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Filmmaking process
Filmmaking process
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Film music has changed since the 1933 original King Kong film, produced by Dino De Laurentiis. Both versions of King Kong are products of their ages. The original film is from the Golden Age era where sound film just began. As many film makers wrestled with the basics of sound films, the technique enhanced into a much more live affect. In the latest King Kong film, which was released in 2005, and produced by Peter Jackson, sound film was much more advanced when it came to the special affects. As I watched each film, I noticed how much has changed in the style, music and sound. Also film making has come a long way and developed into something more inevitable for audiences to watch and enjoy. As for the 1933 film, the sound track was composed by Max Steiner. Steiner’s music kept the feeling of escalating terror throughout most of the film and gave off …show more content…
In the 1933 film, the scene where the boat approaches the island, Steiner does not use any music. As for Howard, he uses music in that scene. Steiner’s music rises to the fantastical world of King Kong. While watching the 1933 film, Steiner blends the music in certain scenes. While my focus was on one sound, it switched which created a different mood or tone to the movie. Howard used similar techniques as the ship entered the fog and the drums started to become louder and louder. Both soundtracks from each film created a myth in the island scene. In other words, I was not sure what was going to happen. In a sense, I expected something to happen just because of the music. It kept me on my toes and made me listen more closely. On the other hand, the most significant difference between the two films is their portrayal of Kong and his relationship he had with Ann. Kong’s relationship with Ann changed the sound choice. So, the difference of Kong’s and Ann’s relationship in the two films, depicts what sound should have been used in certain
Tim Burton for his movie charlie and the chocolate factory also uses a lot of the same techniques like for the music and sound they use creepy Oompa loompa music.and they use digitized sounds in the parts like form the waterfall that made it so there's more sounds, than the kids and the part where the UFO with the chocolate makes the beam
The film elects to use a soundtrack comprised of only popular music from the 1970s. Frith writes, “The sociologist of contemporary popular music is faced with a body of songs, records, stars and styles which exists because of a series of decisions, made by both producers and consumers, about what is a successful sound” (Frith, 134). I reference this quote because it is important to note that this film was released in 1993. The people who are responsible for choosing the soundtrack have the luxury of knowing what music is able to ...
Classic stories remain a classic because they convey a message which appeals to people of multiple generations despite changes in society. King Kong was released in print in 1932, a year prior to its release in Hollywood, as a part of the film’s advance marketing. The public of this generation easily accepted the story’s racist, colonialist, and sexist themes. Today, literary critics such as Cynthia Erb view the novel and film as representation of the early 30s and thus a resource to understand the cultural context of the times. In particular, King Kong provides a window through which a modern audience can understand and interpret racism of the 1930s.
In the film the King of Kong, it is seen that there are many possibilities to creating a thesis statement related to a known film since 2007, but the movie encounters a few similarities regarding both of the main protagonist of the film. In the King of Kong, Seth Gorden used his abilities as a director to show the audience that even though Steve Wiebe and Billy Mitchell were or are still rivals, they still had a similarity of deep comprehensive intelligence, and the documentation of their supporters.
The music in Jaws is strange but very clever for the type of film, you
The pristine 1933 King Kong was constructed as a movie: to convey a story to entertain an audience. Peter Jackson’s 2005 remake took the substructure for King Kong and expanded upon it in virtually every way in order to “make again” the astoundment of the original for a modern-day audience. Audiences received the first King Kong very well. The stop-motion sequences of Kong were astounding for their time and the movie grossed over $90,000 in its beginning weekend. In order to bank upon its prosperity again, sequels were made and thus in 1976 a remake was made to amend upon the original. Paramount updated the movie to color, altered the story, and cast Jeff Bridges, a widely popular actor of the time, as the lead actor. Although the movie received stirred reviews, it did exceptionally well in the box office and tripled Paramount’s initial budget for the motion picture. Even though the movie wasn’t “as good” as the original, audiences still paid money to view it because of that hope that they would feel like they once did when they visually perceived the first King Kong. The remake add...
Alfred Hitchcock is possibly the most famous British film director of all time, regarding his massive success with the films he made in Hollywood. A skillful filmmaker deserved his reputation through famous films like “Vertigo”(1958) and “North by Northwest”(1959). Music used to create suspense was Hitchcock's specialty and these two films are great representations that display his unique style. Both films are composed by Bernard Herrmann and use music that functions in similar ways throughout scenes.
Cinema Du Parc is a reportery theatre that showcases independent films, whether it be arthouse or international cinema. It is located on Parc Avenue in Downtown Montreal, specifically inside a plaza filled with institutions such as cofee shops, grocery and clothing stores...
For my first screening report I decided to watch the film, King Kong. The original King Kong was produced in 1933 by Merian C Cooper and Ernest B Schoedsack. This film was an 1:40:15 in length and was full of some great actors and a great actress. Some of the actors/actresses included Fay Wray who played Ann, Robert Armstrong who played Carl, Bruce Cabot who played John, and Frank Reicher who played Captain Englehorn. Not only with these great actors/actresses, but also a great story line is what allowed this film to become a later success. What I mean by later is that King Kong did not win an Academy Award but later on it would be noticed for is production. The film has since received some significant honors. In 1975, Kong was named one of the 50 best American films by the American Film Institute, and, in 1991, the film was deemed "culturally, historically and aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry. In 1988, King Kong was also awarded by being ranked #43 on its list of the 100 greatest movies of all time.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
I chose to view the movie Lion, a movie based on the book A Long Way Home by Saroo Brierley. This movie is about a five-year-old boy, Saroo, living in a poor, rural area in India. Saroo convinces his older brother Guddu, to let him tag along and find work in a nearby city. Saroo ends up trapped and alone in a decommissioned passenger train that takes him to Calcutta, over 1,000 miles away from his home.
Films have been used as a means to articulate the Hong Kong identity. The idea of Hong Kong identity has been rooted into the mind of Hong Kong people through films. As films can show the uniqueness of Hong Kong, the attitude of Hong Kong people towards Hong Kong and reflect the current issues of Hong Kong, they articulate Hong Kong identity in these three ways.
One of the most beloved animated films of all times is without a doubt Disney’s The Lion King, for its emotional connections that viewers have with the many characters, popular musical numbers, and repeated quotes from the various characters and evil, good, emotional, and funny scenes. There are a wide variety of techniques used in establishing the themes in The Lion King, some of those include; the cinematography techniques, lighting techniques, and mise en scene techniques. The Lion King sets forth to take the viewer on a journey of coming of age of Simba, his connection to family, the role of society and class and ultimate struggle of good versus evil. It is the use of all these techniques that helped the creators and directors of The Lion
The introduction of sound to film started in the 1920’s. By the 1930’s a vast majority of films were now talkies. ‘If you put a sound consistent to visual image and specifically human voice you make a “talkie”’ (Braun 1985 pg. 97). In 1926 Warner Brothers introduced sound to film but, other competing studios such as FOX, didn’t find it necessary to incorporate sound to their motion pictures production, as they were making enough money through their silent movies. Warner Brothers decided to take what was considered a risky move by adding sound to their motion picture, a risk taken, as they weren’t as successful in the silent movie department. But this risk paid off with the hit release of ‘The Jazz Singer’ in 1927. Though sound in films was then acceptable and successful it wasn’t until the 1950’s that it became feasible to the public as sound was introduced to cinema by the invention of Cinerama by Fred Waller. The Cinerama used 35mm film strip and seven channels of audio.
The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.