Jes Grew

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Ishmael Reed, through parody, allusion, and satire, manages to convey the meaning of Jes Grew without once explicitly defining it. There is a good reason why he never defines it; Jes Grew has no true definition. Even those infected by this ?anti-plague? that evokes the jump, jive, and wail, do what you feel like spirit inside of them, can?t put their finger on exactly what is ?this Jes Grew thing? (33).
One cannot explain Jes Grew without destroying its carefree feeling. Yet without
?finding its text,?
Jes Grew ?will peter out as in the 1890?s, when it wasn?t ready and had no where to search? (34). Ironically, this set both pro and anti-Jes Grew advocates on an identical path: to seek out its text. Apparently an inevitable outcome, this essay too will seek out the implications of the sought after text and the exact meaning of that infectious fiction which Reed so delicately tip-toed around.
Jes Grew at first glance reads as ?just grew.? Reed chose these words to give the phenomenon a sense of emergence. What was not there yesterday has suddenly appeared today because it just recently grew. What used to be the mundane, every day life of the
Negro is transformed into the enlivened carefree attitude of Jes Grew. The personal freedom which had been burning inside the people is suddenly expelled and lived out as if there was nothing to stand in their way. The ?irrepressible fancy? is to get up and express themselves through music, dance, and ?the speaks? (154). The epidemic spreads in a manner just as it exists, for as it pops up all over the country it evokes spontaneous activity in its victims. Jes Grew acts as a drug to those infected by it, which causes them to express themselves in otherwise unacceptable ways. ?The kids want to dance belly to belly and cheek to cheek.... The kids want to Funky Butt while their elders prefer the
Waltz...? (21). And just as the deleterious effects of drugs destroy one?s ability to contribute to the advancement of society, so does Jes Grew stagger the nation?s ability to advance as a whole.
Akin to the bootlegging of the 1920?s, Jes Grew persists despite being outlawed. Yet still the societal advocates attempt to stop the contagion. In one week
?16 people have been fired from their jobs for manifesting symptoms of Jes Grew? (21).
It is those in charge, the white bosses and politicians, who feel threatened by the spontaneous em...

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...entify with the hated ideals of Communism during the Cold War.
The
pre-programmed concepts of Communism were ones which Americans of Ishmael
Reed?s time understood well to be unwelcome. This was the motivation behind
Reed?s
satiristic comparison between the ideals of Communism and those of the
Wallflower
Order embodied in the talking android.
Jes Grew is a phenomenon that, even labeled and categorized neatly by one faction or another, remains identifiable only at the personal level. Those infected with the anti-plague embody the qualities of freedom, but not just freedom from oppression. They experience freedom from society and its constraints, freedom from previous monotone thought, freedom from themselves. Each case is embodied differently by its carrier depending on the form of expression he or she chooses to display.
But one trend remains common throughout the Jes Grew outbreak, and that is that it allows people to stand apart from the programmed mindset of the period. With enough free minds gathered together, unified by a common goal and opposed only by a power blind to that goal, Jes Grew is a phenomenon of revolutionary proportions that holds constant throughout the times.

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