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How does shakespeare show ambition in julius caesar
Essay about julius caesar character
Essay about julius caesar character
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The play of Julius Caesar is mainly about how the idealism of Marcus Brutus leads to his downfall. Brutus is too quick to trust Cassius and the other conspirators, and does not clearly examine their intentions. The conspirators intentions is the driving force to Caesar’s death. The actions that Cassius takes to get Brutus on his side is to only get Brutus to talk to the people; for he “sits high in the people’s hearts” (1.3.159). The love that Brutus has for his Romans is his biggest weakest of all. Ironically, his role in the play is to convince the people that Caesar’s intention was ambition, which he fails at. Instead, Caesar's friend, Anthony, wins the crowd over by convincing the crowd that Caesar was not ambitious. The mistakes that leads …show more content…
He is unable to see through the roles being played by Cassius, Casca, and Antony, and trusts everyone. Although Brutus is supposed to be intelligent, he does not recognize the bogus letters as having been sent by Cassius (2.1.32-34). Throughout the play, it is obvious that Cassius is envious of Caesar and manipulates Brutus to become powerful. Cassius draws comparisons between Caesar and Brutus instead of Caesar and himself (1.2.135-147). Again, Brutus would not suspect Cassius to manipulate him because he trust him. Another fault of Brutus is that he underestimates Antony as an opponent, and he loses control over the discussion at the Capitol following the assassination by meeting Antony's requests too readily. When he spoke to the crowd he did not get emotion out of them as much as Antony did. He thought that killing Caesar was the right thing to do and would win over the people easily. Brutus didn’t explain to the crowd why Caesar’s ambition for he simply neglected to figure out …show more content…
"Ambition in Julius Caesar." McClinton-Temple, Jennifer ed. Encyclopedia of Themes in Literature. New York: Infobase Publishing, 2011.Bloom's Literature, Facts On File, Inc.
Fleming, William H. "Julius Cæsar." Shakespeare’s Plots. New York: Putnam, 1902. 232-318. Rpt. in Shakespearean Criticism. Ed. Lawrence J. Trudeau. Vol. 170. Farmington Hills, MI: Gale, 2016. Literature Resource Center. Web. 19 Apr. 2017.
Honigmann, E. A. J. "Sympathy for Brutus." Shakespeare: Seven Tragedies Revisited: The Dramatist's Manipulation of Response Houndmills, UK: Palgrave, 2002: 30–53. © 1976, 2002 by E. A. J. Honigmann. Quoted as "Sympathy for Brutus" in Bloom, Harold, ed. Julius Caesar, Bloom's Shakespeare Through the Ages. New York: Chelsea House Publishing, 2007.
Adney, Karley K. "Marcus Brutus." In Baker, William, and Kenneth Womack, eds. The Facts On File Companion to Shakespeare. New York: Facts On File, Inc.,
Clark, W.G., and W. Aldis Wirhgt, eds. The Complete Works of William Shakespeare. Vol 2. USA: Nd. 2 vols.
Brutus has a naive view of the world. He is unable to see through the roles being played by Cassius, Casca, and Antony. He does not even recognize the fake letters were sent from Cassius. Then Brutus says,“You shall not blame us Antony, in your funeral speech, but speak all the good you can of Caesar.
Throughout most of the play Brutus is constantly internally conflicted. Does he do what he believes is best for Rome or stay loyal to his friend and leader? Should he assist in the murder of one person to benefit many? Although killing Caesar was in the end a bad choice, Brutus always tries to do what is best for Rome and for the people. However even though all of Brutus’ motives are good he still has the tragic flaw of pride, which ultimately leads to his downfall. The reason that Brutus gets caught up in the conspiracy is because Cassias appeals to his pride and flatters him with forged letters from the Roman people saying he is a greater leader then Caesar.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
In the beginning of the Book Cassius uses anecdotes of Caesar’s weakness and faults, argumentum ad antiquatum, and ethos on Brutus to persuade him to join the conspiracy to kill Caesar, this works on Brutus and shows that anyone, even people as stoic as Brutus, can be persuaded by appealing to their motivations. Cassius, a very suspicious character thru ought the play tells Brutus to “be not jealous on me” (827), in the quote he tells Brutus to not be suspicious of him because he is just a friend who genuinely cares. Cassius does this to put himself on Brutus’ side and not seem like a distant person, this allows him to criticize Caesar and suggest that he is a bad influence on Rome which appeals to Brutus’ desire to keeping Rome safe. After setting himself up as a friend to Brutus, Cassius uses harsh anecdotes on the weakness of Caesar to show that he isn’t fit to rule Rome. Cassius recollects on a time when he and Caesar went swimming in the river Tiber and Caesar screamed “Help me, Cassius or I sink” (828) to de...
The second flaw is Brutus’ poor judgement. His judgement is taken advantage of by Antony. The first sign of this is when Antony talks Brutus into letting him speak at Caesar’s funeral. Another example of Brutus’ poor judgement is how Brutus thinks that Antony could cause no harm to the conspirators and their plan. The judgement Brutus made when he let Antony speak at the funeral was the turning point of the play and it led to the conspirators downfall. Brutus’ final act of poor judgement was when he decided to attack Antony and Octavius at Philippi. This decision lead to many deaths’s including his.
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
This presents his first major mistake. Brutus says, ” Not that I loved Caesar less, but that I loved Rome more” (3.2.23). In this speech, Brutus makes it clear that he loves Rome and that he would do anything to protect the Roman Empire. When he joins the conspiracy, he ignorantly allows himself to be misled by Cassius into thinking that numerous people joined the conspiracy. Cassius does this by throwing letters into Brutus’s window, which seem to be signed by several citizens. “Brutus interprets the letters as a protest against Caesar” (2.1.47). In this scene, Brutus thinks that the citizens agree with his plan. But what he fails to understand that it is Cassius whom sent him the letters. Even though Brutus questions Cassius, “Into what dangers would you lead me, Cassius?” (1.2.70) Brutus still mistakenly trusts Cassius while at the same time sealing his death
Brutus’s loyalty to Rome is used by Cassius to effectively manipulate Brutus. In the beginning of the play, Brutus is troubled by the idea of Caesar becoming ruler of Rome. Having a dictator in power would destroy the Republic; however, Brutus doesn’t want Caesar to be harmed. His ideas drastically change when Cassius comes to talk to him.
Cassius goes as far as to convince Brutus to join the conspiracy which has the ultimate goal of killing Caesar. When Cassius overhears Brutus saying that he doesn’t want “people choosing Caesar as king,” he takes this as an opportunity to enlist him as an ally for his conspiracy (1.1.79-80). This is similar to when people befriend the smart person in class to obtain help from them, they take advantage of a relationship to work to their advantage. In this process Cassius finds out that Brutus prioritizes honor and uses this to his advantage knowing that he can manipulate Brutus through that when he says, “Thy honorable mettle may be wrought from that it is disposed” (1.2.309-310). Not only does his manipulative nature make him a threat, but Cassius is fueled by the worst emotion a human can feel:
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Initially, Brutus was wary of Cassius when Brutus said, “Into what dangers would you lead me, Cassius?” (1.2.69). Subsequently, Brutus is persuaded as he states, “.what you have said / I will consider” (1.2.176-177). Cassius is willing to control any person who stands in his way. Cassius successfully turned Brutus against his best friend in order to achieve what Cassius believes to be best for Rome.
Both Cassius and Brutus conspire against Caesar, yet Shakespeare depicts Brutus as doing a noble job compared to Cassius as doing a greedy and envious task. Cassius believes that he is stronger than Caesar. Therefore, Cassius does not understand why Caesar is in power and he is not. Cassius is also envious of Caesar. In Act I Scene II, Cassius describes to Brutus the time he had to save Caesar in a swimming race. Since then, Cassius feels superior to Caesar. In Cassius’ mind, kings’ right to rule should be based off of strength, not intelligence or virtue. On the other hand, Brutus knows that although a king should be strong, he must also be virtuous. Brutus always elaborates on the topic of honor. In fact, his first priority is to keep his own honor intact and Brutus fears that Caesar will change when he is crowned. Brutus says, “He would be crowned: How that might change his nature, there’s the question.” (Act II, Scene I, Page 49, lines 12-14) He senses Caesar’s greed for power, and ...
Motivation can cause people to work hard and win a state championship, but it can also cause people to kill. Motivation can be defined as an internal state of a person that drives them to action for the purpose of reaching a target goal. William Shakespeare’s Julius Caesar is a tragic drama that shows a huge variety of the different motives that fuel each character. Readers see what motivates each character, and how far that motivation takes them. Whether they are motivated by malice, jealousy, revenge, or loyalty, each character has their own incentives for their actions. Whatever motives they may have, readers see how these motives drive Cassius, Brutus, and Antony to extreme measures, and how this leads to tragic deaths in the end.
Hunter, G.K. "Shakespeare and the Traditions of Tragedy." Wells, Stanley, ed. The Cambridge Companion to Shakespeare Studies. Cambridge: Cambridge UP, 1994.