girl, by her definition a girl is far from independent. Black girlhood discusses the shared experiences of the ever-changing body, which has been marked as vibrant, Black, and female, along with memories and representations of being female. As a result, Ruth Nicole wrote Black Girlhood Celebration in order to share her personal and political motivations of working with black girls within the community. A conversation that is not often articulated about due to a language barrier. In which this discussion accurately details a means to work with black girls in such a way that does not control their body or pilfer black female individuality. Under those circumstances, Brown believes that black girls are being exploited for their physique through the use of music and instructed to conform to white norms constructed by society.
Although, it is proven difficult to completely change your point of view from the society you are brought up in. The characters in this film go through a lot of self-reevaluation to find their place in society, as well as a reevaluation of their initial prejudicial
“The Other Wes Moore” By Wes Moore, reveals how two men can develop differently in the same social environment, and yet and have different intrapersonal views. The two men grew up in the same impoverished city, yet both have different experiences and views of what it means to be a man. The other Wes Moore, living his whole life in a poverty-stricken society, believes that being a man means to be powerful and unforgiving. The author, Wes Moore, living in two different worlds, views himself as a man when he becomes an exceptional leader and responsible for others lives. These concepts both tie into the constructs of masculinity in the United States where men are supposed to be protectors of society. The two Wes’ notions of manhood derive from
“Be a man”, is on of the most destructive phrases to tell boys and men. The Mask You Live In explains the struggles boys and men have growing up in a patriarchal society. I chose to watch this to understand how men feel oppressed. All year, I became aware of females and their struggles in the patriarchy. It is interesting to see that men are affected too. The documentary should have had more personal stories because it allows the audience to connect with and have empathy for men. On the other hand, the movie thoroughly demonstrated the inner conflict boys and men face in society. Men feel they must be strong and dominate. They feel they need to hide emotion and empathy in order to fit in. They must be manly in order to
The documentary is mainly about the perception of what the definition of masculinity really is. Our society has developed schemas as to how men should express their emotions, which is practically not at all. Since we as a society have set these schemas for men, they have to constantly try to prove their masculinity over other men. Likewise, boys in this society also have to hide their softer feelings and
The ideology of male dominance has existed since the beginning of mankind. In the play A Streetcar Named Desire, by Tennessee Williams, it is especially apparent that Stanley, who is a working class man, feels the need to assert and reassert this principle of power constantly. Williams makes clear, through the character of Stanley, that the yearning for others’ recognition of their power and capability is the motive behind men’s masculine inclinations.
The Bro Code breaks down the establishment and encouragement of sexism into four “steps” that society uses to form sexist men (Keith). These steps are: “1. Train Men to Womanize, 2. Immerse Men in Porn, 3. Make Rape Jokes 4. Obey the Masculinity Cops”(Keith). Thomas Keith begins by addressing the fact that he grew up in this “bro culture” and that men today are continually taught to have the same mentality that Keith had when he was younger. However, he claims that “bro culture” has changed and has become a more “dangerous sexist” (Keith). Our culture continually promotes this behavior through music, television and media, all which tell men that in order to be successful and true men they must be rich, strong and surrounded by women.
We’re all familiar with the stereotypes and myths about what it means to “be a man.” The victorious leader gets what he wants using aggression and does not accept failure; he is smooth with the ladies, and he is often good with a gun. He is usually rich and in control, especially in control of women, like a father who loves his daughter dearly but will be damned if she’s going to go out dressed like that. The list could go on and on with the stereotypes. But the Coen Brothers’ cult-classic film, The Big Lebowsk (1998), with its hero “The Dude,” contradicts these notions of masculinity. The Coen brothers offer several familiar stereotypes of masculinity (the Vietnam vet, the successful capitalist, an oversexed bowler, some aggressive German nihilists), yet it is these characters that throughout the film are shown to be absurd, insecure, and even impotent. It is these stereotype men that the Coen brothers criticize. “Sometimes there’s a man,” says the narrator over and over again, pointing out the Dude’s non-stereotypical masculinity as the true representation of what it means to be a man. The brothers then illustrate that the men who give no thought to their identity, who ignore the pressure to conform to cultural expectations, are to be regarded as “real men.”
They were held to lower standards and believed to be nothing but an object for men. The women were treated very poorly and were treated differently than the men. In many ways the women were shown to be little compared to the men. Since they didn 't have anything important in society the actions that were towards them were as if they 're peasants Woman had no possibility of ever been treated differently since they were ever going to have a better role in society. This movie portrayed how women weren’t held to higher standards but men