Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Childhood trauma literature
Childhood trauma literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Childhood trauma literature
The diction and detail used by Willa Cather in the book A Lost Lady, paints a picture in the readers mind by her prose selection of diction and arrangements of graphic detail, which conveys a feeling of passion, sadness, tense anger and unending happiness through Neil Herbert. Throughout the book, Cather describes Neil Herbert¡¯s life from his childhood, to his teenage years, and then to his adulthood with surpassing diction and supporting detail.
As the story begins, Cather describes Neil Herbert as, ¡°a handsome boy of twelve whom she liked.¡± This description gives us a mental picture of this boy with a smile on his face and always being courteous. In his younger years, the reader can assume that Herbert was very energetic and always merry. He¡¯d even try to catch a bird in a tree so Ivy Peters couldn¡¯t kill it with a rock. ¡°If I can get it now, I can kill it and put it out of its misery.¡± Through Cather¡¯s details the reader can tell that Herbert had a strong determination to catch the bird. Herbert ends up falling from the tree and breaking his arm of which he gets treated at Mrs. Forrester¡¯s house. ¡°What soft fingers Mrs. Forrester had,¡± and he though, ¡°what a lovely lady she was.¡± The author states that ¡°The little boy was thinking that he would never be in so nice a place again.¡± Through Cather's description the reader can tell that Neil had a yearning passion for Mrs. Forrester and that her house was like heaven on earth.
&nbs...
Cather, Willa. The Norton Anthology of American Literature, 5th edition, Vol 2. New York:W.W. Norton & Company, Inc. 1998, Pgs 937-1070.
Randall III, John H. "Intrepretation of My Antonia." Willa Cather and Her Critics. Ed. James Schroeter. New York: Cornell University Press, 1967. 272-323.
The tree “swings through another year of sun and leaping winds, of leaves and bounding fruit.” This sentence evokes images of happiness and serenity; however, it is in stark contrast with “month after month, the whip-crack of the mortgage.” The tone of this phrase is harsh and the onomatopoeia of a “whip crack” stirs up images of oppression. The final lines of the poem show the consequences that the family accepts by preserving the tree—their family heritage. When the speaker judges the tree by its cover she sees monetary value, but when she looks at the content in the book she find that it represents family. Even though times may be tough for the family, they are united by memories of their ancestors.
Cather, Willa. A Lost Lady. Ed. Susan J. Rosowski with Kari Ronning, Charles W. Mignon and Frederick M. Link. The Willa Cather Scholarly Edition. Lincoln: U of Nebraska P, 1997.
Betty Smith’s novel A Tree Grows In Brooklyn is a tale of poignant family relationships and childhood and also of grim privation. The story revolves around the protagonist of the story, young Francie Nolan. She is an imaginative, endearing 11-year-old girl growing up in 1912, in Brooklyn, New York. The entire story revolves around Francie and the Nolan family, including her brother Neelie, her mother Katie and her father Johnny. An ensemble of high relief characters aids and abets them in their journey through this story of sometimes bleak survival and everlasting hope. As we find out, the struggle for survival is primarily focused against the antagonist of this story, the hard-grinding poverty afflicting Francie, the Nolan’s and Brooklyn itself. The hope in the novel is shown symbolically in the “The “Tree of Heaven””. A symbol used throughout the novel to show hope, perseverance and to highlight other key points.
Dyck, Reginald. "The Feminist Critique of Willa Cather's Fiction: A Review Essay." Women's Studies 22 (1993): 263-279.
Othello and Desdemona are so attractive that we tend to see them only as they see each other: the noble Moor, the pure white maiden. But Shakespeare shows their love, even here at the very beginning, as dreamy, utterly defensele...
Brown M. & Crone R. Willa Cather the Woman and Her Works. New York: Charles Scribner’s Sons. 1970.
This passage shows Nick making his way through New York at night, seeing the sights and narrating the way this external stimuli makes him feel. It exemplifies the manner in which Nick interacts with the world around him, often as an observer, rather than participant, and is integral to the development of his character. Fitzgerald utilizes vivid imagery throughout the paragraph, paired with a strong narrative regarding Nick’s experience in New York; furthermore provoking the audience to ponder a theme central to the novel.
The imagery portrayed in the first half of the story is solemn, melancholy and grim depicting the protagonist, Mrs. Mallard, is effortlessly flabbergasted at the harsh news of her husband, Brently Mallard’s disastrous death. In hearing the news of Brently’s premature death, Mrs. Mallard immediately accepts his death and is overcome with grief and leaves to her room unaccompanied. It is in her room, which she peers through the window contemplating on the recent news that she has received, when there is an overall shift to the
...usting civilization upon it? (P. Miller, p.207). With all this, the author has achieved the vividness implication that aggressive masculine modernization is a danger to the gentle feminine nature. In the end of the story, Sylvia decides to keep the secret of the heron and accepts to see her beloved hunter go away. This solution reflects Jewett?s hope that the innocent nature could stay unharmed from the urbanization.
The Orpheus Chamber Orchestra performed Overture to La Scala di Seta by Gioachino Rossini (1792-1868), which represents the Classical Period. Rossini
Innovation has rapidly assumed a position of prominence in world competition on a global scale. To compete in this environment, organizations need a level of innovation. As competition becomes more global and time-based, organizations must develop and deliver new and superior products or services in less time. The challenge for modern organizations is to revitalize them so they can successfully and continuously develop newer products and enhance business development.
Walker uses the positive imagery of “The Flowers” at the beginning of the novel to set up a naïve, sweet world in which a gruesome appearance of the lynched victim turns out to a reasonably unexpected, shocking event that robs Myop of her innocence. The first half of the text focuses on Myop’s childlike innocence with sweet kinesthetic imagery of Myop feeling “good and warm in the sun” to hit specifically on Myop’s childlike inhibitions. In the same case, sweet and gentle visual imagery continues to play in the first few paragraphs of a happy agricultural lifestyle where “each day a golden surprise” and a ten year old girl like Myop could “skip lightly from her house to pigpen” and bounce “this way and that way”. Myop’s joyful rapping of the stick that goes “tat-de-ta-ta-ta” enables auditory imagery to play on a merry sort of onomatopoeia that goes strongly with Myop’s innocence. Imagery had little direct prepa...
In conclusion, the window helps to calm Mrs. Mallard’s fears about what’s to come in her life, but it also was the death of her. As she sat in the window pondering the news of her husbands passing, she only sheds a tear before feeling slight joy in her heart. If Mrs. Mallard would have taken the time to morn her husband properly, and not been so quick to run away and act selfish about her feelings, she wouldn’t have suffered from a heart attack from the shock when she finds him to still be