As is evident in the work of most writers, Shakespeare’s writing was modified and developed over the course of his career. The most apparent change over time is his use of female characters within the tragedies. In King Lear, Goneril and Regan were created as unsympathetic female characters, essentially the antagonists of the plays. However, in Macbeth, Lady Macbeth is portrayed with many of the same characteristics of Goneril and Regan, yet is seen as a tragic character because she is later portrayed in a sympathetic light. As Goneril and Regan precede the creation of Lady Macbeth, comparing and contrasting their characteristics can then be used to identify Shakespeare’s evolution of the female roles within his plays. Generally, women in Shakespeare’s time were a subservient class of citizens. Excluding Queen Elizabeth I, women who attempted to take on a prominent role in the social construction were considered abnormal – a threat to the natural balance. Within his tragedies, Shakespeare attempts the upset the conventional view of women as obedient to men and puts Goneril, Regan and Lady Macbeth in positions of power where, ultimately, they confirm the social stigma. In both cases the fault lies with the male party. In King Lear, it is Lear’s abdication of his throne which acts as a trigger for the eldest daughters, and in Macbeth it is the title character’s lack of initial male dominance which allows Lady Macbeth to influence the critical action of the play. Neither Goneril Regan, nor Lady Macbeth follow the normal female archetype evident in Shakespeare’s other tragedies, but have evolved into powerful and malevolent women who can stand on their own without male support. In King Lear, Goneril and Regan are initially establi... ... middle of paper ... ...character because within her Shakespeare fully recognized the duality of human nature. Her ambition to be queen awakened the innate evil, which is present in every human being, within her which allowed her to connive towards the murder of Duncan. Yet her true character comes forward at the end when she goes mad due to the depth of her conscience. Goneril and Regan were created to display an extreme level of evil which blinded the sisters to the rashness of many of their actions. In Lady Macbeth, that extremity was tempered and molded in order to create a realistic and powerful woman. In this evolution between the two characters, Shakespeare has shown that women, just as much as men, are capable of retaining a range of characteristics both good and bad which can then exemplify them as powerful forces strong enough to control the action within their respective plays.
In Macbeth, written by William Shakespeare, the third murderers identity is unknown and it is never revealed at the end of the play. But there are some clues throughout the story that suggests Lady Macbeth could be the unknown third murderer. Lady Macbeth could be the third murderer in Macbeth because she shows signs of wanting to be like a man, she is the one that influenced Macbeth to kill Duncan, and because she shows signs of extreme guilt later in the story. With these three pieces of evidence, Lady Macbeth is shown to be the third murderer in Macbeth.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
Lady Macbeth is one of William Shakespeare’s most famous and frightening female characters. As she is Macbeth’s wife, her role is significant in his rise and fall from royalty. She is Macbeth’s other half. During Shakespearean times, women were regarded as weak insignificant beings that were there to give birth and look beautiful. They were not thought to be as intelligent or equal to men. Though in Shakespeare's play, Macbeth, Lady Macbeth is the highest influence in Macbeth’s life. Her role was so large; in fact, that she uses her position to gain power, stay strong enough to support her unstable Lord, and fails miserably while their relationship falls apart. Everything about Lady Macbeth is enough to create the perfect villain because of her ability to manipulate everyone around her. It appears that even she can’t resist the perfect crime.
Much of the literature composed in Elizabethan England reflects, whether deliberately or inadvertently, the gender inequities cited by Callaghan, Novy, and others. In William Shakespeare's Macbeth, the dynamics of the marriage between Macbeth and Lady Macbeth involve a mutual striving towards manhood as a result of misplaced gender traits in each. Shakespeare develops the androgyny of Macbeth and Lady Macbeth, and this becomes the basis for the offenses they commit in the play. Both characters achieve a position of power and authority through the use of their masculine characteristics, but their feminine characteristics make their gains tenuous and ultimataly cause their downfall.
The “strong independent woman” is an amalgamation of modern attitudes towards women. Feminist, outspoken, and sexually liberated, this entity breaks the “mother figure” stereotype usually attributed to women. Current society reinforces these unconventional notions, however this was not so in Shakespearian times. In Macbeth, by William Shakespeare, most female characters are portrayed in “unstereotypical” ways. Lady Macbeth’s “unsex me speech” leads her to acquire male attributes throughout the play, Lady Macduff openly criticizes her husband for leaving, and minor characters such as “the sailor’s wife” are inhospitable and unaccommodating. Although this seems to portray support for modern views of women, this is not true. It, in fact, reinforces traditional roles, as every “strong independent woman” within the play is punished. Women that go against “natural gender roles” disrupt order and lose their personal stability. This is evidenced by the actions of Lady Macbeth, minor female characters such as the sailor’s wife and the gentlewoman, and Lady Macduff.
Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition, helped, of course, by the malign prophecies of the witches, is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.
Macbeth by William Shakespeare epitomizes gender roles and masculinity/ femininity. In some opinions this is Shakespeare’s most misogynistic play he has written it shows that he hates or doesn’t trust women. During this play it is shown that women are the source of evil and violence. The witches tell Macbeth his prophecy which sparks Macbeth 's ambitions and encourages his ineluctable violent behaviors. Also Lady Macbeth becomes the brains of most of the murders that Macbeth commits and plants the ideas in his head so he ends up following through with them. Macbeth even traces the root of evil and chaos to women and blames them. Macbeth’s actions during the play justifies Shakespeare’s authorial choice of weaving in gender roles and masculinity to explain his use of misogyny. During the play both Macbeth and lady macbeth equate masculinity with naked aggression, violence then follows when they converse about manhood. When comparing and contrasting masculinity and femininity throughout characters in Macbeth, the reader can see how cultures, religions, psychology, and gender roles can relate in Macbeth.
During the Elizabethan era, a woman did not have any say in the relationship with her husband, but Shakespeare’s Macbeth changes this accepted theory. Lady Macbeth is a woman ahead of her time; she is caught between today’s ambitious, powerful woman and a fragile, powerless creature of the Elizabethan era. At the beginning of this tragedy, she is vicious, overly ambitious, without conscience, and willing to do whatever it takes to get what she wants. As Macbeth becomes less dependent on his wife, Lady Macbeth loses control of her husband, but mostly of herself. She is so wrapped up in the greedy world Shakespeare creates that she fails to consider the consequences of her actions more realistically. Lady Macbeth lives as if she is a woman ahead of her tiime, but she dies like she is from the “golden age of drama”.
Lady Macbeth’s atypical and complex character directly challenged the archetypal principles and beliefs of the Jacobean era which as a result, drew major fascination through the ages. Lady Macbeth was Shakespeare’s device to not only stimulate audience’s emotions, but to also provide historical context and elicit dominant themes which reflected Jacobean society. Her ambiguous character and remarkable influences in the play raised a lot of controversy and fascination amongst both modern and Jacobean audiences. She can either be seen as linked to the witches in a feminist bid to overthrow the balance of power, or as a representation of the evil side of Macbeth. Nevertheless, it was her distinct characteristics and actions which ultimately catalysed the chain of conflicts of the play. Again, this reinforces her important role in the play.
Throughout Macbeth, Shakespeare dramatically shows what can happen when our common gender roles are broken. He shows the power that people can have over others when they aren’t acting the way they’re expected to.
Shakespeare, one of the most famous play writers in history, wrote Macbeth in 1606. Many women were not allowed to perform in plays during that time period; however, Shakespeare did have very few females act out roles in his play (Shakespeare: Sample). Shakespeare viewed his women as strong-willed individuals (“Macbeth.” 227 ) when in reality they were often gone unrecognized (Women in Anglo). The character, Lady Macbeth, was a frightening, ambitious woman. Lady Macbeth often wished to “unsex herself” to carry out the killing of King Duncan on her own as her husband showed no manly characteristics to do it. Women during the Anglo-Saxon time period however, were way different then the way Shakespeare viewed his women during his time period.
The concept and perception of gender has changed radically from Shakespeare’s time to now, yet the perceptions of women and the limitations placed on them remain shockingly similar. William Shakespeare’s shortest tragedy, Macbeth, addresses gender concerns and the role of women in power positions. The play was written for King James VI of Scotland and I of England as he took the throne during a transitional period in the country’s history. The succession of King James marked the long-desired transition from a matriarchy to a patriarchy. Considering the historical context and Shakespeare’s affinity for King James, some Shakespearean critics hold Lady Macbeth responsible for the political, moral, and personal destruction in the play, as well
Throughout history women have fought for the same rights of men. In the time of William Shakespeare they were seen in society as weak and vulnerable. They were seen to be good, caring and not as powerful as men. Men were the superior and ruled the land. Shakespeare has taken the stereotypical image of the women of the time and turned it on its head in ‘Macbeth’. Lady Macbeth is shown as a very powerful, strong woman. She has an evil about her that Shakespeare has used to make ‘Macbeth’ a supernatural play. Women were seen to be good and not as powerful as men, in ‘Macbeth’ Lady Macbeth is the dominate character and commands and persuades Macbeth to commit the murders and crimes that he does.
Unlike other works of literature, King Lear portrays women that “rise above social stereotypes in order to claim a place among their male counterparts” (Callaghan 40). The audience is introduced to Regan and Goneril, who possess the same determination as that of men. Their deceit and cold-heartedness lead them to trick their father, King Lear, in order to become landowners with power like their male counterparts. This play is centered on them as they are seen as the villains in the plot who are only after their own interests. This is evident when Regan over-extends herself by stabbing a servant, while her older sister, Goneril, suggests the removal of the eye of Gloucester. Their malice, daring interactions with the male characters, and their unwavering determination to achieve their goals is what grounds the play, without which the play would not be as distinctive and
Shakespeare is known for strong male heroes, but they are not laying around in this play, not that Macbeth is full of strong female heroines, either. The women in the play, Lady Macbeth and the witches have very uncommon gender belief, and act as inhumane as the men. While the men engage in direct violence, the women use manipulation to achieve their desires. As Lady Macbeth impels Macbeth to kill King Duncan, she indicated that she must take on some sort of masculine characteristic in order to process the murder. “Come, you spirits/ that tend on mortal thoughts, unsex me here, / and fill me from the crown to the toe top-full/ of direst cruelty.” (i v 31-34) This speech is made after she reads Macbeth’s letter. Macbeth, she has shown her desire to lose her feminine qualities and gain masculine ones. Lady Macbeth's seizure of the dominant role in the Macbeth's marriage, on many occasions, she rules her husband and dictates his actions. Her speeches in the first part of the book give the readers a clear impression. “You shall put this night’s great business into my dispatch, which shall […] gi...