Jazz Music of the 1920-1950’s in South Africa

1269 Words3 Pages

Jazz music of the 1920-1950’s was a central feature in the urban culture of South Africa. This kind of music developed specifically in Johannesburg and a place called Sophiatown. It took root here due to the increasing urbanization of black South Africans in mining centers. This led to the development of slum yards and ghettos where new forms of cross music began to arise. Marabi, the type of music formed, was founded in a time of disparity in South Africa so it became a form of resistance as well as a symbol of the culture. This was very important to the black society because not only did they have their very own music, but it also acted out against the white oppressors which gave them energy and hope for the future.
Marabi and Jazz Music is Born
Marabi echoed the way of life of the people living in the slum yards. It was centered on beer-brewing and shebeens (illegal bar or club) and it was here that Marabi was born. The Marabi dance parties became hubs for the community and its way of life. It also gave the African working classes a new sense of identity. Marabi was a kind of environment and way of expression, more so than a type of music. It was an upbeat and original kind of music that was formed by the blue-collar workers who wanted to relax and dance. The meaning of the word Marabi is not known, however, some of the more common descriptions refer to the phrase 'to fly around' which resembles the tough living conditions of the urban Africans in those days. Marabi grew until it became essential to the new culture of the slum yards. It shaped the life and brought energy to the shebeen parties.
Considering it was associated with illegal liquor venues and multiple corrupted activities, South Africa's early Marabi musicians fo...

... middle of paper ...

...d was highly practiced because of the importance it had and brought to special events such as wedding ceremonies, funerals, initiation rites and daily work. That is why it is important to realize that in South Africa’s history, from the very first moment the Europeans set foot in South Africa, attacks were made on the real, customary, and practiced music of the African people. Thus, at certain stages in South African history, music was being banned and degraded because of its importance.
This is why I looked at South African music, Marabi specifically, in a historical context. It helps emphasize the focal points or many topics that surround or involve township jazz and swing music. So much goes into this music and by looking at it from this perspective, I am able to accurately grasp and appreciate the power and significance of South African jazz and township music.

More about Jazz Music of the 1920-1950’s in South Africa

Open Document