Leni Riefenstahl

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This is Jimson Heng from T2B2 and I will be talking about Leni Riefenstahl, a German film director, photographer, actress and dancer who was most well known for directing the Nazi Party propaganda film, Triumph of the Will, and for being the first female film director to achieve critical acclaim.

Leni Riefenstahl was born in Berlin into a German Protestant family as Helene Bertha Amalie on 22 August 1902. (Riefenstahl 3) When she was 16, she started dance and ballet classes at the Grimm-Reiter Dance School in Berlin, in accordance with her mother’s wishes for her to go into show business. (Riefenstahl 11) After graduating, she became a self styled and well-known interpretive dancer, touring Europe by the age of 22 and being employed by Max Reinhard. After injuring her knee, she discovered filmmaking and was fascinated by the sorts of possibilities it opened up to her, leading to the start of her acting career. (Falcon)

At this time, she stepped into the attention of one Adolf Hitler, being a prominent actress in some of his favorite films, such as SOS Iceburg. ("Economist") After becoming interested in athletic photography and filming, Leni Riefenstahl was then given the chance to direct Das Blaue Licht (The Blue Light), shooting it as a romantic and mystical tale that she thought suited the terrain. (Muller)

When Leni Riefenstahl read Mein Kampf, an autobiographical manifesto by Adolf Hitler, she was fascinated by it, stating that she “felt a man who could write such a book would undoubtedly lead Germany.” (“Daily Express”) Following this, she wrote to Hitler, requesting a meeting. The meeting led to an impressed Hitler offering her the chance to direct Sieg des Glaubens (Victory of Faith), a propaganda film about the fifth N...

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...ersonal projects, were not as well known, or as great as her films when she was set a goal. Leni Riefenstahl was also not afraid to use groundbreaking and new techniques in film, such as using tracking shots to follow the athletes in Olympia, or using slow motion shots to make the athletes seem like birds in slow, graceful flight.

In conclusion, Leni Riefenstahl is certainly a complicated person and director. She has made films that are considered among the greatest films of all time, but yet was almost universally reviled for making them with the support of the Third Reich. She made a reputation for herself as the “Nazi Director” and could never break away from that reputation. In the end, she has had a great impact on filmmaking, with her pioneering techniques and camera movements that nobody else did at that time. She is clearly the greatest female director yet.

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