Literary Analysis Of Nella Larsen's Passing

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On the surface, it seems that Nella Larsen’s Passing is about Irene Redfield’s friend Clare who is Black but has decided to pass for white. The entire story is explicitly centered on the idea of Clare being light enough in complexion that whites are unable to tell that she is Black, especially since they do not know her true background. In order to live among whites, Clare must never strongly advocate for the rights or humanity of Blacks, and she must not be seen too much in public with Blacks, lest her husband catch on to her truth. However, I submit that Passing has an even deeper narrative. Clare’s case is an easy and obvious example of passing; she is using her appearance and skin tone to enjoy the benefits that come with being white. But Irene is also passing, in a sense. Her wealth allows her to enjoy things that are stereotypically “white.” This would mean that Nella Larsen meant An example of this is when white, wealthy families of the early 1900s had Black servants in their homes, physically present, but constantly treated like objects instead of people. Larsen sets up this same narrative in Passing. In the passages from page 94 to 97 in which Zulena appears, her status within the Redfield house is made clear by the way she is treated by Brian and Irene. When she first enters the dining room, she brings grapefruit to the married couple, but they both fail to acknowledge her presence (94). She is subjected to similar treatment when she later brings them toast on page 97. In each instance, she was expected to serve them in complete silence. Not once is it mentioned that Brian or Irene even looked in her direction. They also continued to converse in front of her as if she truly was not in the

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