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Critical comments on shakespeare's king Lear
Theme of power in king lear essay
Sophocles essay antigone
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Recommended: Critical comments on shakespeare's king Lear
Leader In the beginning lines of Sophocles’s Antigone, Antigone pulls her sister outside the gates “where no one else can hear” when she declares that she will defy Kreon’s orders to not bury Polyneikes (l. 25). She illustrates an innate knowledge of the power that her words carry and the danger that is inherent in the possibility of her bold statements being overheard or repeated. Similarly, in Shakespeare’s King Lear, Cordelia expresses a similar knowledge when her father, King Lear, asks her to profess her love and she refuses because she loves him “according to [her] bond, no more nor less” (1.1.102). Cordelia responds to Lear with silence because she understands that the spoken word carries power, which can significantly influence the …show more content…
Remember? How else would you have single handedly “divided/In three our kingdom…To shake all cares and business from [your age]” without having a power similar to Kreon (1.1. 39-42)? You may not have called your words edicts as Kreon does, but you speak and a thousand must follow. Your words divided a kingdom, much like the way Kreon’s words created laws for one. You and Kreon, illustrate the power of the spoken word when originating from a leader, whose voice reaches many listeners with little effort.
King Lear Oh yes…I do forget myself sometimes...
Leader
Don’t worry about it King Lear! It happens to the best of us. Anyway, the concept that the power of the spoken word can be dependent on ones’ orientation within society is very compelling when talking to two kings. I definitely see how the power of the spoken word can be a significant tool to leaders, whose voices reach many people quickly and authoritatively.
Scene 2
Leader
Since we have been talking about the power of the spoken word and how leaders in particular, gain significant influence because of the number of people they can reach at one time, do you all believe that those with more power then have more responsibility to be aware of the implications of their
In Sophocles' Antigone, the question of whom the real tragic hero comes into play. Antigone possesses all the aspects of a tragic hero. Creon possesses many qualities of a tragic hero, but doesn’t totally fit in the role. These traits include: not being overly “wholesome or corrupt”, being persistent in their actions, developing pity in the audience or reader- especially in the beginning of the story, and having a major flaw that is their ultimate downfall. Antigone possesses all of these traits therefore qualifying as the tragic hero.
The way a leader speaks is very crucial to the way people perceive an individual. Dr. King addressed every problem raised in a calm manner, with reasoning behind his claims. By speaking in a fluent and non-aggressive manner, people come to understand what you are saying, and there is a better chance of compromise. Antigone bitterly argues with Kreon about her sentence and what she did, instead of trying to peacefully try to make him understand what her intentions truly were.
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
Steffi Graf stated, “You can have a certain arrogance, and I think that's fine, but what you should never lose is the respect for the others.” This quote helps me prove that there's no point in someone having a high status, if they don’t treat their people right. They'll just get disrespect in return and become a low status in their people’s hearts. In Sophocles tragic play Antigone, King Creon’s self importance and high level of arrogance caused many consequences in the drama such as death itself and miscalculations of choice making. The King of Thebes thinks of himself better than everyone because of his power of the throne. Thinking that the king rules alone and if one to ever disobey the King, they are to bare consequences.
After her mother committed suicide, her father died and her brothers fought until they killed each other, Antigone projects her strong character with interesting ways of showing it. As the main character with strong values and a stubborn way, she follows the laws of god, without minding the consequences. Antigone is a strong willed woman who wins the respect of the audience by the inner strength and resistance of manipulation she has, showing the potential of human kind. She becomes a heroine with noble qualities of mind, heart and soul because she is willing to sacrifice her life, doing what she believes it is right. With a sense of family ties, she is an ideal for humanity, the issue is that she must burry her brother Polynices with an appropriate ceremony since she believes it is the last right for every human being.
sense of loyalty leads to her simultaneous violation and observance to the duty of women
In the play “Antigone” by Sophocles, one learns that the leader King Creon is consumed in his pride and realizes his mistakes far too late. Creon puts his country before anyone else which ended up in his own defeat as a leader because his pride has blinded him and does not allow him to see that his actions are adding up to be a big disaster. In the passage “ A Raisin In The Sun” by Hansberry, Mama Lena (the leader) differs from Creon because she leads her people in a different way. She decides to put them before anything else and pushes them to do better, to keep their pride at the right level. Similarly Creon and Mamá Lena both reveal that being a leader is not easy and that few leaders will know how to tell right from wrong.
For instance, Ismene recalls, “You ought to realize we are only women, not meant in nature to fight against men...” (1567). By admitting to Antigone her own weaknesses, Ismene “confronts her own limit and does not back down” from them. (Honig 33) Rather she chooses to yield, to think the matter through, as she understands that “extravagant action is not sensible” (1567). Dean Barker points out that Antigone lacks “the ability to yield” that her sister, Ismene has (30). Because when Ismene tries to council Antigone, Antigone’s response was to say, “If you will talk like this I will loathe you...” (1568).
Being a good citizen often involves doing something out of the ordinary to help others. Sometimes, that involves going against the will of others to do what the good citizen might think is best. Although this is traditionally the case, the biggest factor in being a good citizen is great respect for the nation in which one lives. If one wants to be a good citizen, he or she might go out of his or her way to help others, however, must do so within the rules of the nation. In the Greek Drama by Sophocles, entitled Antigone, the hero, Antigone, shows, what I would call, bad citizenship. How is this? Why is she being a bad citizen?
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.
What is the ultimate authority that dictates human behavior? In Trifles by Susan Glaspell, conflict arises when the two main characters must choose between submitting to legal authority, therefore condemning an acquaintance to prison, or following their own moral compass and essentially letting a murder go unpunished. The battle between one’s own morals and the law of the land is not a new concept though. It can also be witnessed quite clearly in the Greek tragedy Antigone by Sophocles. Antigone who is clearly the embodiment of moral authority in the play, defies her legal ruler and future father-in-law based on her own strictly held beliefs. In both plays, despite different circumstances and outcomes, the choice to follow one’s own definition
In Sophocles’ play, Antigone, the main character uses rhetoric to effectively persuade her audiences to sympathize with her. In the play, Antigone’s brother, Polyneices, dies a traitor to the Theban people. The king, Creon, decrees that no one is to bury the traitor despite the necessity of burial for proper passing into the afterlife. Believing that Creon’s decree is unjust, Antigone buries her brother. When she is brought to the king, Antigone uses this speech in defense of her actions. In the speech, she uses allusion, diction, and particular sentence structure to increase the effectiveness of her argument.
Political power results from the fear of force. The individual acts out of a fear of consequences of disobedience and in accordance with the desdire for self-preservation. Political Authority results from a belief in the moral correctness of the organization in question. The individual acts of a sense of obligation and acknowledges the right of the ruler, morally, to rule and the moral correctness of the laws are accepted. The laws are obeyed for their own sake.
Antigone, the protagonist of the play, has what is seemingly the most powerful female role. From the very beginning of the plot she foreshadows her demise but expresses it through her stubbornness and inability to realize the great power of man. It is possible that she was aware of Creon’s capabilities as a leader, but nonetheless, she fights back by going t...
Tragedy of Antigone The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This, in turn, creates an excellent tragedy.