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Perspective of unemployment
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Telling the unemployed that they have been denied a job opportunity because they are overqualified is never a pleasant experience, even those who do not have any sort of educational background. Such persons can’t help but feel depressed, rejected and hoodwinked, especially after they were promised jobs by our government. What a conundrum! Preston Wallace Jr. affectionately known as “Puzzle”, a top Bahamian artist portrays his personal experiences on the subject of the unfortunate reality of unemployed Bahamians in his song entitled, “Jobless”. He further analyzes the current state of the Bahamian economy by depicting how Bahamians should make an emotional appeal to the government to create jobs. Additionally, he questions how is it possible for Bahamians who have earned a college degree to be unemployed or have a job with very little income as opposed to those who have top paying jobs in the country without any academic qualifications. Puzzle has his finger on the pulse of Bahamian society, documenting current events and our societal realities. He does this with the use of repetitive sympathetic tone, vivid imagery and figurative language.
Puzzle captures the attention of the audience and thereby pleads to former Prime Minister Hubert Ingraham and his government to provide sufficient jobs for our Bahamian citizens. For example with repetitive sympathetic tone, Wallace makes an emotional appeal to the government and emphasizes the hardships of life by chanting:
“Tell Ingraham I need one job, my neighbor dem just got rob, tings aint easy man tings so hard, even rastas say oh my gad, man Ingraham man gimme one job, my neighbor dem just got rob, tings aint easy man tings so hard, I love when jungaliss say oh ya oh ya oh ya oh...
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...ands the troubles and trials Bahamians are faced with and capture his audiences’ attention through catchy lyrics as he explains to the government, a social yet economical issue.
Hence, Puzzle song delivers an informative message, pleading to the government to develop a plan to increase our economical growth. He illustrates his personal experiences that he encountered as an example on the subject of unfortunate reality of unemployed Bahamians, in particular those who have recently graduated college. After listening to the lyrics, listeners view Puzzle as an experienced individual who understands fully how the job market in The Bahamas operates: it does not matter what you are or what you have, it revolves around who you know. Wallace is able to catch the audiences’ attention and thereby advises the government to be more considerate and show sincere for our Bahamians.
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
The human race is an incredible group that expresses their feelings in numerous ways! Singers and rappers express their feelings through song; poets express their feelings through their poetry, and artist express their feelings through their art. Dwayne Michael Carter, Jr., better known by his stage name Lil Wayne, is a 33-year-old American hip hop recording artist from New Orleans, Louisiana, he produced a political and controversial rap song entitled “Georgia …Bush” An incredible seven and a half minutes of music as a tribute to New Orleans, and to criticize the way president George bush handled hurricane Katrina, the war in Iraq, and the way he was governing the country. The setting for this song takes place in New Orleans; right after Hurricane, Katrina destroyed most of the city. The music video featured a large pool of water, destroyed communities, as well as human remains. This song was a massive controversy. Did Lil Wayne go too far when he published this song? Did he let his feeling get the best of him?
...ng” which all have been directed to the experiences of female perspectives. . Through hip-hop, Jerilynn approporatelydelivered messages of female experiences as she states, “...to provide safe spaced for people to express themselves...”(Warner). Drawing on feminist and intersectional theories, this paper highlighted JB The First lady’s demonstrates bodies of possibilities since she counters the negative labels of assumptions of Native women and encourages them to fight against it. Her analysed works, “Get Ready, Get Steady” and “Too late to apologize” discuss the issues in Native communities. In summary, JB the First Lady states, “ “A lot of our music talks about manifesting and encouraging people to find their own gifts and where they come from” (Hong). Thus, Jerilynn’s goal is to motivate the fallen youth of the Native community to get back up and be the change.
Using metaphors that bring every word to life, Harper shares remorse with the reader as he describes the expectation of three Idols in the African American community through a more relatable form that is music. As the reader you place yourself on a train which as
Moreover, the task at hand is not one that is easily accomplished. In order for music to be a hit, it had to be a hit within the white community. The ...
Songs are one way of expressing feelings and emotion, many artist do this constantly in their music. To some it is why they make music. There are endless signs and verses that hint at many things such as problems, politics, living in racist era’s also places. I chose to focus on one main rapper and his music only. I chose to examine, review, and study a few of his songs. Kid cudi grew up in cleveland, Ohio. His father passed away when he was a young age which affected the kid ever since. He writes about living his life and having to go through many obstacles
The spirit of resistance is a powerful force in reggae music. In this essay I will explore the ways that resistance is manifested in reggae music and describe examples of indigenous resistance in Jamaica and Mexico. A strong example of indigenous resistance can be found in the Maroon communities of Jamaica. The Maroons were a thorn in the sides of white plantation owners and an inspiration and expression of freedom and autonomy to the Africans. The history of the Maroons describes a group of diverse people who bonded together beyond the fringes of the colonial system to form their own autonomous nation.
In the beginning of September 2005, disappointment and excitement revealed on my face when I boarded the plane to move to the United States of America. The feeling of leaving my families, friends, school, clothes, and culture in Cameroon presented a hardship for me on this journey. Of course, I anticipated this new life because it indicated a fresh start. I envisioned it resembling life in movies, where everything appeared to be simple and life was simply excellent. All things considered, I was heading off to the United States, known for the American dream. To me it meant that everyone is given equal opportunity to prosper, achieve a family, and attain a successful job as long as they are hardworking and determined. I felt exceptionally honored and blessed to have this open door since I realized that it was not provided to everybody. Coming to America denoted my transitioning on the grounds that I deserted my previous lifestyle in Cameroon, began a new chapter in my life once again, and finally became a much grateful individual.
Without an education Americans are unable to fully prosper and compete with the competitive career pathways, which is the same for any country. In order to grow and expand an individual needs the education and knowledge of the area of expertise they wish to achieve. However, in poorer countries the availability and opportunities to fulfill an education is far slimmer than in the United States. In fact such low education levels have contributed to the issue of child labor, an increasing epidemic in Honduras. Due to “rapid population growth and limited school budgets […] the school day in Honduras has been cut to half a day” (Groves 172). This downsizing has left children with the ability to work for the rest of the day. However once they begin work most tend to quit school believing that it is not worth investing in their education, since working alone provides them with the necessary valuable skills (Groves 172). This perception has led to “between 69 and 75 percent of children working in construction, agriculture, and the service sector” no longer attending school (Groves 172). However this believed perception is far from the truth. From the blue-collar
As an African American woman, I have lived and worked in underserved communities and have experienced personally, the social and economic injustices grieved by underserved communities and the working poor. All of which, has increased my desires to work with such populations. A reserved person by nature, I have exposed an inner voice that I was oblivious to. I have expressed my inner voice to those living in underserved communities, who are seeking social and economic stability. I have come to classify and value the strength I have developed by the need, to survive in an underserved community. I use these as my continuous struggle against the social and economic injustices that I have experienced, as a product of an underserved community and as an African American woman. I have continued my struggle to overcome the barriers from my upbringing in an underserved community.
Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but originated as an empowering art form for urban youth and emerging working class.
His songs, which might be considered as simple, actually have deeply philosophical meaning to contemplate on. For instance, the song “Our Love” which he performed tells about the power of love over any biases, stereotypes and differences. Like the song “Our Love”, there are many lyrics which reaffirm the belief in life and love, as well as depict the challenges and struggles on the way. That is why everyone can connect to the songs, finding one aspect of life or another which one has experienced, as
Marley was born into Jamaica’s poverty and it is where he developed a strong love of reggae and became a Rastafari. Reggae, evolved from another musical style called Ska in the late 1960’s, is considered the voice of the ‘oppressed’ peoples. Many reggae lyrics are politicalised and centre on themes of freedom and fighting for it. (Cooper, 2014)
In the state of California, the number of people who are receiving unemployment assistance has increased in the last few years. To help fund this increase, the budgets of many state programs have been reduced. One of the major reduction areas is in the area of state and local parks and public recreation areas. It would be a logical step to combine the people receiving unemployment with the need to maintain public areas, allowing the recipients to earn their assistance.
King, Stephen; Jensen, Richard,(1995) Bob Marley's "Redemption Song": The rhetoric of reggae and Rastafari Journal of Popular Culture 29.3