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Concept of gender and gender and sexuality in literature
Sexuality in literature
Essay on • Vladimir Dmitrievich Nabokov
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There was an incident following Lolita’s success that had taken place during the 1960s that seemed to appropriately illustrate people's reception to the newly deemed classic. In his biography Vladimir Nabokov : The American Years, Brian Boyd recounts Nabokov remembering a disturbing event one halloween when a young girl came to his door with her parents dressed up as Lolita (Boyd).Whether her outfit replicated the popularized Lolita in Kubrick's 1962 movie adaptation, winged eyeliner and all, or her outfit encompassed the text Lolita’s “boy shirts” (Nabokov 46) and generally “rough tomboy clothes” (Nabokov 48), the child was parading an outfit of a young girl who had been raped and manipulated, exploiting a character with no knowledge or empathy …show more content…
The interpretation of Lolita still consisted on the ideas of sex and the book as well as the character became a scandal. Nabokov has rebuffed sex themes since the beginning of the book’s publishing. In his famous interview with Playboy, Nabokov rejects the interviewer bringing up America’s sexual mores with “Sex as an institution, sex as a general notion, sex as a problem, sex as a platitude—all this is something I find too tedious for words. Let us skip sex.” (Toffler). His refusal to even talk sex proved how little his tolerance was when it came to humoring the audience about sex themes and sex related questions. In an interview with CBC during the early 1960s, Nabokov is quoted agreeing with an interviewer that believes “sex has become such a cliche, so that people can’t recognize anything else.” (...) which further shows how 1960’s mentalities could see nothing else outside of the realm of sex. In the same CBC interview, Nabokov disputes sex themes more openly and admits that his writing of the book has more to do with Humbert’s artistic nature and how that alienates him and creates unattainable love (...). While Nabokov wrongly uses a young girl’s abuse as a tool of illustrating a man’s “misfortunes” of being an artist, the novel is more than what the 1960’s audience perceived it to be. Nabokov did not intend to write a book about a fetish, nor did he, according to Playboy, wish to satirize American culture. The text included more substinance than what people perceived it to be and as did the character Lolita herself, who was more than a teen temptress. His writing of the book has nothing to do about sex, although his initial theme is flawed and an important example of men’s inability to write books featuring authentic female characters, unless they are being used as tools or over sexualized. And much like Humbert Humbert, no matter how hard Nabokov tried to manipulate the text, feelings of empathy still is evoked
At the beginning of the 1900s, there was a “sexual revolution” in New York City. During this time, sexual acts and desires were not hidden, but instead they were openl...
The idea of enlightenment and the feeling of liberation seem unattainable most of the time. However, once you discover a gateway, such as literature or meditation, it becomes easier to reach your goals of becoming open-minded. Azar Nafisi’s “Selection from Reading Lolita in Tehran” describes the struggles she and her students face and how they use literature to escape from their atrocious life. Similarly, “Wisdom” by Robert Thurman explores the idea of reaching a nirvana-like state where people become aware of their surroundings and the nature of themselves. Nafisi and Thurman state that once people have attained the knowledge to reach an utopian, nirvana like state and have unmasked themselves from a pseudo-self mask put on for society, they must share their knowledge with others. Both Nafisi and Thurman propose that in order to act out selflessly and become an honest, true self, an individual needs bravery and courage to escape from their comfort zone and reach a state of compassion.
Does the book Memoirs of a Woman Of Pleasure have either cultural, social or literary value, thus declaring it not obscene? Or is it a work i...
During the nineteenth and the beginning of the twentieth-century women’s sexuality was dictated by the family and society as there were specific rules put in place for each gender. This became problematic for women in the century, as they could not express their sexual identity. However, the protagonist in both Kate Chopin’s The Awakening (1899) and Angela Carter’s The Magic Toyshop (1967) demonstrate the consequences of going against the family for women. Jeffrey Weeks states, “The very idea of sexual identity is an ambiguous one. For many in the modern world-especially the sexually marginal-it is an absolutely fundamental concept, offering a sense of personal unity. Social location, and even at times a political commitment.” (Capaln, 1989:
Collins, Emily. “Nabokov’s Lolita and Anderson’s The Little Mermaid.” Nabokov Studies 9 (2005): 77-100. 10 Oct. 2006. http://muse.jhu.edu.login.ezproxy.library.ualberta.ca/journals/nabokov_studies/toc/nab9.1.html
Cultures throughout the world encompass a diverse array of lifestyles by which societies are led by. These cultures, in a typical sense, are created by the subset of a population that follows a particular set of morals and ideals. An individual’s own identity, as a result, is dependent on many varying factors of their lifestyle in these culturally regulated regions. In the stories, “Selections from Reading Lolita in Tehran,” by Azar Nafisi, and “The Naked Citadel,” by Susan Faludi, the authors depict the impact made on an individual’s identity by male-dominated communities prejudiced against women. The discriminations described in these stories contribute to the creation of cultures that oppose the idea of seeing women as equals to men. Hence,
Despite initial criticism at the time of release, Paul Verhoeven’s erotic drama, Showgirls (1995), has become a camp classic that challenges notions of identity and sexuality. The film traces Nomi Malone’s challenging journey from a stripper to a showgirl where she experiences the brutal and sexist economy of Las Vegas. Verhoeven (1995) uses the relationship between Nomi, Cristal and Zack to explore Sedgwick’s (1985, pp.23) concept of the erotic triangle. This is where the bond between two men seeking the attention of a women are usually more potent than “the bond that links either of the rivals to the beloved” (Sedgwick, 1985 pp.21). However, this traditional representation of erotic triangle can be altered by the friendship between women.
What is it about sex that makes everyone so uncomfortable? Upon reading Randa Jarrar’s A Map of Home, one of the major themes that the novel goes in depth about is Nidali’s sexual awakening. Many students would argue that this novel is littered with too much sexual activity, i.e. masturbation. However, A Map of Home is a novel about finding your place in this world; the search for your identity and purpose. Sexual identity plays a significant part of that continuum. You may question, “Well, could you have figure out a way to describe her story without all the sex stuff?” This statement would demolish the novel’s relatable and sheer honest tone, as well as disintegrate the genuineness behind the narrative if Jarrar would omit Nidali’s sexual experiences. The complete fact that young teenagers do think about sex so often makes one grasp the true relatability this novel showcases through the main character’s sexual experiences. In this essay, I plan to explore the importance of sexual awakening, Nidali’s own reasons for experimenting with her sexuality, and what we can ultimately learn from being open with what we want in that context.
Abstract: This paper focuses on Vladimir Nabokov’s novel Lolita. Specifically the argument discusses the need for reform within the classroom setting regarding student reaction and interpretation to the text. Class discussion involving Lolita tends to fall under a blanket of socially constructed presumptions that lend the discussion toward a shallow and judgmental reading of the text, and this tendency limits the discussion. This paper argues that, for a teacher attempting to teach this novel, it is important to limit the amount of emotionally reactionary responses and guide the class towards a more allegorical or symbolic representation of the text. This paper is intended for publication in College English, which is a bi-monthly periodical published by the National Council of Teachers of English.
Vladimir Nabokov suffered a neurological disorder called Synthesia. In this disorder, some senses appear the form of other senses. For his specific case, it allowed him to see letters in color. The literary form of this disorder is writing when one sense describes another. Nabokov’s synthesia allowed for him to compose its’ literary form in a superior manner. Additionally, in its literary implication, synthesia generates juxtapositions of the senses. With and in juxtaposition, he uses the comparison of senses to describe one sense through another sense. Nabokov uses his Synthesia to enhance juxtapositions in order to capture essence of life through words. In his short story First Love, he illustrates importance of using the senses in descriptions
The Life and Works of Annie Leibovitz Annie Leibovitz is one of the best portrait photographers in this modern age. Her works focus on varied subjects but hover more among celebrity portraits. Apart from these, her photographs depict visual stories that affect the audience's emotions. The diversity and life of her photographs create visual artistic realms that touch the soul. Biography:
According to literary theories and the theories of Fredrich Nietzsche, human beings have an unquenchable urge for power and will use "ethics," and everything else, in order to increase their authority. In Nabokov's Lolita, we see how Humbert controls Lolita in the beginning stages of their relationship but eventually finds himself going mad because of her deceitful ways and the control she has over his sexual desires.
With his 1955 novel Lolita, Vladimir Nabokov invents a narrator by the name of Humbert Humbert who is both an exquisite wordsmith and an obsessive pedophile. The novel serves as the canvas upon which Humbert Humbert will paint a story of love, lust, and death for the reader. His confession is beautiful and worthy of artistic appreciation, so the fact that it centers on the subject of pedophilia leaves the reader conflicted by the close of the novel. Humbert Humbert frequently identifies himself as an artist and with his confession he hopes “to fix once for all the perilous magic of nymphets” (Nabokov, Lolita 134). Immortalizing the fleeting beauty and enchanting qualities of these preteen girls is Humbert Humbert’s artistic mission
In Vladimir Nabokov's Lolita, the overruling drive of the narrator, Humbert Humbert, is his want to attest himself master of all, whether man or woman, his prime cravings, all-powerful destiny, or even something as broad as language. Through the novel the reader begins to see Humbert’s most extreme engagements and feelings, from his marriage to his imprisonment, not as a consequence of his sensual, raw desires but rather his mental want to triumph, to own, and to control. To Humbert, human interaction becomes, or is, very unassuming for him: his reality is that females are to be possessed, and men ought to contest for the ownership of them. They, the women, become the very definition of superiority and dominance. But it isn’t so barbaric of Humbert, for he designates his sexuality as of exceptionally polished taste, a penchant loftier than the typical man’s. His relationship with Valerie and Charlotte; his infatuation with Lolita; and his murdering of Quilty are all definite examples of his yearning for power. It is so that throughout the novel, and especially by its conclusion, the reader sees that Humbert’s desire for superiority subjugates the odd particularities of his wants and is the actual reason of his anguish.
The Portrayal of Women in American Literature Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different way than a female author would. While F. Scott Fitzgerald may have represented his main female character as a victim in the 1920’s, Zora Neale Hurston portrays her as a strong, free-spirited, and independent woman only a decade later in the 1930’s. In F. Scott Fitzgerald's, The Great Gatsby, the main female character, Daisy Buchanan, is portrayed by, Nick, the narrator, only by her superficial qualities.