Have you ever been in the position where you felt as if none of your peers understood you, or maybe that you were an outcast, and wasn’t like the others? Joy Hulga, who has a PhD in philosophy, felt as if she was smarter than everyone else, even her mother, Mrs. Hopewell. The author writes, “Joy had made it plain that if it had not been for this condition, she would be far from these red hills and good country people. She would be in a university lecturing to people who knew what she was talking about” (O’Connor 3). Those good country people didn’t know near as much as Hulga, well at least that’s how Hulga felt. Flannery O’Connor’s theme in this short story revolves around man’s arrogance in thinking that he knows it all, and is communicated …show more content…
Hulga didn’t believe in faith and religion, she felt as if there was no such thing. O’Connor writes, “In my economy,” she said, “I’m saved and you are damned but I told you I didn’t believe in God.” (7) Joy Hulga knew she was smarter than her peers, but Manly Pointer proved her wrong by out smarting her and manipulating her. Manly Pointer made Hulga believe he was a Christian bible salesman, in which he wasn’t, he was a manipulator. Hulga went up into the tree with Manly, where he made her tell him she loved him, kiss him, and even take off her leg for him. At this point Hulga, the thirty two year old philosophy major, had been manipulated by a nineteen year old young man. Therefore, if Joy had some type of faith instead of being so arrogant and believing in her knowledge of science, things may have went differently with the so called Christian young man.
Flannery O’Connor teaches a lot of lessons in Good Country People that can be applied to anyone’s everyday life. O’Connor gives perfect examples and reasoning on why people should have faith and believe in some type of religion. She also teaches the lessons that people should have an open heart and see beyond themselves and their beliefs, instead of being so arrogant and thinking they know it all. Identity, symbolism, and reality was communicate in this story’s theme, which revolves around man’s arrogance in thinking that he knows it
Joy/Hulga has two items that are used alternately to describe her, the eyeglasses that counter her weak eyes and are a sign of her intellectuality, and the wooden leg that she wields through sound and appearance as a weapon against her mother’s solicitude. When Manley Pointer removes her glasses and steals her wooden leg, she is left totally weak and vulnerable. The Bible salesman himself uses the illusion of Bibles as a symbol. He has claimed to have a suitcase full of Bibles to sell, but his moral laxness is revealed when he opens the case to reveal two Bibles, one of which has a hidden
He takes advantage of others by using religious beliefs to his advantage, exactly the opposite of what Christians do. This allows speculation that his supposed “Bible” that is, in fact, a hollowed out Bible filled with whiskey and condoms. Hulga tells the Bible Salesman: “You’re just like them all — say one thing and do another. You’re a perfect Christian.” (467). The comment made by Hulga suggests that she now sees the hypocrisy that is connected to religion, but throughout the whole story, Hulga’s view of hypocrisy is limited. This is a powerful revelation that for the audience because it suggests that she is a hypocrite too. Hulga believes that she is above conventional morality sheds religion to pursue philosophy, so she can live an ethical life than religious people around her. But with all her knowledge, it only makes her blind to where she cannot see her own
Hulga has been to college for many years, earning a Ph.D. in Philosophy. Coming from such a rural background, she feels that her education raises her status in the intellectual world, and therefore life in general, above anyone not as educated as she is. "You poor baby…it’s just as well you don’t understand"(404). The young woman fails to see that there is much more to life than what you can learn in a book. Due to a heart condition, however, Hulga is forced to remain home on the farm, instead of being in an academic setting where her education would be recognized and encouraged. This attitude that she is above most other people isolates Hulga from everyone around her. Even her mother c...
Religion is a pervasive theme in most of the literary works of the late Georgia writer Flannery O'Connor. Four of her short stories in particular deal with the relationship between Christianity and society in the Southern Bible Belt: "A Good Man Is Hard to Find," "The River," "Good Country People," and "Revelation." Louis D. Rubin, Jr. believes that the mixture of "the primitive fundamentalism of her region, [and] the Roman Catholicism of her faith . . ." makes her religious fiction both well-refined and entertaining (70-71). O'Connor's stories give a grotesque and often stark vision of the clash between traditional Southern Christian values and the ever-changing social scene of the twentieth century. Three of the main religious ingredients that lend to this effect are the presence of divine meanings, revelations of God, and the struggle between the powers of Satan and God.
The central theme of Flannery O’Connor’s three short stories is irony. Her stories are parables, that is, short stories with a lesson to be learned.
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
In Flannery O’Connor’s stories, “Good Country People”, “Everything that Rises Must Converge”, ”A Good Man is Hard to Find”, and “The Life You Save May Be Your Own”, there are many similar characters and situations. Few, if any of the characters are likeable, and most of them are grotesque. Two of the stories have characters that view themselves as superior in one way or another to those around them, and in some cases these characters experience a downfall, illustrating the old proverb, “Pride goeth before a fall” (King James Bible ,Proverbs 16:18). Two of the stories include a character that has some type of disability, three of the stories showcase a very turbulent relationship between a parent and child, and three of the stories contain a character that could easily be described as evil.
Joy/Hulga, as the story?s main character, is the singly most significant character to the themes of this story. She is characterized as brilliant and academically sophisticated, yet naïve to the feelings and motivations of others. Ironically, Hulga has a Ph.D. in philosophy, yet she has a very narrow view of her world and no insight into other people?s true character. This contrast in Hulga?s character is the topic of one of the story?s themes: academic knowledge is not to be confused with common sense.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
Flannery O’Connor lived most of her life in the southern state of Georgia. When once asked what the most influential things in her life were, she responded “Being a Catholic and a Southerner and a writer.” (1) She uses her knowledge of southern religion and popular beliefs to her advantage throughout the story. Not only does she thoroughly depict the southern dialect, she uses it more convincingly than other authors have previously attempted such as Charles Dickens and Zora Neale Hurston. In other works, the authors frequently use colloquialism so “local” that a reader not familiar with those slang terms, as well as accents, may have difficulty understanding or grasping the meaning of the particular passage. O’Connor not only depicts a genuine southern accent, she allows the characters to maintain some aspect of intelligence, which allows the audience to focus on the meaning of the passage, rather than the overbearing burden of interpreting a rather “foreign language.”
An ardent Catholic as she was, Flannery O’Connor astonishes and puzzles the readers of her most frequently compiled work, A Good Man Is Hard to Find. It is the violence, carnage, injustice and dark nooks of Christian beliefs of the characters that they consider so interesting yet shocking at the same time. The story abounds in Christian motifs, both easy and complicated to decipher. We do not find it conclusive that the world is governed by inevitable predestination or evil incorporated, though. A deeper meaning needs to be discovered in the text. The most astonishing passages in the story are those when the Grandmother is left face to face with the Misfit and they both discuss serious religious matters. But at the same time it is the most significant passage, for, despite its complexity, is a fine and concise message that O’Connor wishes to put forward. However odd it may seem, the story about the fatal trip (which possibly only the cat survives) offers interesting comments on the nature of the world, the shallowness of Christian beliefs and an endeavour to answer the question of how to deserve salvation.
Due to this, Joy believed that she could seduce him and that he would be filled with remorse and regret afterward. However, when she was with Pointer in the barn, he revealed that he does not actually believe in that stuff; he only pretended that he did in order to make money and to give people a reason to trust him. “‘I hope you don’t think,’ he said in a lofty indignant tone, ‘that I believe in that crap! I may sell Bibles but I know which end is up and I wasn’t born yesterday and I know where I’m going!’”(546). This goes to show that while there are many people who claim to be religious, there are still some who believe in very immoral things. Recently during the March for Life, there were thousands of people participating in the annual protest. While a majority of them came from Christian families, there was a portion of people who were not religious that also joined the campaign to protect the lives of the unborn. On the other hand, people who claimed to be Christians were on the opposing side that was determined to keep the country pro-choice. This is a prime example that being religious does not automatically determine the morality of a
In reality, her writing is filled with meaning and symbolism, hidden in plain sight beneath a seamless narrative style that breathes not a word of agenda, of dogma, or of personal belief. In this way, her writing is intrinsically esoteric, in that it contains knowledge that is hidden to all but those who have been instructed as to how and where to look for it, i.e. the initiated. Flannery O'Connor is a Christian writer, and her work is message-oriented, yet she is far too brilliant a stylist to tip her hand; like all good writers, crass didacticism is abhorrent to her. Nevertheless, she achieves what no Christian writer has ever achieved: a type of writing that stands up on both literary and the religious grounds, and succeeds in doing justice to both.
The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.