Love is one of the fundamental pillars of the human experience. All people have experienced love, and many of their actions are fueled by it. Although it is most commonly associated with positive things, it can also be a negative force. Authors Hermann Hesse and Shakespeare study this complex nature of love through their works; Hesse through his novel Siddhartha and Shakespeare through his play Macbeth. Siddhartha loves his son and sacrifices that love, while Lady Macbeth loves her husband and sacrifices her own womanhood. Siddhartha in Siddartha experiences the pain of love and sacrifice through his son with Kamala. Shortly after Kamala dies, his son runs away, and “he felt a deep love for the runaway boy, like a wound, and yet felt at the …show more content…
When she first hears of the prophecy the witches have given her husband, she says, “Glamis thou art, and Cawdor, and shalt be/What thou art promised” (Shakespeare I.5.14-15). When Macbeth later has doubts about killing Duncan, she tells him, “How tender tis to love the babe that milks me:/I would, while it was smiling in my face,/...dashed the brains out, had I so sworn as you/Have done to this” (Shakespeare I.7.55-59). Lady Macbeth never mentions being queen but only of Macbeth being king; she is even willing to sacrifice her children and by extension, her role as a mother and a woman in Shakespearean society, in order to realize his ambitions. Shakespeare weaves into the play a convoluted version of love and sacrifice; Lady Macbeth is as devoted to her husband as one can be, but their ambitions have become so tangled that it becomes hard to tell whether she loves him or herself. Siddhartha’s love frees him while Lady Macbeth’s blinds her. They both sacrifice their role as a parent, but Siddhartha’s sacrifice is rewarded with enlightenment while Lady Macbeth’s sacrifice is met with death. From these works, the audience learns that love is something experienced by everyone; however, whether one grows from it or allows it to consume them is a choice they must
The beautiful courtesan, Kamala, taught Siddhartha the importance of love along with the pleasures of it. While in the town of Samsara, he was introduced to a life of luxuries by her. She taught him how to please a woman and how to keep her satisfied. He also learned how to gamble and the art of running a business from her friends. Although Siddhartha felt moments of joy, nothing fulfilled the longing in his soul. Over the years, one of the more important lessons he gained from Kamala was that he could have this life of pleasurable things and yet still yearn for a deeper meaning in his heart.
His "wounds" heal, losing the attachment he had for his son. Siddhartha merges into Unity ; he attains his ultimate goal.
The second step of Siddhartha's journey is realizing that although he has knowledge, knowledge is not enough without experience. Experience can be gained through practicing knowledge. Also he realizes that thought and sense must be used together to find the way. He meets with Kamala whose beauty and intellegence overwhelms him. Kamala's observation and sensitiveness help Siddhartha to develop his sense of love. To paid for her lectur, he has his "think, wait, and fast"(chapter 5, page 46). With Kamala's help in another lecture, he gains the combination of the simplicity and intelegence.
During this period-the realm of the mind, Siddhartha actively sets about letting the self die, escaping his Self. This attempt reaches its most concentrated form during his stay with the ascetic Samanas, during which he discards all material possessions and tries further to flee his own body and control his other needs. This is shown when he says, "He killed his senses, he killed his memory, he slipped out of his Self in a thousand different forms." S...
Siddhartha grew up near a river as a Brahmin, though he gives his offerings spiritually, he becomes unsatisfied with the life that he is living. His life is too simple for him. “He brought joy to all,...But Siddhartha did not bring joy to himself.”
After Lady Macbeth reads his letter and Macbeth arrives home, she is excited about becoming queen. She asks Macbeth when King Duncan is to be arriving and tells Macbeth to leave the plan up to her, his only job being that he has to look innocent and hide their true intentions. Macbeth seems to be stunned and nervous, telling his wife that they will talk later when she begins to tell him of her plan. In the seventh scene, at the castle, Macbeth speaks of the intense guilt he is feeling even before he is to kill Duncan; “… this even-handed justice/ Commends the ingredients of our poisoned/ Chalice to our own lips…” (1. 7. 10-12) (Shakespeare), “… He’s here in double trust…” (1. 7. 12) (Shakespeare), “… Besides, this Duncan/ Hath borne his faculties so meek, hath been/ So clear in his great office…” (1. 7. 17-19)(Shakespeare) all express Macbeth’s discomfort with murdering Duncan to steal the throne. Not only does he convey these emotions during this monologue, but he does so when Lady Macbeth enters the room, saying “We will proceed no further in this business./ He hath honored me of late, and I have bought/ Golden opinions from all sorts of people…” (1. 7. 32-34) (Shakespeare). To respond to this, Lady Macbeth does what she does best: emasculating her husband. She first articulates her questioning of his manhood after she reads Macbeth’s letter in the first act when she says “Yet do I fear thy nature;/ It is too full o’ th’ milk of human kindness…” (1. 5. 2-3) (Shakespeare), which contrasts with the heroic description the dying Captain gives of Macbeth in the opening scene. After Macbeth tells his wife that he is calling off the plan to kill King Duncan, she
Siddhartha experiences mental pain in the second half of his life when he begins a contrasting existence of pleasure, and then again when he meets his only son.
Lady Macbeth takes the role of the dominant partner in the beginning of the play, by acting as the real power behind the throne. For example, it is easily recognized that Macbeth and Lady Macbeth are opposite in many ways (Scott 236). He is weak, indecisive, and takes on the traditional female role of the marriage; she is strong, decisive, and takes on the traditional male role. One place in the play where Macbeth’s character is shown is Act I, Scene 5, Lines 15-17. She says, “Glamis thou art, and Cawdor, and shalt be / What thou art promis’d : yet do I fear thy nature / Is too full o’ the milk of human kindness.” This is just after Lady Macbeth receives the letter from Macbeth. It is also important to notice that when Macbeth’s first thoughts of killing Duncan appear, he is scared. After he commits the murder, Macbeth says, “To know my deed, ‘twere best not know myself ” ( 2. 2. 72 ). Knowing that he has committed such a vile act makes him uncomfortable. It will be difficult to act innocent and deal with his guilt.
Siddhartha starts to get over the leaving of his son by learning the secrets of the river from Vesudeva. He understands the unity that Gautama taught, through the river. He learns 3 secrets from the river: time doesn’t exist, the river is always the same and the river has many voices. The world is like this river, eternal and whole. Now that Siddhartha can really listen to the river too, Vasudeva reaches Nirvana, and he leaves the river with Siddhartha and moves on. Govinda hears about a ferryman and goes to find him. He doesn’t recognize Siddartha and asks for help to achieve enlightenment. Siddhartha says that everything is part of a whole and is always in the present
In the beginning of the play Macbeth showed his love for Lady Macbeth in many different ways. He told her his feelings toward her "My dearest love" (act I, scene v, l 58). Macbeth listens to what Lady Macbeth has to say, and takes her advice into consideration every time he makes a decision. He also has great love for her and tries his best to make her happy no matter what it takes. Lady Macbeth convinced Macbeth that he wasn't a man unless he went through with the murder of Duncan. She threatens his manhood by saying
Macbeth's desire to become king is strongly supported by his wife, Lady Macbeth. Lady Macbeth is a highly ambitious woman who, like her husband, is willing to do anything to obtain power. Shakespeare uses a series of imagery to vividly portray the desire for power in Lady Macbeth's soliloquy: “Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty!” To achieve her ambition, Lady Macbeth urges Macbeth “to catch the nearest way.” This means she wants him to kill Duncan so that he can become king. However, she fears that Macbeth is “too full o' th' milk of human kindness” to “catch the nearest way.” When Macbeth is reluctant to kill Duncan, Lady Macbeth starts attacking his masculinity. “Then you were a man,” she said. Lady Macbeth also uses the power of emotional blackmail to manipulate Macbeth into killing Duncan.
Initially, when her character is introduced, she displays her masculine traits with complete disregard for any form of femininity. She commands the heavens in these lines, ”Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty.”(1.5.30-33). In this, Lady Macbeth sheds any attachment she has to her natural embodiment as a woman, and asks the supernatural to help her in her quest to power. It is clearly shown that Lady Macbeth yearns to achieve ambitions that weren’t considered womanly in the time period that this play is set in. As a consequence, she pushes her husband to fulfill her horrendous dreams, because she knows that she will not be affected if Macbeth fails to execute his plans. If Macbeth gets caught, then she remains blameless, and if he doesn’t, she becomes a queen. Either way she doesn’t get hurt. Nonetheless, Lady Macbeth hides another aspiration, one which is evidenced from her humane actions. As a loyal companion to Macbeth, Lady Macbeth wants to ensure that her husband achieves his dream, to be king, at any cost, even if that means sacrificing her femininity and humanity. Generally speaking, this unique perspective on Lady Macbeth shows that her demeaning of Macbeth’s masculinity is actually a display of her true feminine traits; to always support her husband regardless of the price. Lady
Lady Macbeth is a very loving wife to Macbeth and she wants to do anything she can for him to achieve his goals. She just takes it a little too far, and she puts too much pressure on Macbeth to commit crimes that he is not sure he wants to do. After Macbeth sends her a letter about the witches’ premonitions, Lady Macbeth is no longer the sweet innocent lady we expect her to be. She turns into a person who is just as ambitious as her husband and she wants to do whatever it takes to help him get Duncan out of the way. She even goes to the point of calling Macbeth a coward, and mocking his bravery when he fails to complete the job. She is even willing to do it herself (plant the bloody knife with the guard). Lady Macbeth is constantly putting the pressure on Macbeth to do things that he is not sure about. She almost turns into a bully who dares Macbeth to go out and do evil things. She even says in a soliloquy that she wants to be released of all her morals and values so that she can help him commit these crimes.
In the play “Romeo and Juliet”, Shakespeare shows that love has power to control one’s actions, feelings, and the relationship itself through the bond between a destined couple. The passion between the pair grew strong enough to have the capability to do these mighty things. The predestined newlyweds are brought down a rocky road of obstacles learning love’s strength and the meaning of love.
Lady Macbeth is one of the most compelling characters who challenges the concept of gender roles. Her relationship with Macbeth is atypical, particularly due to the standards of its time. Lady Macbeth becomes the psychologically controlling force over her husband, essentially assuming a masculine role, in order to inspire the aggression needed to fulfil his ambitions. Through her powerful taunts and persuasion, Lady Macbeth convinces her husband to murder the king and to take his throne. She emasculates over her husband repeatedly, knowing that in his desperation to prove his manhood, he will perform the acts she wishes. In Act 1, Scene 5