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Ophelia and hamlet's relationships
Shakespeare's linguistic devices
Ophelia and hamlet's relationships
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The love and the sense of protectiveness a brother has for his sister is second to none. This feeling of protection can often be exacerbated when the sister has a love interest. This is certainly the case with Laertes and Ophelia. When Ophelia’s love interest, Hamlet, shows interest in Ophelia, Laertes’ protective instincts kicks in and he warns Ophelia of what could happen. Shakespeare shows Laertes wisdom and affection for his sister through a passage rich in diction as well as hidden meaning. Shakespeare’s use of monologues between characters is particularly impactful, it allows for the discussion of complex emotions. In a monologue between Laertes and his sister Ophelia he says, “Virtue itself’ scapes not calumnious strokes.”(Shakespeare
Later, in Polonius’ house, Laertes is taking leave of his sister, Ophelia, and, in the process, giving her conservative advice regarding her boyfriend, Hamlet.
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
Before Laertes left for France, he gave Ophelia advice on her relationship with hamlet. Laertes tried to warn Ophelia on Hamlet’s real feelings and his true intentions towards her, and tells her to be a little wary of Hamlet and his affections. Hamlet’s feelings towards Ophelia seem to die after she rejects him. Not only his feelings, but his own appearance seems to decay after the rejection. He is described as being “Pale as his shirt, his knees knocking each other” (line 82). To make matters worse, Ophelia dies. Both Hamlet and Laertes are so shocked and distressed over her death, that they both decide to jump into her grave and begin to fight each other. Even though both Hamlet and Laertes hated each other, they both loved Ophelia deeply. Hamlet was obviously very infatuated with Ophelia, as too it hard at her death. Laertes on the other hand seemed to have more of a brotherly connection and bond with her, as was evident when he tried to advise her against
Her tragedy began with her brother. Laertes knew of Ophelia’s love relationship with Hamlet; however, he also knew that she was only the daughter or a courtier and Hamlet was a prince. In those days, princes were not allowed to marry inferior women. When Laertes was getting ready to leave on his trip to Paris, he advised Ophelia to “Hold it a fashion and a toy in blood: A violet in the youth of primy nature, forward, not permanent, sweet, and not lasting; the perfume and suppliance of a minute; no more.” (Hamlet) In other words, Laertes told his sister to con...
Laertes(Ophelia's brother) loves her with all of his heart. He is always worried with her well being and whatever choices she may decide on. He tells Ophelia to be cautious of Hamlet's love and words to her. Laertes tells her that Hamlet seeks not her but what she can offer. Laertes also points out that Hamlet is evil and that she should fear him instead of loving him. Laertes and Ophelia had a special bond between them and he never used her for his self-gain. He showed a lot of compassion towards her but where was he at the time of her death? Laertes should have taken care of Ophelia when she went crazy: he should not of let her run off knowing how ill she was. If Laertes was so concerned with her well being when she was in love with Hamlet then why didn't Laertes show concern with her life and protect her during her weak point of her life? I do believe that Laertes truly loved Ophelia and would do anything for her but at the time of her madness he was too concerned with the death of his father to pay attention to Ophelia.
In the play, Hamlet, by William Shakespeare, the titular character of Hamlet’s character traits and characteristics are emphasized by the other characters within the play that act as a foil to him. One of Hamlet’s most prominent foils is Laertes, the son of Polymious, whom Hamlet has killed, and the brother of Ophelia, Hamlet’s love interest throughout the story. Laertes’ position as a foil to Hamlet means that as the audience begins to understand how Laertes’ would respond to the situations he is presented with; they can reevaluate how they perceive Hamlet and the actions he chooses to take. Hamlet and Laertes both respond to their grief, with differing approaches to revenge with one favoring violence and another favoring deep planning,
As Scene Three begins, Laertes is speaking with his sister, Ophelia, about her relationship with Hamlet, and warning her to ?Weigh what loss your honour may sustain,/ If with too credent ear you list his songs,? (1.3.29) else she lose her virtue to Prince Hamlet. This exemplifies his loyalty and love for his family, and especially his sister, though she replies to his warnings and advice with the sarcastic reply to do not ?Show me the steep and thorny way to heaven,/ Whilst, like a puffed and reckless libertine,/ Himself the primrose path of dalliance treads/ And recks not his own rede.? (1.3.47) Following this, Ophelia and Laertes? father, Polonius, enters, and Laertes departs with a final warning t...
In both highlighted passages, the theme of feminine representation is explored. In Act I Scene III, both Laertes and Polonius counsel Ophelia on her relationship with Prince Hamlet. They warn her of the implications of her actions and the consequences of even the hint of impropriety. Both men advise her to "keep you in the rear of your affection, out of the shot and danger of desire" (1.3.33-34). For her own reputation and that of her family, she must not become (or stay) involved with the pr...
Hamlet and Laertes share a different but deep love and concern for Ophelia. Laertes advises her to retain from seeing and being involved with Hamlet because of his social status. He didn’t want her to get her heart broken by Hamlet, since he believed that his marriage would be arranged to someone of his social status, and that he would only use and hurt Ophelia. Hamlet on the other hand, was madly in love with Ophelia but it languishes after she rejects him. Ophelia’s death caused distress in both Hamlet and Laertes and it also made Laertes more hostile towards Hamlet.
"Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective fathers' deaths" (Nardo, 90). Both Hamlet and Laertes love Ophelia in different ways. Hamlet wishes Ophelia to become his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg; Laertes is also a scholar at France. Both were brought up under this royal family of Denmark. And both are admired for their swordsmenship. But most important of all, both of them loved and respected their fathers greatly, and showed great devotion when plotting to avenge their fathers' deaths.
Laertes is greatly influenced by revenge for his actions especially when he is seeking revenge for his sister. He shows his brotherly love for Ophelia when he says “For Hamlet, and the trifling of his favor,/Hold it a fashion and a toy in blood,/A violet in the youth of primy nature,/Forward, not permanent, sweet, not
We are first introduced to the flawed relationship between Polonius and Ophelia when her brother, Laertes, is departing for Norway in Act 1 Scene 3. Here, Ophelia shows the viewer/reader her subservient behavior and her undeniable love for her family, and how that is taken for granted at the same time. Laertes tries to warn Ophelia and convince her not to get involved with Hamlet, “Fear it, Ophelia. Fear it, my dear sister, / And keep you in the rear of your affection, / Out of the shot and danger of desire.” (I.iii.33-35). Laertes is, to be blunt, telling Ophelia not to have premarital sex with Hamlet, basically scaring her away from doing so. And though she readily agrees, because he is after all her brother, it is Polonius that really uses and takes advantage of Ophelia’s loyalty to her family.
Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective father's deaths. Hamlet and Laertes love Ophelia. Hamlet wishes Ophelia to be his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg, and Laertes at France. Both are admired for their swordsmenship. Both men loved and respected their fathers, and display deviousness when plotting to avenge their father's deaths.
This final act of the play surely sums up the love that Hamlet had for Ophelia. Dramatically, Hamlet jumps into the grave of Ophelia. Distraught with grief for her, Hamlet confronts her brother, Laertes, telling him that he loved her even more than a brother loves a sister. Hamlet cries out to Laertes “I loved Ophelia. Forty thousand brothers could not, with all their quantity of love, make up my sum” (Shakespeare, Act IV, scene I, lines 285-287). Although it was too late for Ophelia to hear Hamlet’s true feelings expressed once again, this does show that Hamlet’s love was not madness, but genuine affection. Pouring out his heartfelt emotions, Hamlet says he loved her so much he would do anything for
Introductory speeches in many Shakespeare plays can be a foreshadowing of what is to come. In William Shakespeare’s “Twelfth night,” we see a tremendous amount of monolog made by many different characters in many different acts. One monolog, in particular, gives the readers a hint or an impression of what goes on in the play itself. In the very first act in the play twelfth night, Duke Orsino’s introductory monolog uses diction, personification, and metaphor to show themes of desire and deception that are explored through the characters and the play in the larger play.