“I think that’s the real loss of innocence: the first time you glimpse the boundaries that will limit your potential” (Steve Toltz). In the previous quote, Steve Toltz discusses the transition from innocence to corruption. William Golding’s Lord of the Flies illustrates the loss of innocence through various characters: Jack, who struggles with pride and a thirst for power; Roger, who revels in the pain of others and uses fear to control the boys; Simon, who represents the demise of purity when humans are at their most savage; Ralph, who illustrates the struggle people endure when attempting to be civilized near the savage; and Piggy, who suffers because he has the only technology necessary to survive. Golding enforces the theory that true innocence will often pay the price to sustain true evil by arranging the characters' personalities and actions in a way that correlates to the effects of Darwin's evolution theory, "survival of the fittest" (). Jack is a good example of this as he exerts power over the weak and uses his skills in hunting to survive. The thirst to prove his masculinity overrides his innate purity, effectively corrupting him. Jack’s loss of innocence begins a domino effect that begins to influence the others.
Jack begins the novel partially innocent, cruel enough to yell at the boys yet pure enough to hesitate when faced with the task of killing the pig. Jack obtains the tools necessary to kill the pig, yet claims to need help cornering the animal. Jack, not truly needing help to kill the pig but rather needing the support provided by the mob mentality, acquires the support of his choir and together the boys hunt and kill the pig, all the while chanting, “Kill the pig. Cut her throat. Spill her blood”...
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...stitute fear and vulnerability into him. They feed off of his fearful cries for help, because it makes the boys feel strong and masculine. The boys subconsciously recognize innocence to be the boundary that limits evil’s potential. Because of this, pure innocence is continuously sacrificed throughout the novel to satisfy the malevolent cravings the boys acquire.
Works Cited
Golding, William. Lord of the Flies. New York: Coward-McCann, 1962. Print.
Toltz, Steve. A Fraction of the Whole. New York: Spiegel & Grau, 2008. Print.
Brent Elliott, Eileen Joyce, Simon Shorvon, Delusions, illusions and hallucinations in epilepsy: 2. Complex phenomena and psychosis, Epilepsy Research, Volume 85, Issues 2–3, August 2009, Pages 172- 186, ISSN 0920-1211, http://dx.doi.org/10.1016/j.eplepsyres.2009.03.017.
(http://www.sciencedirect.com/science/article/pii/S0920121109000825)
The early pig hunt “has been relatively innocent,” (Johnston 12-13) yet to reveal the deeper meanings. Johnston suggests that the existence of pigs leads the boys into hunting in order to satisfy hunger. On the other hand, it highlights and reveals the true danger that lies inside each individual, and to Jack, this loss of innocence only pulls him into evilness more profoundly. Soon after his second attempt in hunting, which turns out to be a success, chantings of "Kill the pig. Cut her throat. Spill her blood." (Golding 96) become popular among the boys. Since the idea of hunting pigs and eating meat appear attractive to the boys, they begin to admire Jack's new skill as suppose to judging for his aggressive behaviors. Merridew, however, fails to recognize that his actions come at the cost of an emerging savagery-like affiliation. At the same time, his original identity as a choirboy with “voices [like]... the song of angels” (Golding 191) slowly subsides from his character. Compared to hunting, the angelic voice does not increase the chances of survival, thus its significance becomes subordinate to that of hunting. From the first encounter with the pig to the complete loss of innocence, adult figures are also responsible for his unsubtle
As soon as they realise what must be done to survive on the island, jack has the desire to kill a pig for meat. This is the first sign of his savagery. Soon his urge to kill a pig turns into the desire to kill and hunt other living
William Golding’s novel ‘The Lord of The Flies’ tells the story of a group of English boys isolated on a desert island, left to attempt to retain civilisation. In the novel, Golding shows one of the boys, Jack, to change significantly. At the beginning of the book, Jack’s character desires power and although he does not immediately get it, he retains the values of civilized behaviour. However, as the story proceeds, his character becomes more savage, leaving behind the values of society. Jack uses fear of the beast to control the other boys and he changes to become the book’s representation of savagery, violence and domination. He is first taken over with an obsession to hunt, which leads to a change in his physical appearance This change of character is significant as he leads the other boys into savagery, representing Golding’s views of there being a bad and unforgiving nature to every human.
Throughout the novel, Lord of the Flies the major theme shown throughout is innocence. For the duration of the novel the young boys progress from innocent, well behaved children longing fir rescue to bloodthirsty savages who eventually lose desire to return to civilisation. The painted bloodthirsty savages towards the end of the novel, who have tortured and killed animals and even their friends are a far cry from the sincere children portrayed at the beginning of the novel. Golding portrays this loss of innocence as a result of their naturally increasing opened to the innate evil that exists within all human beings. “There isn’t anyone to help you. Only me. And I’m the Beast. . . . Fancy thinking the Beast was something you could hunt and kill! . . . You knew, didn’t you? I’m par...
“Often fear of one evil leads us into a worse”(Despreaux). Nicolas Boileau-Despreaux is saying that fear consumes oneself and often times results in a worse fate. William Golding shares a similar viewpoint in his novel Lord of the Flies. A group of boys devastatingly land on a deserted island. Ralph and his friend Piggy form a group. Slowly, they become increasingly fearful. Then a boy named Jack rebels and forms his own tribe with a few boys such as Roger and Bill. Many things such as their environment, personalities and their own minds contribute to their change. Eventually, many of the boys revert to their inherently evil nature and become savage and only two boys remain civilized. The boys deal with many trials, including each other, and true colors show. In the end they are being rescued, but too much is lost. Their innocence is forever lost along with the lives Simon, a peaceful boy, and an intelligent boy, Piggy. Throughout the novel, Golding uses symbolism and characterization to show that savagery and evil are a direct effect of fear.
In the novel The Lord of the flies, William Golding illustrates the decline from innocence to savagery through a group of young boys. In the early chapters of The Lord of the Flies, the boys strive to maintain order. Throughout the book however, the organized civilization Ralph, Piggy, and Simon work diligently towards rapidly crumbles into pure, unadulterated, savagery. The book emphasized the idea that all humans have the potential for savagery, even the seemingly pure children of the book. The decline of all civilized behavior in these boys represents how easily all order can dissolve into chaos. The book’s antagonist, Jack, is the epitome of the evil present in us all. Conversely, the book’s protagonist, Ralph, and his only true ally, Piggy, both struggle to stifle their inner
As much as everyone would like to believe that all people are inherently good, the illusion of innocence that is often presumed throughout childhood makes the revelation of human nature especially hard to bear. Arthur Koestler said, “Nothing is more sad than the death of an illusion”, and this one is certainly a very hard reality to cope with. In the novel Lord of the Flies, the author William Golding tells the story of a group of British schoolboys who crash land on an uninhabited island in the midst of a world war, and how they regress from civilization to savagery. By conveying Ralph’s reactions to the deaths of Simon and Piggy, providing detailed, symbolic imagery of the cliffs and the lagoon, and showing Ralph’s despair at his new understanding
The irony of the plane crashing to start the story, the environment of an unknown island and many other cruel acts function into the work as a whole because it really does set up the major plot in the story. Cruelty will bring out the worst in people and this phrase proves to be true when it comes to Jack. The killing of the pig and the obsession of blood lust drives Jack into savagery and reveals that he is not morally strong. The violence also shows that Jack is manipulative as he uses the fear of the beast to gain power. While cruelty transforms Jack, Ralph stays morally strong and represents civilization throughout the novel. Cruelty proves to shows that Ralph’s character is very intelligent as he is able to think deeply. Cruelty also reveals how strong morally he is and how he will not succumb to savagery like the majority of the boys do. Lord of the Flies by William Golding, just proves to show that the cruelness of our savage, beast like instincts will take over without the order, rule, and conduct that civilized societies have to
In Lord of the Flies, William Golding expresses the idea that humans are naturally immoral, and that people are moral only because of the pressures of civilization. He does this by writing about a group of boys, and their story of survival on an island. The civilized society they form quickly deteriorates into a savage tribe, showing that away from civilization and adults, the boys quickly deteriorate into the state man was millions of years ago. This tendency is shown most in Jack, who has an animalistic love of power, and Roger, who loves to kill for pleasure. Even the most civilized boys, Ralph and Piggy, show that they have a savage side too as they watch Simon get murdered without trying to save him. Simon, the only one who seems to have a truly good spirit, is killed, symbolizing how rare truly good people are, and how quickly those personalities become corrupted.
Piggy had an appetite to be needed and accepted as a person in the boys' society. Jack had to kill a pig; he saw no other way.
Throughout the novel several different characters are introduced to the reader, such as Ralph, Jack, Simon and Piggy. With all these characters presented to the reader, one can get to see into their minds-eye, which allows the reader to analyze their character. In this case one could examine their basic morals and distinguish between the person’s natural instinct to rely on civilization or savagery to solve their problems. The author of the novel, William Golding, had a “first-hand experience of battle line action during World War II” which caused him to realize, “[that] The war alone was not what appalled him, but what he had learnt of the natural - and original- sinfulness of mankind did. It was the evil seen daily as commonplace and repeated by events it was possible to read in any newspaper which, he asserted, were the matter of Lord of the Flies” (Foster, 7-10). This being said by Golding leads one to the central problem in the novel the Lord of the Flies, which can be regarded as the distinction between civility and savagery. This can be seen through the characters that are presented in the novel, and how these boys go from a disciplined lifestyle, to now having to adapt to an unstructured and barbaric one in the jungle.
As the story progresses it shows how the boys change from disciplined school boys to savages. Jack is the first to show the transition. When Jack, Simon and Ralph go exploring for the first time, they come across a piglet caught in a curtain of creepers. Jack couldn't kill it "because of the enormity of the knife descending and cutting into living flesh; because of the unbearable blood (31)." From that moment on, Jack felt he needed to prove to himself to the others that he's strong, brave and isn't afraid to kill. When Jack says, "Next Time (31)" it's foreshadowing his future of savage hunting.
Golding shows the drastic change in the boys’ behavior using symbolic dialogue and the characters’ actions. At the beginning of the story, Ralph puts Jack in charge of hunting so the boys can eat some meat. Jack finds a pig while hunting, yet he cannot kill it, his reason being, “because of the enormity of the knife descending and cutting living flesh; because of the unbearable blood” (31). Because of the strictly regulated society Jack has grown up in, he finds it disturbing to kill an animal, even if he must do it to have food.
In conclusion, all of the boys go through some struggle with civilization and savagery. Jack is the one who makes the biggest change in the book. He goes from civil straight to savage. William Golding's novel "Lord of the Flies", uses symbolism and allegories to show how Ralph, Piggy, Jack, and Simon struggle with civilization and savagery.
Throughout William Golding's novel Lord of the Flies there is an ever-present conflict between two characters. Ralph's character combines common sense with a strong desire for civilized life. Jack, however, is an antagonist with savage instincts, which he cannot control. Ralph's goals to achieve a team unit with organization are destroyed by Jack's actions and words that are openly displayed to the boys. The two leaders try to convince the boys that their way of survival is correct.