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The theme of racism in Othello by William Shakespeare
The theme of racism in Othello by William Shakespeare
The theme of racism in Othello by William Shakespeare
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The classic stories of Cast Away by William Broyles Jr. and Othello by William Shakespeare illustrate the tragic effect of isolation on the human psyche and how it changes relationships with others. Chuck is first isolated by a plane crash, but when he is brought back into society, his solitude is still present. While Othello’s isolation is brought on by Iago, but existed before within his insecurity of his own race. It is hard for Othello to relate to other characters because he feels he is black and therefore cannot fully comprehend the Venetian culture of the white people. This mindset leaves him vulnerable to Iago’s manipulation. This notion is centered on the fact that since Othello is not white, Desdemona could not truly love him, and she will revert back to loving men of her own race. Othello’s isolation is self-induced because he sees himself as inferior to the society around him. In act I scene I …show more content…
Race was contentious in 1600 Venice, as society was centered on a homogenous ethnicity. Many Europeans had little contact with people from Africa. Their current information from portrayed dark-skinned people as bad; as darkness had a common connotation with evil, death, and mystery. Shakespeare knew that by having the main character, Othello, be a black Moor it would challenge people’s preconceived notions about other races. Not to mention, the antagonist, Iago, was a white Venetian continuing to challenge what society thinks of ‘good’ and ‘bad’ based on appearance. On the other hand, as technology advanced through the 1900s and into the 21st century, many rational fears are centered around the technology that exists today. Although rare, plane crashes happen every year causing many deaths and missing people. Race in the 21st century is not as controversial as it was in the 1600s, so the Cast Away storyline strikes more fear and relates to modern day
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
Isolation can be a somber subject. Whether it be self-inflicted or from the hands of others, isolation can be the make or break for anyone. In simpler terms, isolation could range anywhere from not fitting into being a complete outcast due to personal, physical, or environmental factors. It is not only introverted personalities or depression that can bring upon isolation. Extroverts and active individuals can develop it, but they tend to hide it around crowds of other people. In “Richard Cory,” “Miniver Cheevy,” The Minister’s Black Veil,” and “Not Waving but Drowning,” E.A. Robinson, Nathaniel Hawthorne, and Stevie Smith illustrate the diverse themes of isolation.
Racial prejudice against Othello is introduced early in the play and is present throughout. Iago and Roderigo approach Brabantio with news about his daughter Desdemona. They inform Brabantio his
The early modern definition of race very much differs from the current usage and definition of race today, according to Margo Hendricks, “the word race referred not to the linking of character with physical appearance, but to family and lineage” in addition to cultural customs. In Shakespeare’s Othello, Othello is esteemed for his military power; he is welcomed by Barbantio, and invited into his homes to tell of his adventures. Yet, in many instances the fact that he is a moor takes precedence over any military prowess he may possess. As a general in the Venetian Army, it is expected that utmost respect be shown at all times, yet this is not the case for Othello. Regardless of his acclaimed position of general in the Venetian military, the prejudices held by Iago and Barbantio outweigh his credentials as a civilized human being. His ally Barbantio questions his methods of getting Desdemona to marry him, and concludes that it had to be of some sort of Moorish witch craft or drug. Othello is also disrespected by Iago, a trusted confidant; his very essence is degraded and compared to that of a wild animal while Desdemona is seen as a pure white lamb, whom Othello has corrupted. Iago purposely uses the preconceived notions about Moors to convince others that his culture represents chaos, sexual immorality, and corruption. Iago also preys on Othello's jealousy to twist Othello’s emotions and convince him that Desdemona has been unfaithful.
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
Othello was showing that the connections were there for years. He and Desdemona have known each other since childhood. Othello tried to explain that there was no poison, only a story of events in his life and that she had pity for him. Desdemona showed bravery and mannish demeanor, which Othello fell in love with. Even with all the invites, battles, sieges, and fortunes they shared he still would not consent to his daughter marriage to Othello. Racism was very much alive even as far back as Shakespeare.
Othello is driven so mad with jealousy that he completely submits to Iago. When Iago suggests that he should have Cassio killed and kill Desdemona himself, Othello readily agrees. Iago's manipulation of Othello relied much more heavily on jealousy rather than racism. The theme of racism in Othello is clearly very important.
Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
In Othello, Iago is an antagonist who wants to fulfill his desire of having lieutenancy and proceeds to all that can do to prevent someone from taking his place, in this case it is Cassio, who is now serving as a general for the Venetian military, Othello. Jealousy is intact as Iago’s only rank is Othello’s ancient, but has been seen as a trustworthy person, to him he thinks his credibility is him being viewed as a menial and is very much discontent with Othello’s decision, considering the fact that he’s an essential part in assisting Othello over the course of his career. Hatred is then embroiled, since Iago is planning the deterioration of Othello and Cassio for his advantage. Iago targets the his opposing sides by using race as a way to create turmoil in the relationship that consist of Othello and Desdemona, and attempts to fabricate it by also conjuring a precise web of interlocked components for his scheme. As a result, his actions further created internal damage to Othello that includes more issues within the play. Othello’s race is important to the play because his dynamic character is a huge factor in the way he portrays himself and the understanding of why the conflict of his environment stem from his internal issues as a result of him being black.
In the tragedy Othello, Shakespeare creates a mood that challenges the way a person sees his or her self and the world. Subjects like racism, sexism, love, hate, jealously, pride, and trickery are thoroughly developed in the play of Othello to enable the audience to view the characters and also themselves. The Shakespearean tragedy of Othello was written in a time of great racial tensions in England. According to Eldred Jones, in 1600 just three years before Othello was written, Queen Elizabeth proclaimed an Edict for the Transportation of all "negars and blackmoores" out of the country ("Othello- An Interpretation" Critical Essays 39). It is in this atmosphere that Shakespeare began the masterpiece of Othello, a drama about a noble black Arab general, Othello, who falls in love with and marries, Desdemona, a young white daughter of a senator. From the above knowledge one may conclude that Shakespeare wrote Othello to express that all people, of all ethnicity, are basically the same in human nature. Shakespeare borrowed the idea of Othello from an Italian love story by Giraldi Cinthio. However, Shakespeare focuses more on the differences in color and age between Othello and Desdemona than Cinthio. Shakespeare does this to escalate Othello’s isolation from the rest of Venetian society and to display Othello’s vulnerability due to his color. In the tragedy not only is Othello susceptible to weaknesses but so is every major character . The tragedy reminds humans that even one’s good nature can be taken advantage of for the worse. The drama Othello expresses, through relationships and emotional attitudes, a theme that all humans are vulnerable to destruction even if they are in positions of power and glory.
A society consists of different cultures with people of diverse looks, values, and beliefs. In a world with one predominant culture, those perceived as different from the norm are associated with negative images, treated inferior to the superior culture. The negative images associated with color, specifically blackness, has a detrimental effect on the victims who are racially stereotyped. The character of Othello is a unique character in English literature, because unlike the other members of society, Othello was an outsider in Venice, a black man living in a white world, marrying a white woman, and leading white men as a soldier. Othello is persuaded that his wife, Desdemona, is cheating on him leading him to
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
In the play Othello Shakespeare presents Othello and Desdemona who can be admired as long as they are honorable and noble, but when faced with baser human qualities they crumble.
One of the more noticeable themes that Shakespeare discusses in this play is Ethnicity. Othello is a moor that somehow managed to climb his way up the ladder to the rank of general. At this time in history, blacks were considered to be barbarians, and murderous heathens. It is a very rare thing that a black man would be able to obtain the rank of general in a predominantly Caucasian army. It caused quite a bit of jealousy among the other officers serving under Othello. This element may have fueled the fire behind Iago’s lies and hatred for Othello. Another example when the ethnicity of Othello caused a problem was when he and Desdemona were married. Desdemona’s father is furious over his daughter marrying a moor. They even end up going to an Italian court to settle this matter. Normally Othello would have been executed for his actions, but because he was needed to lead the army he was allowed to stay married to Desdemona. This decision by the courts is another element that contributed to Iago’s betrayal, because if the court had ruled against Othello, Rodrigo wouldn’t have had a reason to pay Iago to spread his lies and deception.