In Katherine Anne Porter’s short story “The Jilting of Granny Weatherall” (rpt. in Thomas R. Arp and Greg Johnson, Perrine’s Literature: Structure, Sound, and Sense, 11th ed. [Boston: Wadsworth, 2012] 286-294) the main character is Granny Weatherall. She has lived a long and very independent life, and now she is having a hard time trying to grasp onto reality. She is constantly worried about what she is going to do tomorrow, which makes it easy for the reader to grasp onto what is going on throughout Granny’s life. Granny Weatherall has spent most of her life trying to face the fact that she was never married to her first love, George. She has never been able to let go of what has caused her hurt, which turns it into something that is bitter and sour. Throughout the story Granny Weatherall shows her independent side, how organized and hardworking she is, and how she dealt with her broken heart.
While reading the story, you first discover Granny’s independent side. She does not want the help of Doctor Harry that is there to
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She believed:
It was good to have everything clean and folded away, with the hair brushes and tonic bottles sitting straight on the white embroidered linen: the day started without fuss and the pantry shelves laid out with rows of jelly glasses and brown jugs and white stone-china jars with blue whirligigs and words painted on them: coffee, tea, sugar, ginger, cinnamon, allspice: and the bronze clock with the lion on top nicely dusted off (Porter 287).
To make sure the things were done, Granny Weatherall helped a negro boy help fence in her yard that was a hundred acres, by digging the post holes and clamping the wires herself. In which she believed that it would change a woman. This shows that Granny grew up in a Southern culture with all the hard work that she did. Granny knew what she had to do to get things done around her
To begin, Granny Weatherall is inherently a prideful controlfreak. Granny Weatherall is at her deathbed, facing everything she has staved off for so long. This and all other adversity she faces throughout the short story map out her true personality. For instance, she is full of pride. When that pride takes a hit, as it does several times throughout the short story she metaphorically hits back at whoever or whatever
From the very beginning of this story, it came to my attention that Granny continually repeats are "there's nothing wrong with me" and "that's for tomorrow.” This repetition, to me, shows two very important aspects about Granny Weatherall as a person – she’s stubborn and hardworking, yet procrastinates all the time. When she felt death come upon her on her bed that day, she wasn't expecting it. We know this because of the repetition of all that she needs to do and that she'll get it done tomorrow. At the same, who can blame her for not expecting it? I mean, who really expects to die every day they wake up? Sure, one knows they are going to die, but they don’t wake up planning it to happen that day. Aside from that, it stood out to me that Granny Weatherall didn’t fail to mention that she thought she was going to die once before during her sixties. From this near death experience, she somehow, in my opinion, allowed herself to think she was invisible and immortal simply because she managed to survive.
In the story, The Jilting of Granny Weatherall, written by Katherine Porter, Granny Weatherall is a character of depth. Her name is synomonous with her character. Three main qualities of her character are her strength, her endurance, and her vulnerability. Her strength is not so much physical but mental. She lies upon her bed contemplating all that she needs to do. Her daughter Cornelia does not even come close to handling affairs as well as she does in her own mind. In addition, she tell the Doctor Leave a well women alone...I'll call you when I need you. She does not like the patronizing position that she finds herself in. The fact that she has already avoided death once seems to add to her image of strength. As we follow her mental ramblings we obtain insight to her character as a woman that has endured heartache as well as hardship.
Porter, Katherine Anne. “The Jilting of Granny Weatherall.” Literature: Reading, Reacting, Writing. Fort Worth: Harcourt, 2000.
... mold of a traditional woman throughout her entire life. She set new standards for women regarding relationships. She dared to get divorces, to leave an abusive man, to leave a cheating man, to have a lover, even to marry a much younger man, but more importantly she dared to write about these controversial topics. Readers may get a sense of Granny's bitterness toward men, but they cannot ignore her strength and independence. Porter was a part of the "era of exuberance" because she played her role in the evolution of women. The answer to the question posed at the beginning of this paper is the same question women of the early twentieth century began asking themselves. This question became a choice for them. Porter chose to be strong because of her ability to move on, and by the time she became Granny Weatherall she knew she had achieved what she had set out to do.
Granny is having mental flashbacks as death approaches like "a fog rose over the valley" (1296). Granny recalls events throughout her life, from being left at the altar on her wedding day, to losing a child, to coming to grips with her own death as the story reaches a close. All of these recollections and the realization of her death bring together the great ironies of the story, ironies which cause not one but two jiltings for Granny.
The short story, “Astronomer’s Wife,” by Kay Boyle is one of perseverance and change. Mrs. Ames, because of neglect from her husband, becomes an emotionless and almost childlike woman. As a result, Mrs. Ames, much like John Milton in his poem, “When I consider how my light is spent” (974), is in darkness, unaware of the reality and truth of the outside world. However, the plumber who is trying to repair leaking pipes in her house, starts by repairing the leaking pipes in her heart. He helps her realize that the life she is living is not a fulfilling one. In short, to Mrs. Ames, “[…] life is an open sea, she sought to explain in sorrow, and to survive women cling to the floating debris on the tide” (Boyle 59). Similarly, in Flannery O’Connor’s short story, “Everything That Rises Must Converge,” the mother is also “cling[ing] to floating debris” (Boyle 59). She is trying to hold on to her old life, the one in which she is socially better than blacks and other women. But, like Milton and Mrs. Ames, she is soon forced to see the world in a new perspective. Thus, a new life is created for Mrs. Ames and the mother after their epiphanies, with the realization of a new world, one in which hard work and understanding can lead to change in one’s life and of one’s identity.
Ellen Weatherall from "The Jilting of Granny Weatherall" suffers from a state of demension throughout the story. Her thoughts and memories grow tangled and confused with age, causing her to live in the dark. ""Here's Doctor Harry." "I won't see that boy again. He just left five minutes ago." "That was this morning, Mother. It's night now. . .""(779 -780). Ellen Weatherall's troubled mind can compare to the demented mind of Emily Grierson. Emily experienced a high status life, but that high status brought her down. Since Emily could never date or really experience a normal life, she surrounded herself with darkness and shut herself off from the world. Her mind slowly warped itself, clouding her morals and better judgment. Emily, like Ellen Weatherall, experienced mental trauma that tormented their thoughts. Ellen lost her child Hapsy and lost her fiance George, while Emily lost her father and eventually Homer Barron. While Ellen expressed her regrets during her mental turmoil, "There was the day, the day, but a whirl of dark smoke rose and covered it, crept up and over into the...
Alice Walker’s “Everyday Use” is a short story about a mother and two very different daughters set in rural Georgia during the late 1960’s. The plot is centered around on the two daughters, Dee and Maggie, and focusing on the differences between the two and who will gain possession of two hand-made quilts that are seen as a coveted trophy by Dee and are viewed as everyday items Maggie. The final decision of which daughter ultimately receives the quilts will be made by Momma Johnson. Momma, who is never given a first name in the story, is a strong black woman with many man-like qualities. “In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day.” (DiYanni 744) Momma is a tough woman and has had to be both father and mother to the daughters although the story never comments on the absence of the father. The story revolves around a visit home by Dee who has been away at college and has recently discovered the true meaning of black heritage with her adoption of ideas and practices from black power groups while simultaneously rejecting her own upbringing. Upon arriving home, Dee announces that she has changed her name to “Wangero” in defiance of her white oppressors and to embrace her newly found African heritage with a more appropriate black name. Dee and Maggie are complete opposites in appearance, education and desire to escape their childhood surroundings. Maggie has little education and no noticeable desire to improve her situation and prefers to be left alone in the shadows where she can hide her physical and emotional scars from a house fire when she was a child. Hand sewn quilts become the objects of Dee’s desires; objects ...
“The Jilting of Granny Weatherall” is a short story written by Katherine Anne Porter in 1930. This short piece of literature depicts a story of the life of an old woman, fraught by the untimeliness and inevitability of aging, and the destruction, as well as constant degradation, of her age. The diminution of quality of life for an elderly person is evident through the protagonist’s age and ability, as well as the actions of herself and her companions. There are social, historical, and cultural characteristics exemplified in “The Jilting of Granny Weatherall” such as the role women played in society, the life of an elderly woman, respect of the elderly, and jilting. All of these aspects are utilized throughout the short story to aid readers in understanding the importance of a “jilting” in a young woman’s life during this time period, and to demonstrate the effects it can continue to leave through the remainder of her days.
She is worried that the unstoppable persona she has presented to her children will be demolished if they find those letters. This is further proven in the short story when she scorns her daughter, Cornelia, for “thinking she was dumb, deaf, and blind” (454) after she overhears Cornelia telling her husband that Granny Weatherall was acting like a child and they would have to humor her for the time being. She is already beginning to live out her nightmare. Cornelia, Granny’s least favorite child, pities and tries to humor her. It is only logical for someone with as much pride as Granny to try to control the situation. To elaborate, Granny Weatherall is also a control freak. She beats every threat that comes her way into silence and throws it to the farthest corners of her mind. For example, when faced with the thought of her demise, she rationalizes, “thank God there was always a little margin over for peace: then a person could spread out the plan of life and tuck in the edges orderly” (453). Though on her deathbed, she assumes she cannot die because she is not prepared for death. Metaphorically, she is telling God that she is in control of her fate. Therefore, she believes she
She initially tells the young doctor: “Get along now, take your schoolbooks and go. There’s nothing wrong with me” (Porter 673). Denial is one of the first stages of the acceptance of death. It is described as “an ego fight/flight defense against the harness of realities of dying” (Stillion & Attig 7). By denying the fact that it’s her time to pass on, she doesn’t have to try to grasp the complex concept of mortality. It’s hard to accept the fact that one isn’t going to live forever. Although Granny is saying she’s fine, she clearly isn’t. Moments after she proclaims that there isn’t anything wrong with her, Porter writes that “her bones felt loose, and floated around in her skin, and Doctor Harry floated like a balloon around the foot of her bed” (Porter 673). Granny is hallucinating, and probably floating in and out of
Moody’s position as an African American woman provides a unique insight into these themes through her story. As a little girl, Moody would sit on the porch of her house watch her parents go to work. Everyday she would see them walk down the hill at the break of dawn to go to work, and walk back up when the sun was going down to come back home. At this time in her life, Moody did not understand segregation, and that her parents were slaves and working for a white man. But, as growing up poor and black in the rural south with a single mother trying to provide for her family, Moody quickly realized the importance of working. Working as a woman in the forties and fifties was completely different from males. They were still fighting for gender equality, which restricted women to working low wage jobs like maids for white families. Moody has a unique insight to the world of working because she was a young lady that was working herself to help keep herself and her bother and sister in school. Through work, Moody started to realize what segregation was and how it impacted her and her life. While working for Mrs. Johnson and spending the nights with Miss Ola, she started to realize basic di...
She would not have grieved over someone she did not love. Even in the heat of her passion, she thinks about her lost love. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked safe with love upon her, fixed and gray and dead. Her love may not have been the greatest love of all time, but it was still love. Marriage was not kind to Mrs. Mallard, her life was dull and not worth living, her face showed the years of repression.
One example of her works is a short story titled, “The Jilting of Granny Weatherall.” In this, Porter tells the story of a woman being jilted at the alter, jilted by her children, and jilted on her deathbed. As Ray B. West, author of Twentieth Century Literary Criticism, writes, “Miss Porter 's experience, then, is not only of the fixed, almost absolute, values of Southern society, but also of our relationship to them in the face of a history of movement and of change.” This is evidence that although her writings may be based on the past social norms of the twentieth century, the lessons and values exposed are still relevant today, decades after she has died. Porter’s method of composition is to write from memory. “When an incident strikes her as having meaning, she makes a note; as details accumulate, she adds other notes.” (West 1). At some point in the process, all of the individual details seem to merge into a pattern. After gathering and grouping all her notes together, she sits down and writes the short