Literary Analysis: The Awakening

Robin Cochrane

Mrs. Schroder

AP Literature and Composition

3 January 2018

The Awakening 1999 Prompt In one’s lifetime, he or she may face an internal struggle. Perhaps the struggle lies in a difficult choice between right and wrong. Perhaps it lies in a decision between want and need. Maybe one must contemplate how much his or her happiness is truly worth. Regardless, every person has internal conflict not easily solved. In The Awakening, Edna Pontellier struggles with two conflicting forces, expectations of her and her own desires, illuminating the meaning of the novella: defying societal expectations in order to seek individuality and independence is always just. Edna is a complex character driven by her need for independence and freedom.

Her awakening begins because of her friend Adéle, who teaches her that it is okay to be open and say what is on her mind, contrary to what Edna previously believed. Adéle also introduces Edna to Robert, who triggers her emotional awakening, as the two fall in love. Edna goes from a woman who settled down in order to ground herself with realistic expectations, to a free, confident women striving for a life outside of her love for Robert. Mademoiselle Reisz, who plays a crucial part in aiding Edna and Robert’s growing love by reading her letters Robert wrote about Edna, kickstarts Edna’s artistic awakening. The music Madame Reisz plays for Edna on the piano moves her and leads to real, raw emotions she has never felt before; the first time she hears Madame Reisz play, she is brought to tears. From then on, Reisz acts as a mentor to Edna, offering her courage and strength, as well as providing a successful example of the type of woman she strives to embody. As Edna grows as a person and begins feeling so many new emotions, she also has a sexual awakening with Alcée, a man with whom she has an affair. This realization differs from her more emotional awakenings, because it is based purely on lust, not feelings. The affair is something she decides to do simply because it satisfies

She cannot live a life of serving others and existing merely to entertain guests while simultaneously being an independent individual. When she visits Madame Reisz for consulting, she warns Edna of the strength it will take to metaphorically fly above her social roles. Ultimately, Edna decides she cannot sacrifice herself for anyone else, even her own children. She decides to move out of her husband’s house and into the pigeon house, taking only the possessions he did not buy for her. Soon, she realizes the pigeon house acts as a cage just as much as her old home did. In the end, her internal conflict tears her apart and, to escape the feeling of entrapment, she drowns