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Conformity vs individuality
Conformity versus individuality
Conformity vs individuality
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The Irrepressible Individual in the Works of Shirley Jackson Throughout her life, Shirley Jackson struggled with a conflict between her dogged individuality and society's requirement that she adhere to its norms and standards. Jackson saw a second level of human nature, an inner identity lurking beneath the one which outwardly conforms with society's expectations. Society's repression of her individuality haunted Jackson in her personal life and expressed itself in her writing through the opposition of two levels of reality, one magical and one mundane, but both equally real. All of the various dichotomies that make up Jackson's double-sided reality can be traced to the hidden human nature, the repressed individual she saw within each of us.
From an early age, Jackson did not feel completely comfortable in the society around her. She preferred to sit in her room and write poetry rather than play with the other children in her neighborhood (Oppenheimer 16). Alone in her room, Jackson explored the magical worlds, the alter-egos which her family did not understand. "I will not tolerate having these other worlds called imaginary," she insisted (Oppenheimer 21). Jackson did not satisfy her mother, a wealthy socialite who wanted her daughter to be beautiful and popular and was disturbed by her talk of "other worlds." Relations between Jackson and her mother were tense throughout her life, paralleling the conflict between Jackson and the society in which she found no place for herself. "I will not tolerate having these other worlds called imaginary" -Shirley Jackson Jackson's mother wrote to her once that "you were always a wilful child" (Oppenheimer 14).
This careless statement captures Jackson's stubborn assertion of her individuality, as well as her mother's disapproval. Jackson's obesity particularly troubled her mother, who suggestively sent her corsets even after she was married (Oppenheimer 14). Being overweight symbolized Jackson's rebellion against her mother and the standards of fashionable society. Her obesity demonstrates the connection Jackson made between her unique individuality and the "freakish and abnormal, the 'grotesque and arabesque'" (Sullivan n. pag.). The abnormal second reality Jackson contemplated in the seclusion of her room was to her supremely ironic.
Jackson rarely ends her stories with a resolution of the plot; instead, a dramatic incident or revelation serves to illustrate the irony she sees in the world. In her most famous short story, "The Lottery," Jackson takes pains to describe a village of hard-working, upstanding Americans.
“The Lost Children of Wilder” is a book about how the foster care system failed to give children of color the facilities that would help them lead a somewhat normal and protected life. The story of Shirley Wilder is a sad one once you find out what kind of life she had to live when she was a young girl. Having no mother and rejected by her father she has become a troubled girl.
He has an internal conflict because he wants to save money to buy back his grandmother’s regalia from the pawnbroker, but he also wants to share his money and he receives money throughout the story. “‘I’m hoping, and I don’t know why I’m hoping it, but I hope you can turn thirty bucks into a thousand somehow.’ ‘I believe in magic.’ ‘I believe you’ll take my money and get drunk on it’” (Alexie para 230). When he receives money, he always ends up spending it on alcohol and sometimes spends it on food. He never spends all his money on himself. Jackson has a man versus nature conflict and a man versus man made environment conflict. His man vs. man made environment conflict occurs when he is too drunk to find a good place to sleep. He ends up falling asleep on train tracks. An example of Jackson’s man vs. mother-nature, “’I was cold and sleepy,’ I said. ‘So I lay down.’ ‘You dumb-ass, you passed out on the railroad tracks.’ I sat up and looked around. I was lying on the railroad tracks’” (Alexie para 195). Jackson also has a conflict with white society. “‘One day you have a home and the next you don’t, but I’m not going to tell you my particular reasons for being homeless, because it’s my secret story, and Indians have to work hard to keep secrets from hungry white folks’” (Alexie para 1). Jackson also has a man versus man conflict with Honey Boy, who tries to get Jackson to hook up with him but Jackson says he’s not a homosexual. “‘I’m flattered, Honey Boy, but I don’t play on your team.’” (Alexie para 165). Jackson does not show any signs of complexity. He is also a stereotypical homeless man. He does spend the majority of the money he gets on alcohol. Jackson also is dynamic since he clearly changes because in the beginning he was just a homeless man with his friends with nobody really paying attention to him, then at the end he felt that everybody stopped to watch him
Growing up on the North/South Carolina border, Jackson’s exact state of birth is debatable. Unlike most historians, Jacksons ascertained that he was from South Carolina. Wherever he actually grew up, it is unequivocal that it was a truculent and violent place to be raised. During his childhood, Jackson became accustomed to the social imperatives of the land; hard work, and military spirit. Specifically, in his hometown, one used “[their ]military spirit to defend yourself, and [their] hands to pull something out of the soil”. Here, Meachem believes the constant exhaustion and threat of violence was “one of the many reasons Jackson became a man who was so prone to violence. He grew up with it, he didn’t know anything else”.
There are events, subtle or otherwise, leading up to a critical change in health status. As nurses at the bedside, we must have strategies and protocols implemented in order to monitor changes in vital signs and trends leading towards a cardiac, respiratory, or neurologic event. In a hospital setting, patients are monitored for changes in condition, whether it be improvement or deterioration, allowing clinicians to decide the course of action to follow in their care.
Jackson wrote several pieces of literature throughout her life, she is most known for her short story “The Lottery.” The lottery takes place in a small town on June 27th. The lottery is an annual event handled by Mr. Summers and the postman, Mr. Graves. The night before the lottery, Mr. Summers and Mr. Graves made slips of paper that are placed in an old black box that has been used for the lottery for a very long time. The children are the first to arrive for the lottery, then the men, followed by the women. As Mr. Summers calls the names of the families in the town, heads of the households, the men, come and draw slips of paper from the black box. During the lottery, Mrs. Adams mentions that the other towns are thinking of stopping their lottery, to which Old Man Warner responds it wil...
Jackson wants to find something that will make him feel like he has done something for his culture and his people. These sayings contradict his actions because every time he gets closer to gaining more money, he spends it. In the long run, Jackson’s pitfalls did not stop his determination to gain back the regalia and ultimately find his personal identity. Given that he is Native American, the reader might assume that Jackson has a feeling of resentment towards white people due to the displacement of his people. From the beginning of the story, Jackson reveals a protective feeling caused by white people.
...popular. Shirley Jackson succeeded in writing a story that shocked the readers and gave them a new outlook on preserving traditions and imperfections of society. The human sacrifices that occur every year with the lottery show that some traditions are brutal and need to be reconsidered. Some of the symbolism such as the lottery, the black box, and the characters help bring about the theme of the short story. Ultimately, Shirley Jackson’s The Lottery shows just how individuals follow traditions and people in front of them by conforming to society.
The novel shadows the life of Janie Crawford pursuing the steps of becoming the women that her grandmother encouraged her to become. By the means of doing so, she undergoes a journey of discovering her authentic self and real love. Despise the roller-coaster obstacles, Janie Crawford’s strong-will refuses to get comfortable with remorse, hostility, fright, and insanity.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
He then explained that his son was interested in playing for T.C Williams. Sunshine then uses a form of psychological Intimidation when he proceeds to throw the football at hit Gerry right in the back which cognitively worried Gerry of the new guy. There was a lot of tension between Ronnie and Gerry throughout most of the movie. Ronnie received the nickname “Sunshine” from Gerry who made a comment that he looked like a fruitcake. This made me think about how Sunshine was being stereotyped because of his long hair. His hair reminded me of the stereotypical hippie that was very popular during the 1970’s. Also, he was from California, and long hair made him look like the typical “surfer dude”. In the next scene, Sunshine decides to make a move that make Gerry feel uncomfortable. It happened in the locker room and Sunshine explains to Gerry that he knows why Gerry is trying to make fun of him in front of his teammates. Sunshine then comes in and kisses
Toni Morrison’s Beloved depicts the complicated mother-daughter relationship between Sethe and her daughter Denver, as Sethe constantly lives in the past and Denver is ignored. Unfortunately, Denver must grow up on her own without the help from her mother who is consumed with her past and the new addition to their household, Beloved. Found on the side of the road, Beloved had won over Sethe’s attention and affection. “Sethe was flattered by Beloved’s open, quiet devotion.” But Sethe had different expectations for her daughter because “the same adoration from her daughter would have annoyed her; made her chill at the thought of having raised a ridiculously dependent child.” (Morrison, 68) Immediately it is seen that Sethe has higher expectations and aspirations for her daughter, but she does not go about conveying these aspirations and expectations in the right way. Already l...
Though it ended abruptly, it was full of symbolism, irony and plot twists. I am sure many people of her time found the story inappropriate. Shirley Jackson showed many people how cruel humans can be and how blind we are when it comes to traditions. In this short story, you see fear, lack of free will, conformity, and the will to
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
The use of guns is to control the natives. In this suburb in Burma, only the British own and possess the guns, “The Burmese population has no weapon” (324) thus, is this which enable the British to appear as demi-gods toward the Burmese and rule over them. Also, the rifle represents the brute force which is at the disposition of the colonial British ruler. “I took my rifle…much too small to kill an elephant, but I thought the noise might be useful in terrorem” (324). This illustrates the dominance of the British Empire over the Burmese. The narrator uses the rifle for self-defense, “I had merely sent for the rifle to defend myself if is necessary” (326). When he kills the elephant it functions as a tool for violence. In addition, the rifle represents those people who easily follow the majority beliefs, but when the Burmese exhort Orwell to kill the elephant it deviates to a weapon “like a mad dog” (330). Then, the change of the rifle is not voluntary- it is rather dependent on circumstances, “I sent an orderly to a friend’s house nearby to borrow an elephant rifle” (325). Thus, Orwell shows how peer pressure occurs and proves relevance by stating how the Burmese pushed him into shooting the elephant. This is the result that peer pressure occurs. Additionally, Orwell warns of the repercussions of yielding to majority power by demonstrating the tragic fate of the rifle. The elephant is killed by