In one of the first scenes of Juno, the young Juno walks into a convenience store
- Walks to store to take pregnancy test, the sun is shining and the lighting is shown to portray a more of a happier emotion, the audience does not know what is about to happen,
- In the bathroom it is dark and gloomy, dirty looking, while she is taking the test
- With the use of a darker setting it shows trouble with the characters emotion.
- Being a dim low key lighting it shows the feeling of juno being under pressure and nervous of the test
- In atonement when briony is meeting Robbie in the field to get the letter , it is a very bright lighting which portrays a warm summer, it is a more relaxed environment
- This use of bright lighting could show a happiness in how briony feels meeting with Robbie
- When she reads the letter , its almost
…show more content…
- In this scene, the camera uses close up shots of Juno sitting on the toilet, the image of the pregnancy test and also her facial expressions.
- These close ups give the viewer a more intimate relationship with juno and how she is feeling
- Also makes the viewer feels more sympathetic for juno, with how the scene is shot in a close and personal way.
- In atonement, the camera angle is used differently in the scene of Briony opening the letter and realizing how her crush feels about her sister.
- This scene starts with a close up of Briony hands ripping open the letter Robbie wrote, giving a more dramatic sense to what is inside the letter.
- Also using a close up of Briony ripping open the letter, the viewer starts to feel a sense of aggression Briony has towards the letter
- The words used in the letter are in an extreme close-up shot, so that the audience can see what Briony is seeing, and to know exactly why, in the upcoming scenes, Brionys emotions overcome her sense of doing what is
In the biographical film Mabo the Audience is positioned by the filmmakers to see Eddie Koiki Mabo as a hardworking, tenacious and strong man.
She begins to tear strips of the wallpaper and continues to do so all night until morning yards of the paper are stripped off. Her sister-in-law Jennie offers to help, but at this point the narrator is territorially protective of the wallpaper. She locks herself in the room and is determined to strip the wall bare. As she is tearing the wallpaper apart she sees strangled heads in the pattern shrieking as the wallpaper is being torn off. At this point, she is furious and even contemplates jumping out the window, yet even in her euphoric state, she realizes this gesture could be misinterpreted.
In the first paragraph the scene is set and there is a contrast in the
This also makes the end of the scene seem more emotional as we see the
Miss Brill does not talk at all in the story so being told what she is thinking tells us a great deal about her problems and personality. Miss Brill suffers from loneliness, and to ease the pain from this she constantly judges the people she sees in a harsh way and she views herself in a superior sense to them. Miss Brill even describe these people as being “all on the stage…they weren’t only the audience, not only looking on; they were acting” (45). Knowing this is essential because it tells us just how much she criticizes all these people and enjoys their
In The short story There will come soft rains the author sets the mood of the passage by describing the readers about how if you looked outside at night the city would glow a radiation green and amongst
Beginning: The doctor is introduced to the sick child and he is really suspicious of her. He thought she had a fever with what she looked like.
A sidewalk with trash aligned to it can be seen. The whole neighborhood is lit up, and the morning sun rise can be seen from the background. A lady wearing ragged clothing is carrying a baby and has her backpack on. A tracking shot of the lady continues from behind, she’s struts down the sidewalk until she reaches a door with yellow and blue letters “Daycare.” She rings the doorbell “It’s Maria.” A sound of a click and a door opens. The lady enters into a room filled with baby cribs and toys of stars and rockets attached to the sealing. One crib is three-point lighted. A close up of the baby’s sleeping face is shown in the mother’s arms and the camera zooms out a little. Both the mom’s face with eye bags and baby’s sleeping face is visible. The mom gently places the baby into the crib and says “sleep well.” A low angle camera shot from the baby’s crib shows the mother leaving, and closing the door. The baby starts to cry, and the mother opens the door, and from a POV of the baby the mother’s face is completely visible again. The camera cuts to a mid-angle medium shot and the mother begins to sing a melodic
Similarly, effective use of lighting also allows for differentiation between the two classes. Jacquot uses bright fill light in scenes in both inside and in the courtyard to express the opulence and superficial serenity of the royal family. On the contrary, cameo lighting is used in the quarters where Sidonie sleeps where a small window...
An example of this is the scene of Vickie in the pool. The light shines on her, showcasing her beautiful face,platinum hair and uses slow motion and zoom to focus in on her sexy legs gently kicking in the water. It draws our attention to her in the same way Jake is staring at her lustily taking in her beauty. Throughout the film I felt Vicki was always portrayed light and brighter giving us the idea she is the one good thing in Jake’s life. In the fight scenes , the high contrast lighting focuses our attention on Jake. The crowd is always shown darker and more
It is equivalent to a painter’s brush or a sculptor’s chisel. Directors use the camera to create their masterpiece, which requires extraordinary talent and skill. Placement and movement of the camera in this film provide the viewer with preconceptions about the narrative and provide the viewer a place to insert themselves in the story. Throughout the film, especially in the analyzed sequence, the audience’s point of view is solely through the camera. Unlike in other films where the viewer may obtain a character’s point of view, this film makes a point of showing the film through the camera’s eye. In the second shot of the sequence, the camera is placed at a distance from the action of the scene; the very long shot of this scene elicits a voyeuristic feeling. The audience’s point of view comes from the camera and it is like you are spying on Alma. The camera’s position in the trees and the lack of movement aids in the voyeuristic undertones of this shot; the camera remains stationary out in the trees, even when Alma goes inside to first fetch the broom and the dustpan and then again when she goes inside to put them away. In a shot and sequence that both contain so much movement, the camera is relatively stable, which is what allows for the audience’s interpretation that you are spying on Alma, that you are not supposed to be there or witness her actions. The choice of camera distance and angle were thought out decisions and as previously proven, affect the way that a scene or shot is
In Bruges employs a medium close-up while the two main characters are being introduced. As they float down a canal in Bruges, the camera executes a shot and a reverse shot between Ken and Ray. This scene is one of the very first interactions the audience sees, and it occurs within the first five minutes of the movie. The exposition period is critical because it
Which is what Briony has done in the second part of the novel, where McEwan purposefully
and the camera work portrays Nina’s overall state of mind. The camera is almost as
Because Briony is narrating the story from multiple points of view, her construction of events is slightly unreliable. Though she is clearly a sane individual while writing her novel, the events she