Kiss Of Judas Analysis

546 Words2 Pages

1. The title of the work is La Cattura di Cristo (bacio di Giuda) aka Kiss of Judas, The dimensions of the work is 185 x 200 cm the work of art is located at Scrovegni (Arena) Chapel, in Padua, Italy. The date it was created is 1304-1306 and the art medium used is fresco Painting meaning that painting in which color pigments are mixed solely with water (no binding agent used) and then applied directly onto freshly laid lime-plaster surface. 2. There are 18 people in the foreground of the image and an uncountable number in the background. Jesus and Peter both have halos indicating their divine status, while Judas doesn’t. The people have a sort of bulky feel to them as well as very vibrant colored clothes. The contrast of

Show More
Related

  • Comparison of Masaccio's The Holy Trinity and Grunewald's The Isenheim Altarpiece

    958 Words  | 2 Pages

    The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a

    Read More

  • Miracle of St. Dominic

    354 Words  | 1 Pages

    The chosen art work is "Miracle of St. Dominic." This painting is a tempera on panel, painted by the Renaissance artist Taddeo di Bartolo, in the year thirteen sixty three. The painting is currently housed at the McNay Art Museum, measuring approximately 10" high by 10" wide. In this particular painting we are witnessing a miracle by St. Dominical. There are spectators and a horse that lays above the man in red, who St. Dominical has brought back to life.

    Read More

  • Jesus Of Nazareth Analysis

    470 Words  | 1 Pages

    Gerhard Lohfink, in his book, “Jesus of Nazareth” believes that Jesus’ person and ministry are intertwined, or actually one and of the same. After Lohfink clarifies the difference between the "reign of God" as distinct from the “Kingdom of God,” he asserts that in Jesus, there is this active, ongoing reign which is not only revealed, but is manifested in all He says and does. Lohfink states, that Jesus is “not just preaching about the reign of God, but He is announcing it,” going on to indicating that Jesus is manifesting this reign in His own self disclosure and the actions of His ministry. Jesus ways of teaching and interactions with others, is shown as compassionate, gentle, direct and personal, as well as definitive and bold. As we also find in Ch. 3, “All that is happening before everyone’s eyes. The reign of God is breaking forth in the midst of the world and not only within people.” (51) And for Lohfink, this is taking place in the actual preaching, actions and life of Jesus Christ. Simply, we are personally and collectively and actively a part of establishing this “reign” right here, right now. A “reign” of mercy, compassion, forgiveness, self-giving, sacrificial love, as well as of justice and peace.

    Read More

  • The Role Of Religion In The Lamentation With Saints And A Donot

    1578 Words  | 4 Pages

    Throughout the Renaissance, religion played a large role in the society. It was very common to make Christian-related paintings, for example, the crucifixion of the Christ or lamentations in late medieval Christ paintings at that time in order to spread the religion . Further explored by André Malraux, it is known within this period that art was made intentionally to tell a story, depicting a civilization through fiction, whereas their aesthetic value takes second place. One example that related to this argument is “The Lamentation with Saints and a Donor” by Bartolommeo Di Giovanni, a late Renaissance painting, made around 1480 – 1510 CE, a piece found in one ofs one of the collections at thein Art Gallery of Ontario Museum. This piece depicts

    Read More

  • Critique of The Raising of the Cross

    844 Words  | 2 Pages

    Looking across the entire triptych certain visual elements can be seen. Lighting is carefully used to highlight many important details in the painting; the dramatic facial expressions of many of the people in this scene are clearly lighted and defined to illustrate the emotions felt by the witnesses. In the left panel of The Raising of the Cross, among the mourners appear to be St. John, another man that seems to be consoling St. John, Elizabeth (the mother of John the Baptist), St. Mary (the mother of Jesus) and Mary Magdalene (hoocher.com). One of the mourners is actually looking directly at the viewer with a very distraught expression on her face. The mourner that I suspect is St. John in the back appears to be almost nauseous and his face is surrounded by darkness and is subordinate and his face is being emphasized. Also, the rocky background is subordin...

    Read More

  • Othello 7 Deadly Sins Analysis

    674 Words  | 2 Pages

    Shakespeare’s “Othello” categorizes multiple sins within this play. “Othello” has characters that represent specific sins of the Seven Deadly Sins. The characters, such as Iago, Roderigo, and Othello have sins such as envy, wrath, greed, and vanity that motivate them to commit acts of crimes. Iago is the root of all sins within this play, meaning he commits multiple sins. His envy and greed to become lieutenant motivates him to abandon his name of “honest Iago” and betray his own commander, Othello (Shakespeare). Roderigo is motivated through envy. His jealousy of Othello and Cassio cause Roderigo to become immersed within envy and driven to kill. Othello’s vanity stops him from believing Iago is a traitor and allows him to be tricked. His pride of his servants being completely honest betrays himself. This also drives his wrath onto killing his own wife. Sins such as envy, wrath, greed, and vanity manifest within these characters

    Read More

  • Theme Betrayal on “Flowering Judas”

    1566 Words  | 4 Pages

    Judas Iscariot, the disciple, hanged himself from a tree after betraying Jesus Christ and giving him a kiss. The tree in which Judas hanged himself is known as “Judas Tree,” mainly found in Southern Europe and Western Asia. In the short story “Flowering Judas” written by Katherine Anne Porter the title is related to this religious event of betrayal, murder, and denial. The two main characters in this short story are Braggioni and Laura. Braggioni is a cruel, powerful leader of Marxist revolutionaries in and around Mexico City. Laura is a beautiful American women, age 22, who took up residence in Mexico. Braggioni, Braggioni’s wife, and Eugenio also perform certain actions that make them betrayers, however Laura is Judas the betrayer in “Flowering Judas.”

    Read More

  • Judas At The Jockey Club Summary

    685 Words  | 2 Pages

    Judas at the Jockey Club, written by William H. Beezley, is used as a tool for those observing Mexico’s history during the Porfirian Era. This supplemental text addresses the social and political issues that were prominent during the Porfirian Era under the dictatorship of Porfirio Diaz; whose goal was to lead the modernization of Mexico. Porfirio Diaz was the president of Mexico in 1876; he made a false promise to resign in the Creelman interview in 1908 but did not officially resign until 1911. Beezley displays an analysis of the segregation between the common people and how they attempted to deal with an oppressive government. Judas at the Jockey Club is important to this Latin American course because of the extensive background Beezley provides to shed light on the tensions that allowed the socioeconomic gap to exist.

    Read More

  • Analysis Of Madonna And Child With Two Angels

    864 Words  | 2 Pages

    The theme can be generally recognized in this piece through color, space, and especially through use of light. The colors used in this piece are mostly calm toned, whereas the robes and shawls worn are pale blues, corals, and beiges. There are however, some harsh colored objects such as Mary’s navy blue shaul and deep coral gown, as well as Christ’s coral necklace that stand out from the rest of the colors. Mary’s veil and the angel on the lefts’ hair are translucent in certain streams of light coming from the windows throughout the room. The artists suggests that the light is dedicated not to represent the divine but to rather represent a more natural juxtaposition on the piece. The space that the characters stand in is fully used by the subjects but also has a very interesting doorway with heightened perspecti...

    Read More

  • Conditions of Trade, by Michael Baxandall

    1048 Words  | 3 Pages

    ... the way that the artwork is resembled in the religious background of the gospel but reconstructed in to a celebrating impression. Throughout the fresco painting it depicts the myth of the Christ’s three fold temptations relating back to the article that “distinction between fresco and panel painting is sharp, and that painters are seen as competitors amongst themselves discriminating also, between the difference in genuine attempts in being better then the other.” Baxandall, “Conditions of Trade,” 26. in relation, the painting concerns the painter’s conscious response to picture trade, and the non-isolation in pictorial interests.

    Read More

  • The Betrayal of Christ Depicted in the Italian Paintings by Duccio and Giotto

    945 Words  | 2 Pages

    In the two different depictions of the scene Betrayal of Christ, Duccio and Giotto show their different styles on how they compose their paintings. The first decision into the composure of the painting would be the comparison of the size of surface they chose to paint on. Duccio in comparison to Giotto chooses to work on a wooden panel no wider than a foot, and Giotto went with a plaster surface with a width of ten feet. This detail alone lets the viewer know that Giotto’s artwork is embedded in detail and visual consumption. The size difference is the factor between who see’s it and what they see; the fine details and symbolism of the narrative will be better understood if the viewer can see every detail.

    Read More

  • Virgin Child And Saint John Analysis

    866 Words  | 2 Pages

    The immediate background consists of natural mounds of dirt and a brick wall that enclose the Virgin, Child, and St. John, amplifying the protective effect that Mary’s figure has. The dirt mounds roll inward with a brick wall bordering them on the right, drawing the viewer’s attention towards the three figures. The background is painted in broad terms, with a simple, uniform depiction of tree leaves and smooth rock faces on the horizon. This contrasts with the fine-lined detail and texture of Mary’s hair, facial features, and veil, which further contribute to her elegance and highlight her

    Read More

  • “The Pieta” by Michelangelo

    1239 Words  | 3 Pages

    The Pieta as a master piece of work is an art sculpture of Michelangelo located within the Vatican City inside St. Peter’s Basilica and where as is described by to Fisher, it is not possible to see it from outside (2007). Made from only one piece of white marble from Carrara, it was created for the period of the years 1498 and 1499 taking two years to its completion. Among the greater variety of works by this artist, it is the first that was worked on bearing the same theme of pain and redemption combined with beauty s the final product. It is also the only one that bears his signature on the diagonal ribbon across Mary’s chest. Pieta ...

    Read More

  • Why Christian Icons are Considered to be Sacred Images?

    1085 Words  | 3 Pages

    Raphael. Madonna del Granduca. 1505. Oil on wood. 33 in. x 22 in. Palazzo Pitti, Florence.

    Read More

  • The Kiss Kate Chopin Analysis

    1035 Words  | 3 Pages

    If one choses to settle are they still winning? The “character contests” in “The Kiss” by Kate Chopin lead Nathalie to settle with the rich Brantain rather than Harvy, the man she loves. “Character contests” are what shape our daily life. Described by sociologist Erving Goffman, he argues that a “character contest” isn’t just an external conflict; “character contests” shape our perception of ourselves and others. Nathalie’s personal sense of identity is changed as an outcome of the character contests in “The Kiss” by Kate Chopin because of her failure to manipulate both Harvy and Brantain. Her decision to settle for Brantain reveals that she ultimately cares more about society’s perception of her rather than love.

    Read More

More about Kiss Of Judas Analysis

Open Document