A Father’s Transformation Kino, a family man with a dream, transforms into something not human but quite opposite. Juana and Kino both lived in poverty until coming across the pearl. Though the pearl was a miracle, it soon converts Kino into an animal to a machine. John Steinbeck, the author, dehumanizes Kino using figurative language. Steinbeck first uses figurative language when Kino is compared to animals to show how he begins to lose his humanity. For example, when Kino fights with Juana, Steinbeck narrates, “He hissed at her like a snake” (59). Kino is compared to a hissing snake using a simile and shows his first stage of becoming an animal. His malevolence is a clear sign of things to come as his hiss connotes evil and intimidation. In addition, when Kino is on the ground of killing someone, Steinbeck narrates, “Kino moved sluggishly, arms and legs stirred like those of a crushed bug” (60). This supports my claim by displaying Kino moving like an animal using similes. This stage of being a crushed bug connotes disgust, death, and gore. In this stage Kino becomes an animal and soon will transition into a machine. Kino continues to lose his humanity when he is being compared to a machine …show more content…
For example, when Juana argues with Kino about the pearl, she tells Kino, “The pearl is like a sin” (38). The pearl is compared to a sin using a simile and reveals how Juana truly feels about the pearl as it connotes evil, envy, and greed. This supports the fact that the pearl converts Kino and that it isn’t benevolent. In addition, when Juan Tomas tells Kino to leave the pearl, Kino tells Juan, “The pearl has become my soul” (67). Kino is shown to have an obsession with the pearl and that it controls him. His commitment to the pearl connotes obsession, delusion, and compulsion. The pearl and it’s hold on Kino is why he is dehumanized as the book progresses
John Steinbeck uses the different type of languages and the different ideas to describe places in the book 'Of Mice and Men'. In this assignment I am going to looking at the start of chapter one paragraph one, which is the valley and countryside. Also, I am going to looking at the start of chapter two first paragraphs, which is the bunkhouse and it is in the ranch. In chapter one opening paragraph describe countryside before the ranch.
Kino, the main character in “The Pearl”, starts off by being a loving, helpful companion to his lover Juana. The two are so connected they barely feel the need to talk to each other. Their life is almost perfect, until a scorpion stings their baby, Coyotito. Because the couple has very little money, the doctor will not cure Coyotito and says, “have I nothing
This theme is beautifully suggested by how Steinbeck organized the sequences of his novel. He starts off his story with a calm environment, introducing the two main characters. Then he quickly builds up to the climax of his story using figurative language, such as foreshadowing and imagery. After creating a big commotion, Steinbeck suddenly shifts his story back to the same soft setting that he used in the beginning of his novel. Steinbeck began the novel with the line “A few miles south of Soledad, the Salinas River drops in close to the hillside bank and runs deep and green.” (1,) and he began his last chapter with a similar line. By doing this, Steinbeck shows his readers that peace will be found again after a time of
Insert your topic sentence here. (In The Pearl by John Steinbeck, the author uses blah blah blah to prove the points of blah blah points points.) Try not to follow the “road map” structure! Also, make sure not to repeat it in the concluding sentence. The first technique that John Steinbeck uses is repetition of sounds such as alliteration, assonance, and consonance. The author uses assonance in the phrase “Kino had found the Pearl of the World” (23) Although the phrase “Peal of the World” is only repeated once in the passage, it is repeated many more times in the story and has much significance later on. Why might the author have chosen to emphasize these particular words and phrases? Insert an awesome quote, “quote
Kino overall symbolizes clearly good and innocent. Kino is thought of as 'a wise, primitive man' who is hungry for fortune because of the great pearl, which he discovers and later in the story he becomes 'an angry, frightened, but resolute man, determined to keep what he has earned'. He is a young diver who lives in a small village on the coastline of Mexico. In the beginning of the story he has come to o...
When Juana wanted to destroy the pearl, Kino beat her unmercifully: He struck her in the face and she fell among the boulders, and he kicked her in the side...He hissed at her like a snake and she stared at him with wide unfrightened eyes, like a sheep before a butcher. (742) Juana saw through the outer beauty of the pearl and knew it would destroy them, but Kino's vision was blurred by the possible prosperity the pearl brought. The malignant evil then spread to a secret cult known only as the trackers. This corrupt band of ruffians attacked and destroyed Kino's life. The very night that the trackers learned of Kino's pearl, they tried to steal it. The next night, Kino was attacked twice, which resulted in Kino committing murder. After the final struggle of the night, Juana went back to their home to find more baneful members of the heartless cult rampaging through their belongings to find the pearl. The end result was Kino and Juana's house going up in flames. The trackers then committed the cardinal sin, they destroyed Kino's canoe: This was an evil beyond thinking.
In the novel, “The Things They Carried” by Tim O’Brien, he describes parts of his war experiences through the stories told throughout the book. O’Brien discusses the gory detailed chaos of the Vietnam war and his fellow “soldiers.” As O’Brien gives detail of the his “fictional” experiences, he explains why he joined the war. He also describes a time where his “character” wanted to escape a draft to Canada.
John Steinbeck’s use of figurative language and local color in Cannery Row, Sweet Thursday and Of Mice and Men show his growth as a writer and highlight the reoccurring theme of loneliness and ostracism. The time gap in between these books show that Steinbeck grows as he experiences more throughout his life. Steinbeck’s novels are always set in California due to his extensive knowledge of the area since he has lived in the area his entire life. In all of his works the characters use parts of speech and actions that are customary to that area.
The simile in the closing paragraph of this chapter underlines the correlation between hunger and anger by showing how all the migrants are scrambling around from place to place because they are being pushed off their camps. Steinbeck makes the simile, “On the highways the people moved like ants and searched for work, for food. And the anger began to ferment” (284), to show how the anger grows from having too much on their plate (which isn't food). Not only do the migrants have to worry about getting jobs and feeding their families, but they also have worry about where they are camping out. Over time, these migrants will be so fed up with scurrying around that their hunger will also bring frustration and anger with it.
To me, John Steinbeck’s, The Pearl, doesn’t really relate to me or my lifestyle in many ways. However, there are a couple of things I found that were similar in my lifestyle. I wake up every morning and strive to reach the best I can be. I go to school, work hard, and try to reach my best in all that I do. I have found this to be similar to Kino. Kino wakes up every morning and tries to give his family everything possible. He works very hard in finding his pearls and always tries to look for the best in his family. However, when Kino found the pearl and after many tries of getting rid of it, his life turned upside down. Juanita warned Kino many times, but he didn’t listen. Kino encountered many hardships including his son’s death, his house burning to ashes, and his family falling apart. From this, I have learned that when a person finds something that he think can bring something good into a family, he might be wrong because it might actually destroy his family and his life. Clearly, family relationships are very important and in this case, Kino was too late and realized this after his son Coyotito died.
At the beginning, the author describes his movement using a metaphor, as Lennie “[drags] his feet… the way a bear drags his paws” (p.2), to show that he is much alike a bear physically. In addition, Steinbeck uses a simile to emphasize Lennie’s animal-like behaviour, as he “[drinks] wit long gulps, snorting into the water like a horse” (p.3). By comparing his physical and behavioural characteristics, this can foreshadow that the author implies that Lennie is seen as more animal than human because of his metal disabilities. George further makes it evident when he infers that “somebody [would] shoot [him] for a coyote if [he] was by [himself]” (p.12). This shows that people are scared of him and his unpredictable, animal-like behaviour because of the lack of understanding about mental health during the early 1900s. Furthermore, this can be the foundation for the theme where the lack of communication and understanding with the mentally disabled can lead to dire and tragic
He is driven by greed, so much so that he could even see dreams form in the pearl. Kino is the head of a modest household and until he finds the pearl he lives a satisfied life with all he needs for his family to be happy. As soon as Kino finds the pearl he starts to want possessions he never wanted before. He dreams of education for Coyotito, marrying Juana in a Catholic church, purchasing new clothing for his family, and getting a harpoon and a rifle for himself. “It was the rifle that broke down the barriers . . . for it is said that humans are never satisfied, that you give them one thing and they want something more” (Steinbeck 32). Located within a small poverty-stricken community, a pearl diver named Kino finds “the Pearl of the World” and becomes suddenly rich, he begins to want items that he thought were impossible before. As Kino thinks more and more of what the pearl can do for him, he starts to think that it will raise his social status as well. This is only the beginning of Kino’s greediness, for the more he gets, the more he will want, and this begins to dehumanize him. Kino focuses on the wealth of the pearl and causes him to change his values about life. In the beginning, Kino is only focused on his family, once Kino finds the pearl he becomes more focused on the pearl, rather than his family. Kino cares a lot more about losing the pearl rather than something bad happening to his loved
Readers can tell from the statement that many of the people Kino encounters after finding the pearl become bitter “friends”. At this point, Kino and Juana begin to realize that the pearl is bringing bad luck upon them. They are taken advantage of by the doctor and he decides to visit them after knowing they have the pearl. “This pearl is like a sin”(56). Juana begins to realize the pearl is bringing them bad luck, but Kino still trusts that it’s a gift. Readers can also assume that people are trying to take the pearl when Kino is suddenly attacked during the night. “Blood oozed down from his scalp and there was a long…”(56). Readers can now confirm that the pearl has changed and now represents evil. The pearl also begins to destroy Kino and Juana’s relationship as they have different opinions on what to do with the pearl. After Kino wakes up and follows Juana when she wakes up and walks out, readers know he has started to lose full trust in her. “He rolled up to his feet and followed her silently as she had gone” (58). Through the symbolism of the pearl and what it brings upon Kino and Juana, the author emphasizes how the pearl is not what it first appears to be, which was
The pearl symbolizes many different things. To Kino, at first it symbolized happiness and hope. On page 39 in chapter 3, it has stated, "So lovely it was, so soft, and its own music came from it- its music of promise and delight, its guarantee of the future, of comfort and security. Its warm lucence promised a poultice against illness and a wall against insult. It closed a door on hunger." Kino sought happiness and riches, and as he was desperate he was blind to the greed that was enveloping him. All he saw was impossible hopes and dreams in the pearl. In other words, to him, the pearl guaranteed money and the comfort of a tranquil life.
Juana, the wife to fisherman Kino, is one of the main characters in The Pearl. Coming from poverty, Juana and her husband live a minimalist life, as her simple clothes show (a battered blue head shawl and skirt, and a green ribbon knotted in her braids). Many themes in the story revolve around her. Although Juana understands her role to be a subservient and passive wife, she is smart, brave, and determined throughout the novella. Symbolizing the power and strength of women, Juana gradually becomes dominant over her husband. Juana’s second role in The Pearl is to be the protective mother of her son, Coyotito. Last, she is wise and logical in troubling times and acts as the voice of reason. Juana’s words and actions emphasize her various roles in The Pearl.