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Discuss the use of irony in Sophocles' King Oedipus
Character analysis essay on king oedipus
Discuss the use of irony in Sophocles' King Oedipus
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Irony in Oedipus the King In his play, Oedipus the King, Sophocles brings to life one of the greatest ironic tragic tales. Irony comes in many different forms: Verbal, Dramatic, and Situational irony. The focus of this paper will be on the verbal irony of Oedipus’ words, the dramatic irony of his actions, and the situational irony of the consequences of his actions.
Sophocles uses verbal ironies to move the story along with helpful clues, as well as giving a warning to his readers about the dangers of rash words and actions. Oedipus is all about show, which is evident in his speeches; he is quite eloquent with his words. At the beginning of the story, Oedipus has enjoyed many years of peace and quiet after solving the riddle of the Sphinx. Now however, the city of Thebes has been struck by a deadly plague.
Oedipus is well aware of the condition of his people, he claims that his burden is heavier than theirs as he must carry the weight of the whole city. “but sick as you are, not one is sick as I.”(646) While he does not himself sufferer physically, perhaps conscience and guilt plague him for the murder of the man at the crossroads before he arrived at Thebes. In order to solve the mystery of the curse upon the city, Oedipus has sent his brother-in-law Creon to seek the advice of the god, Apollo. Once Creon arrives back at the Royal House we see another example of verbal irony as Oedipus tells Creon to speak freely, that he does not fear for his own life, but instead for the happiness of his people. “Speak to us all. I grieve for these, my people, far more than I fear for my own life.”(648) This becomes ironic later when he begins to accuse Creon of trying to steal his throne. Additionally he is not aware of the irony in his words that the murderer of King Laius must be exiled from Thebes, even going so far as to curse him. Oedipus uses flowery words and expressions without thoughtfully considering the consequences of those said words. “if by any
Sophocles’ use of irony displays to the reader that Oedipus is not as much of a visionary as he is made out to be. One of the more iconic portrayals of this would be the scene where Tiresias frames Oedipus for the murder of Laius. In the scene, Tiresias states, “I have said what I came here to say not fearing your countenance; there is no way you can hurt me. I tell you, king, this man, this murderer (whom you have long declared you are in search of, indicting him in threatening proclamation as
The Conspirators. You will pay dearly for trying to put the blame on me” (Oedipus Tyrannus, 399-402). This damages his relationship with Creon, which may have something to do with Creon’s poor treatment of Oedipus in Oedipus at Colonus. As Oedipus himself describes it, Creon comes “not to take [Oedipus] home, but to dump me out on the frontier to protect Thebes from fighting a war against Athens” (Oedipus at Colonus, 783-786). Creon seeks not to help Oedipus, as he claims, but to use his divine power with no regard for Oedipus’s peace or happiness.
“Shepherd: I am on the brink of dreadful speech/ Oedipus: And I of dreadful hearing yet I must hear” (Sophocles 63) With this Oedipus shows that he wants the truth to be reveled so that he can save the city and have the truth realized. It does not matter what the truth is only that he must know who he needs to kill or banish to save the people of Thebes. Oedipus also shows his care for the city of Thebes when he finally learns the truth about who his parents were and that he had in fact fulfilled the prophecy that he had so desired to not do. Oedipus chooses to still banish himself and stick to what he promised the city at the beginning of the play. “conceal me somewhere far from Thebes” (Sophocles 75) Oedipus does this to not only hid from the shame he receives from fulfilling the prophecy but to also end the plague and to save the people of Thebes. Finally Oedipus shows his quality of care for his children a trait that makes him more admirable in the play. This moment is shown after Oedipus finds out that he has fulfilled the prophecy and is the reason for the plague. Then he blinds himself and prepares to banish himself but before he is banished he asks for Creon and asks of a favour “Take care of them Creon do this for me” (Sophocles 77) Thus Oedipus shows his compassion for his children
In the play Othello, Shakespeare uses many literary devices to help the reader understand the theme of the story. One of those many literary devices used in the play, is the wide range of irony. Throughout the pages of the book the reader will see the use of dramatic, situational, and verbal irony. Shakespeare does not use irony in an understated way, it is very direct, and can be found on almost every page of the book. The use of irony creates suspense, and adds interest as to what will happen.
From the opening dialogue we sense the character of Oedipus. When confronted by his subjects praying for relief of the plague he reacts kingly and graciously, saying, “I am king, I had to come....How can I help?...Ask me anything. Anything at all.” He obviously cares for the people in his kingdom, but he goes on to say how he pities “these poor shattered people of [his].” The pity he feels is rooted not only in his love and sympathy, but his arrogance as well. Perhaps this attitude is duly deserved, for Oedipus had solved the Sphinx’s riddle, an apparently heroic feat, and was seen to be “greater than any man”, but the leader that he had become still possessed the hubristic tendencies which doomed him from the time he fled Corinth.
As tragic hero Oedipus displays all of the usual canon; power, arrogance, and pride. Oedipus manifests himself in a position of confidence, which he derives from his success at solving the riddle of the Sphinx and marrying a queen.“It was you who came / and released Cadmus’ Town from the tribute / we paid to the cruel songstress…” (Sophocles, 33-35) , “CREON: Then tell me this - / are you not married to my sister?” (Sophocles, 696-697). In turn, it also enabled him to make rash decisions, such as slaying his father, without personal recompense. “I was to slay my father. And he dies, / And the grave hide...
Oedipus’ anger causes him to kill the father he never knew and all the men in the entourage. Oedipus’ cannot control his temper and this personality flaw leads him to his fate. Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438).
In the play "Oedipus the King" by Sophocles, the author presents us with several instances of dramatic irony. Dramatic irony occurs when the meaning of the situation is understood by the audience but not by the characters in the play. Dramatic irony plays an important part in "Oedipus the King", because it is used to describe Oedipus' character as arrogant and blind toward the truth. The audience is expected to understand Oedipus' history well before he does. In the first three episodes, Oedipus uses a lot of dramatic irony in his speeches.
In Oedipus, he wanted nothing more than to help Oedipus rid the city of whatever plague the gods were hurling at them. Creon goes to Apollo's shrine to find out why the gods are angry and then brings Tiresias to help Creon see what has the gods angry. Oedipus does not want to believe the truths Tiresias is telling him and falsely accuses Creon of plotting against him to become king of Thebes. Creon is so hurt by this that he tells the chorus, "This accusation against me by our ruler Oedipus, It's outrageous. (514)" By the end of the play, Creon tells Oedipus that "I'm always as good as my word; I don't speak before I think(1520)."
Dramatic irony in Oedipus the King is evident throughout, which is similar to the latter play, but in a different form. In here, the irony is evident. Oedipus the King revolves around characters' attempts to change their destiny (which fails) - Jocasta and Laius's killing of Oedipus and Oedipus's flight from Corinth. Each time somebody tries to avert the future, the audience knows their attempt is futile, creating irony. When Jocasta and Oedipus mock the oracles, they continue to suspect that they were right. Oedipus discounts the oracles' power, but believes in his ability to uncover the truth, yet they lead to the same outcome. His intelligence is what makes him great, but it is also what causes the tragedy. When he ridded Thebes of the Sphinx, Oedipus is the city's saviour, but by killing Laius and marrying Jocasta, he is its affliction, causing the blight that strikes the city during the opening. Meanwhile, the characters, especially Teiresias, mention sight, light, darkness, &c as metaphors, while referring to `seeing the truth'. However, while Teiresias knows the truth and is blind, Oedipus can see all but the truth. When he discovers the truth, he becomes blind. Also, he does not just solve the Sphinx's riddle - he is its answer. His birth is mentioned throughout the play (crawling on `4 legs'), and he never relies on anybody but himself (`standing on his own `2 legs'),...
Sophocles’ use of symbolism and irony is shown in Oedipus Tyrannus through his use of the notion of seeing and blindness. This common motif is extended throughout the play and takes on a great significance in the development of the plot. In an effort to escape his god given prophecy, Oedipus tragically falls into the depths of unthinkable crimes as a result of the mental blindness of his character; thus never escaping his lot.
For the majority of the play, right up until the very end, Oedipus sees Creon as an enemy. He thinks that Creon, in league with Tiresias, is Laius's murderer and is conspiring to overthrow the king and take the throne for himself, "You the murderer so self-proved, the self-condemned filcher of my thrown..."(29). However, when the truth comes out that Oedipus has married his mother and killed his father, all is forgiven between the king and Creon. Oedipus makes this beautifully clear when he says "God bless you, Creon, bless your path through life, encompass you with surer joys than mine"(78). Having a good and unmarred reputation is a form of power in that people will respect the person, as well as listen to what he or she has to say. If the truth had never come out and Oedipus had never made peace with Creon, Creon's reputation would have been that of a traitor and a murderer. No one would have respected him and he would not have had any practical strength.
When Oedipus inquires “who is this man whose fate the god pronounces?” (1740) after this inquiry almost every statement made by Oedipus becomes ironic because he is referring to himself though he is yet to find out. The audience is aware that the more he looks into the murder of the former king Laius the worse it is going to be for him. Sophocles’ use of dramatic irony keeps the audience one step ahead of the protagonist so they are able to see the errors made by Oedipus. Because the audience has had time to figure what the mistakes are, they are more emotionally invested in how Oedipus will react when he finally understands all the mistakes he has made through the play. As the play progresses the audiences attitude about Oedipus starts to slowly shift; the emotions start to become deeper and we start to see that though he is guilty of murder empathize with
Owen, E. T. "Drama in Sophocles' Oedipus Tyrannus." 20th Centruy Interpretations of Oedipus Rex. Ed. Micheal O'Brien. Englewood Cliffs, N. J.: Prentice-Hall, 1968. 33-35. Print.
Oedipus is self-confident, intelligent and strong willed. Ironically these are the very traits which bring about his demise. Sophocles makes liberal use of irony throughout “Oedipus the King”. He creates various situations in which dramatic and verbal irony play key roles in the downfall of Oedipus. Dramatic irony depends on the audience’s knowing something that the character does not and verbal irony is presented when there is a contradiction between what a character says and what they mean. Both of these elements are used effectively to develop the tale of Oedipus.