Literary Devices in “The Birthday Party” “The Birthday Party”, a short story by Katharine Brush, illustrates a drastic turn of events as what seems to be a joyous event, results in a complete disaster in which the author applies imagery, irony, and diction. Brush utilizes imagery all throughout the story, but has the biggest impact in the first paragraph as she describes the husband is seen to have a “round, self satisfied face, with glasses.” The usage of the word, “self-satisfied face” aids the author’s purpose of how selfishness can break even the strongest relationships as the author specifies that "they looked unmistakably married" which is the deepest form of a relationship. The husband himself was selfish in his way as he was "hotly embarrassed and indignant at his wife for embarrassing him” Instead of being pleased with the wife’s courteous surprise, he got angry and embarrassed and hurt his wife with a “punishing, quick, curt, and unkind thing.” Not only was the husband selfish, but also was the wife in her own way. The wife was selfish as the author illustrates her as being “fadingly pretty, in a big hat” as she wanted to grab the attention of the people around her. To make her feel good about herself she was “beaming with shy pride over her little surprise” All the imagery just portrays how much of a selfish couple they really are. …show more content…
Birthday parties are usually overviewed as joyous occasions where families and loved ones are brought together and be marry to one another but in Brush’s cases this occasion turns into a disaster. The whole thing about how the indignant husband wasn’t accepting of the wife’s “little gift” turns the whole story around and ties back with the author’s purpose of selfishness and its bad effects. In the introduction of the short story the couple had “nothing conspicuous, nothing particularly noticeable” well of course “until the end of their
It was a few days before I left for school and my best friend, Kate, was throwing a good-bye party for our group of friends. I was so excited for this bash, seeing that it would be the last time our group would be together for a while. It was a time for all of us to move on and embark upon futures that held so much for all of us, and to say farewell to the people and memories that had shaped us. Kate's family had rented out a ballroom at a neighborhood country club, and we intended to dance the night away. As I approached the scene, disco lights streamed through the large windows and ran all over the lawn.
Katherine Brush utilizes diction and atmosphere to convey the mood’s shift throughout the story. Her choice of words and the aura they create demonstrate the transition from a seemingly jovial occasion, to a tense and uncomfortable reaction. “The Birthday Party” takes a seemingly normal couple and uncovers the troubles that lay just beneath the surface.
The character Mrs. Wright is portrayed as a kind and gentle woman. She is also described as her opinion not being of importance in the marriage. It is stated by Mr. Hale that “ I didn’t know as what his wife wanted made much difference to John” .(745) Her neighbor, Mrs. Hale, depicts her as “She─come to think of it, she was kind of like a bird herself─real sweet and pretty, but kind of timid and─fluttery. How─she─did─change”. (752) It appears that Mrs. Wright is a kind and gentle woman, not capable of committing a murder. But, with the evidence provided and the description of Mr. Wright’s personality it can also be said that the audience will play on the sympathy card for Mrs. Wright. She appears to be caught in a domestic violence crime in which she is guilty of, but the audience will overlook the crime due to the nature of the circumstances. By using pathos it will create a feeling that Mrs. Wright was the one who was suffering in the marriage, and that she only did what she felt necessary at the
In her short story, "The Birthday Party", Katharine Brush depicts the cruelty that many people in this world so curtly reveal. Through her use of imagery, diction, and point of view she is able to send this message across to her audience.
While the mood continues to be pleasant, the village gathers for what would appear to be a joyous festival everyone looks forward to. “The lottery was conducted –as were the square dances, the teen-age club, the Halloween program… (p.445).”
Contrastingly, Mrs. Darling, his wife, is portrayed as a romantic, maternal character. She is a “lovely lady”, who had many suitors yet was “won” by Mr. Darling, who got to her first. However, she is a multifaceted character because her mind is described “like the tiny boxes, one within the other, that come from the puzzling East”, suggesting that she is, to some extent, an enigma to the other characters, especially Mr. Darling. As well as this, she exemplifies the characteristics of a “perfect mother”. She puts everything in order, including her children’s minds, which is a metaphor for the morals and ethics that she instils in them. Although ...
“The Lottery” is a satire that is meant to shock and provoke readers with the prospect that societal contentment and tradition can evoke the emersion of illogical and harmful actions. The author, Shirley Jackson, understands that the proper use of symbolism and character archetypes is followed by a more impactful story. “The Lottery” opens with children who are out of school for summer break “[on a clear and sunny… day.” (Jackson, 1948, p. 221). Such an innocuous, familiar scene, might elicit from the reader nostalgic, whimsical memories of childhood play. Appropriately, the children in this story represent the innocent, susceptible future generation of the town. They do not seem to fully fathom the severity of the lottery or the abhorrent nature of the violence associated with the town’s traditions. For this reason, the reader most likely develops an expectation that this story will be a pleasant and optimistic one that takes place on a beautiful sunny day and involves the laughter and tomfoolery of young happy kids.
Initially he views his wife as a mere possession, a toy doll. which he is able to show off at party’s to the admiration of fellow. members of powerful society, ‘curtsy here, curtsy there – and the vision of loveliness was gone as they say in fairy tales.’ However.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
Most of us can easily picture a typical child's party, loud and hyper boys running about, noise and fun and screaming kids and chaos, but this party seems to be viewed differently by the mother. It is a more serious and quiet event. She sees the boys as "short men" gathering in the living room, not as children having fun. The children seems subdued to us, with "hands in pockets". It is almost as if they are waiting, as the readers are, for something of imp...
In “Birthday Party” by Katharine Brush she uses imagery, symbolism, and irony to explain how relationships work.
Beauty’s sisters marry rich men, who seemingly have acceptably desirable attributes as husbands. One man is detailed as a man of good looks. The other man is noted for having great wit. The two possess qualities most women seek in a husband, but it is indicated in descriptions that the two sisters are both unhappy in their marriages. Although the first husband is handsome, this serves him as a drawback, for he is a narcissist, only concerned with himself. The second husband’s wit is also a severe disadvantage due to the fact he uses his wit to torment other people, including his wife. It is when Beauty reviews her sisters’ marriages and the unhappiness her sisters experience in relation to their husbands that helps Beauty realize The Beast’s true worth and her love for him: “I should be happier with the monster than my sisters are with their husbands; it is neither wit, nor a fine person, in a husband, that makes a woman happy, but virtue, sweetness of temper and complaisance and Beast has all these valuable qualifications.” (9). The juxtaposition made between the husbands and The Beast create the disclosure of the appropriate masculine qualities a man should encompass. De Beaumont presents the contrast of characters to the reader as a method of emphasizing the
“Everyone is kneaded out of the same dough but not baked in the same oven”(Yiddish Proverb). These words apply to Katherine Mansfield’s short story, “Garden Party” as she touches on some very controversial points about the social inequality of the Sheridan family with its surrounding neighbors. A great internal and external quarrel over social class rises in the Sheridan family as Laura Sheridan, the daughter, sympathises with the less-fortunate neighbors while her mother, Mrs. Sheridan is the opposite. Mansfield illustrates to her readers the conflict within Laura in various ways, namely, using foil characters between Mrs. Sheridan and Laura, using multiple symbols and appealing to emotion to emphasize her main message of social equality.
The first impression I had after I read this story 'The Garden Party ' By Katherine Mansfield was that I was amazed by the varieties and luxuriousness of the garden party held by Mr. Sheridan 's family. Whereas by comparison, was shocked by the pool condition and misfortune their neighbors have. This huge social gap got me thinking that what is the message that author tried to deliver to.
In a symbolic reading, the opening paragraph describes the crisis that exists in the marriage of the couple. In other words, the description of the bad weather, of the "empty square"[1](l.10) and of their isolation, reflects this conflict and also sets the negative mood. In fact, since the beginning, Ernest Hemingway insists on the isolation of the couple that "does not know any of the people they passed" (ll.1-2) and are "only two Americans"(l.1). Here it is interesting to notice that they are isolated from the outside world but also from each other. There is no communication and they have no contact, they are distant from each other.