Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Using music to protest
Using music to protest
Slave life in the caribbean
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Using music to protest
The documentary introduces a number of socially aware leaders of the genre. It explains beginning of the genre as it was born out of personal political storytelling, and how artists from Pixinguinha to Tia Ciata to Virginia Rodrigues to Antonio Carlos Jobim have been carrying that torch for decades. As evident in their songs, they never tended to shy away from offering commentary, with little reserve and subtlety. It’s a big change from today’s Samba and Bossa Nova, as current artist are most likely to be incentivized to sing about money, sex, and partying. The series also covers the themes of slavery, of when the Portuguese landed in Brazil in 1500 and soon started to import slave labor into the country after realizing that the local Indians …show more content…
Latin American music is more than music, Latin America Music is a cultural history lesson. Over the past three decades, Latin America music has influenced and inspired many Latin American groups that speak for generations (Corridos) and providing a voice to a group of people trying to deliver a message (Samba and Bossa Nova). Challengers to Latin America musical culture argue that the music is aggressive in nature and promotes social revolution, however provocative the lyrics may be, it doesn’t deny the fact that Latin America music is a verbal outlet for millions of people in Latin America. Latin America music has provided a platform for musicians and populist for decades to express their opinions about society, the government and the treatment of those without a voice in the government. This musical outlet is crucial for the uplifting of the poor and the community and if people that were opposed to Latin America music tried to embrace the culture rather than attack the culture it could essentially benefit society as a
To illustrate how the social environment determined ‘The Politics of Plagiarism,” an article written by Jeff Stark exploring how Tom Zé’s unusual music is a result from the flourishing civil society in Brazil and the collective critique of capitalism. During this time period, the Tropicália movement was “set against injustice, restrictive sexuality and a military dictatorship.” Therefore, songs that protested against the state and that claimed freedom rights was the perfect environment for artists such as Zè or Gilberto Gil and Caetano Veloso. These artists then used music as a tool for creating “a genre of music loosely based on the idea of marrying native sounds with foreign influences or music from other cultures.” Similarly, Professor Ramsey’s ‘I will Forever Remain Faithful” also illustrates how social environment can impact individuals and encourage them to embrace Lil Wayne’s music. When Ramsey points out that he “had a student who would rap a Lil Wayne line if he didn't know the answer to a question”, he shows the fact that the rapper himself had become a part of everyday life. Especially, when "On New Orleans radio, it seems like nearly every song features Lil
Canciones de arargue, or songs of bitterness – was the original name for the creolized form Bachata. Many closely associate Bachata with the other Caribbean styles of the African diaspora such as merengue and son. In Intro to Music Cultures of the World we were tasked with attending a world music concert. I chose to attend a Bachata concert because I already had an interest in Caribbean music. The concert was not as I had expected, but was rather intriguing and thoroughly enjoyable. In this report I hope to analyze Bachata’s roots, report on its concert style, and compare it to another piece in the genre.
Veloso, Caetano, and Barbara Einzig. Tropical Truth: A Story of Music and Revolution in Brazil. Cambridge, MA: Da Capo, 2003. Print.
Latinos beyond Reel documentary film presented how US news and entertainment media portray Latinos. Latino American is an ethnic minority group of whom origin was from Latin America or Iberian Peninsula. Latino American is the fastest growing population in the United States. However, media has had negative effects for the Latino community. News media and entertainment had strongly influenced the perception of non-Latino about Latinos. These media portrayal of Latinos had implications for real world perceptions of Latinos.
The Latin American film genre is one of the most known genre worldwide and one of the most popular and successful of all of the genres in this business around the world. Yearly a number of productions from Latin America become favored and demanded successes, often-earning high levels of recognition and recommendation. In foreign film categories and in events and functions such as the Oscars, which are very highly respected around the world, Latin American films are awarded and praised and unquestionably make audiences sit on seat’s edge to bear mind films being produced in countries here. Latin American films are most likely to be as successful as they are because of the mixture of all of the elements, which their cinema provides, including
Frank George is a legal immigrant from Cuba, he will spend 30 days with the Gonzalez family whom are illegal immigrants from a small town in Central Mexico. Frank is passionate illegal immigrants he believes it will tear apart our country. Frank George wants to present this to all American people to illustrate the problem of illegal immigration and hopes this will encourage the American audience to get involved with this difficult situation.
On Tuesday, March 4th the President’s Commission of Gender Identity and Sexual Orientation had a viewing and panel discussion of “TransAmerica”. “TransAmerica” is a film about a transgender woman, Bree. Prior to transition Bree went by Stanley. The entire film revolves around Bree and her ultimate goal of getting vaginal construction surgery. She says to her therapist, “It will be the happiest day of my life.” Unfortunately, as the therapist is about to sign off on Bree’s surgery, Stanley receives a call from a county jail in which a young man by the name of Toby is calling for help and claims to be the son of Stanley. The therapist tells Bree she must deal with her past before she can have the surgery. Bree ends up flying from Los Angeles to New York to bail out Toby.
The never-ending conflict of Mexico’s drug war has led to the rise of this pop culture narcocorridos. The horrifying news of the cartel war reflected in a controversial music genre of narcocorridos. The lyrics are glorifying the violent crimes and drugs. Narcocorridos differ from the rap because it does not only focus on drugs and money. Narcocorridos talk about family in depth, they also talk about the role they play in this type of life, but the difference here is that these Narcos use other artists to have them create the music for
Cumbia originated in the coastal region of Colombia in the early 1800’s. There were three predominant cultures in Colombia at that time: the indigenous peoples, the Spaniards, and the African slaves. The cumbia began with the essential instrumentation of the tambor drums and the gaita flutes, which derive from both indigenous and Congo-based African roots. The genre was entertainment for the slaves, beginning as a courtship dance. It later became an outlet for national resistance and protest as Colombia was contesting for its independence. The music was able to diffuse throughout the nation, spreading from the coast, primarily for the reason that many African populations were scattered in various regions. Barranquilla, a port city in Colombia, was the core of where the music became established and played for the masses, and where instruments such as horns and bass began to be incorporated into cumbia, giving it a more Latin feel. As cumbia evolved and spread to Mexico around the 1930’s, it changed from the influence o...
Acknowledging a world in which we humans are hyperconnected yet paradoxically estranged from one another, Furtado highlights how certain new Brazilian documentaries hint at an unrealized potential for constructing collective horizons, even though we are never quite sure if these horizons will materialize in a world in which it has become ever more difficult to envision collective projects. If Deleuze was right in affirming that the “people have gone missing” in contemporary documentary films, material objects and the magic of the movie camera can be mediators that facilitate human interaction. Reminiscent of Piedras’s “mobility turn,” movement, for Furtado, brings individuals into contact with one another in ways that challenge the hyperindividualized neoliberal moment. Although we are still far removed from the 1970s sense of the “people” as a political construct, we find that new documentaries have not given up completely on the desire to bring human beings together to forge meaningful relationships and communities and to break with self-centered modes of
“Music is uniquely wonderful. It is incapable of being touched yet it touches everyone who is capable of hear sounds. It can seemingly evoke any emotion; we instinctively respond to happy tunes, mournful songs, beautiful melodies, inspiring anthems, stirring hymns, and majestic orchestrations.” (Doolan, Robert. 1985) There is no question that music is great part of society; it has been at civilization’s side whether it be the lyres and flutes of the ancient Greeks or how it calms or excites emotions and keeps armies in order during battle. Within society, there has also been social unrest and the desire for change. Protesting is the expression of a society’s concerns on current events of which they feel affected by whether it be through public rallies, picketing, riots or even bombings. Protest through music is one powerful medium for engaging people. Amidst what life throws at individuals, music has comforted the soul, provoked individualistic thought and opinion, and music draws people together through groups alike who have the same attachment or concerns with their surroundings. Whether it be rock, jazz, blues, rap, hip hop, dance, spiritual, or world, music has inspired artists to spill out their expression and views of society. Music is a universally effective tool of protest in generating social change and unrest as it continues to unite those with like ideas.
Cultural expression frequently serves as a lens to the conditions, historical and contemporary, of a society. Film, music, and literature often serve as an extension of oral traditions and can provide us not only with a glimpse into history but can also share with us the cultural impact of the past and give us a greater understanding of the present. In the countries of Brazil and Jamaica with similar histories of oppression, from slavery, to genocide, to crushing poverty and systemic racism, it is not surprising to see a similarity in the heightened consciousness in their music. Through analysis of the histories of Brazil and Jamaica, from slavery to the institutionalized systems of oppression, one can understand how such seemingly different musical traditions frequently share a common theme, resistance.
What I find most intriguing about music is that like food and other cultural materials, each culture produces its own category of what they consider to be music which is then made available to the public. To understand music it is important to understand what culture is. Culture is a complex topic that has three different schools of thought, which are Whiggish, Marxist and Neo-Marxist (Epprecht 2018). The dominant approach is the Whiggish approach which believes that culture is the marker of civilization and hence includes the customs, traditions, values and ways of life of a certain group of people who are from a specific region of the world (ibid). This approach believes that there are canons or experts who are known to be perfect examples of a certain component of culture, and these are the people that everyone in a country should know of (ibid). In the case of music, the canons are the artists who are producing music that reflects their culture’s views. Since music is culturally specific, it is important to look at which culture’s music is most
The influence that music has throughout the world is immeasurable. Music evokes many feelings, surfaces old memories, and creates new ones all while satisfying a sense of human emotion. With the ability to help identify a culture, as well as educate countries about other cultures, music also provides for a sense of knowledge. Music can be a tool for many things: relaxation, stimulation and communication. But at the same time it can also be a tool for resistance: against parents, against police against power. Within the reign of imported culture, cross cultivation and the creation of the so-called global village lies the need to expand horizons to engulf more than just what you see everyday. It is important to note that the role of music in today’s world is a key tool in the process of globalization. However, this does not necessarily provide us with any reasons that would make us believe that music has a homogenizing affect on the world.
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.