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Creative writing on war
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Essay about the Ernest Hemingway biography
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Aaqib Dal
George Slobodzian
Essay
English 103
25-october-2017
Krebs life post-war experience
Introduction:
The story of Soldier’s Home by Ernest Hemingway talks about Krebs who came back home from a war and have a hard time to readjust in the society where he came from. Krebs starts telling lies to people about what happens in the war because no one listens to him. Hemingway shows the connection, fear, and conflict of Krebs in the society after coming back from the war through conformity characterization, symbolization. The author’s message is that the experience of war is a very personal one for everyone that experiences it and that war distances people from society’s norms,
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The narrator says:
“Krebs acquired the nausea in regard to experience that is the result of untruth or exaggeration, and when he occasionally met another man who had really been a soldier and them talked a few minutes in the dressing room at a dance he fell into the essay pose of the old soldier among other soldiers: that he had been badly, sickeningly frightened all the time. In this way he lost everything” (10). Hemingway reveals that all the stories which he tells are all lie to everyone in the society even the stories are a lie as he did not have a very good experience in the war. He speaks lies to those soldiers also who are with him during the war which makes him more scared and frightened and in this way he loses himself completely because the other soldiers know the reality what actually happens in the war. The authors show his character at one more place when his mother says to him, “Don’t you love your mother, dear boy? “(11).
“No,” (11) Krebs said. The author shows us the character of Krebs that how emotionally he
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He says, “He liked to look at them from the front porch as they walked on the other side of the street. He liked to watch them walking under the shade of the trees”
(10). The narrator describes the strong feeling of Krebs toward the girls that in the start he is interesting to looking at girls in the town. He would like to have a girl. He loves to see them.
“He did not want any consequences. He did not want any consequences ever again. He wanted to live along without consequences. Besides he did not really need a girl” (10). The author reveals us that he has good feelings before the war but after the war, his feeling changes completely toward the girl. He just looks them as he has some sexual feeling and wants some good time with them but on other hand he wants his life to be simple and he did not want any consequences with anyone. This all shows that how difficult is for Krebs to reconnect himself with girls in his hometown. (Hemingway,10).
Conclusion:
Ernest Hemingway shows the life of the main character in the story that how Krebs life
This form of writing appeals to the audience’s emotions by making the connection seem more personal, as if O’Brien is speaking directly to each reader. The constant changing of forms of writing within a single novel is unusual, and sometimes they appear to not make sense. O’Brien uses a variety of writing forms in order to make the novel a “true” war story, rather than a novel for purely entertainment purposes. In this chapter the audience is first told of O’Brien’s purpose within the novel: to feel the way he felt. The sometimes confusing and unexpected changes of forms of writing allows the readers to better relate to O’Brien’s own
about the war and his lack of place in his old society. The war becomes
...r because it seems impossible to reconstruct an event from this objective point of view. Maybe the point of telling stories is not trying to recreate the reality of a past event, but it is the message that matters because that might be in the end the only thing that does not necessarily depend on single details of the story, but on the overall picture of an event. That is why to O’Brien another important component of a war story is the fact that a war story will never pin down the definite truth and that is why a true war story “never seems to end” (O’Brien, 425). O’Brien moves the reader from the short and simple statement “This is the truth” to the conclusion that, “In war you lose your sense of the definite, hence your sense of truth itself and therefore it’s safe to say that in a true war story nohting much is ever very true” (O’Brien, 428). These two statements frame the entire irony of the story, from its beginning to its end. Almost like the popular saying “A wise man admits that he knows nothing.”
He arrives back at his town, unused to the total absence of shells. He wonders how the populations can live such civil lives when there are such horrors occurring at the front. Sitting in his room, he attempts to recapture his innocence of youth preceding the war. But he is now of a lost generation, he has been estranged from his previous life and war is now the only thing he can believe in. It has ruined him in an irreversible way and has displayed a side of life which causes a childhood to vanish alongside any ambitions subsequent to the war in a civil life. They entered the war as mere children, yet they rapidly become adults. The only ideas as an adult they know are those of war. They have not experienced adulthood before so they cannot imagine what it will be lie when they return. His incompatibility is shown immediately after he arrives at the station of his home town. ”On the platform I look round; I know no one among all the people hurrying to and fro. A red-cross sister offers me something to drink. I turn away, she smiles at me too foolishly, so obsessed with her own importance: "Just look, I am giving a soldier coffee!"—She calls me "Comrade," but I will have none of it.” He is now aware of what she is
When people think of the military, they often think about the time they spend over in another country, hoping they make it back alive. No one has ever considered the possibility that they may have died inside. Soldiers are reborn through war, often seeing through the eyes of someone else. In “Soldier’s home” by Ernest Hemingway, the author illustrates how a person who has been through war can change dramatically if enough time has passed. This story tells of a man named Harold (nick name: Krebs) who joined the marines and has finally come back after two years. Krebs is a lost man who feels it’s too complicated to adjust to the normal way of living and is pressured by his parents.
The first area of symbolism in “Soldier’s Home” is Krebs false war stories. Krebs false war stories represents his need to cope with the realities of war. Krebs
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
nobody realizes how bad the soldiers actually have so he is forced to lie. He says “No,
He figured out that his personality had changed and realized that he now felt more mean. War changes people, with some changes being very dramatic and very quick. This is evident in the behavior of Norman Bowker, Bob “Rat” Kiley, and Tim O’Brien. These changes affected each person differently, but they all had dramatic changes to their personalities. These changes have very severe effects on each person.
...ien writes this story in a completely non traditional way and manages to create a whole new experience for the reader. He takes the reader out of the common true, false diameters and forces the reader to simply experience the ultimate truth of the story by reliving the emotional truth that the war caused him. Although this may be a bit challenging for the reader, it becomes much easier once the reader understands the purpose for the constant contradictions made by O’Brien. The difference between “story-truth” and “happening-truth” is that “story-truth” is fictional, and “happening-truth” is the actual factual truth of what happened. The “story-truth” is the most important when it comes to O’Brien, and understanding his work. It is meant to capture the heart and mind of the readers and take them on a journey through war with the O’Brien, as he experienced and felt it.
There is a major change in the men in this novel. At first, they are excited to join the army in order to help their country. After they see the truth about war, they learn very important assets of life such as death, destruction, and suffering. These emotions are learned in places like training camp, battles, and hospitals. All the men, dead or alive, obtained knowledge on how to deal with death, which is very important to one’s life.
...often times tragic and can ruin the lives of those who fight. The effects of war can last for years, possibly even for the rest of the soldiers life and can also have an effect on those in the lives of the soldier as well. Soldiers carry the memories of things they saw and did during war with them as they try and regain their former lives once the war is over, which is often a difficult task. O’Brien gives his readers some insight into what goes on in the mind of a soldier during combat and long after coming home.
Tim O’Brien’s ultimate purpose is to detract the fine line between fiction and reality. In order to fully grasp what a true war story consists of, the definition of true must be deciphered. O’Brien seems to believe that it does not need to be pure facts. Instead, it is mostly found in the imagination of the individual. Readers need to receive a story based on the truth in its overall purpose and meaning. It just needs to feel true. The author implies that it is not important whether the event actually occurred or not, because if the reader wants to believe it that badly, the feeling of truth will always be present.
Several stories into the novel, in the section, “How to tell a true war story”, O’Brien begins to warn readers of the lies and exaggerations that may occur when veterans tell war stories.
...has failed to help him deal with his inner emotions from his military experience. He has been through a traumatic experience for the past two years, and he does not have anyone genuinely interested in him enough to take the time to find out what's going on in his mind and heart. Kreb's is disconnected from the life he had before the war, and without genuine help and care from these people he lived with, and around all his childhood life, it's difficult to return to the routines that everyone is accustomed to.